L'homme H

I saw this film when I was a child, and never forgot it. While somewhat similar to films such as 'The Blob' and 'Caltiki, The Immortal Monster' (a Spanish/Italian/Mexican rarity), 'The H-Man' is, as others note, a sort of film noir sci-fi/mystery film. Like most Japanese sci-fi & horror films of the 1950s and 60s, there are instances of unintentional humor, over-the-top acting and a fixation on the effects of radioactivity (not surprising). I had almost given up on finding this title, when fortuitously I ran into a really nice Japanese DVD with superb color and in a widescreen format; no English dubbing, but rather subtitles in the bottom black bar. It was as if I was seeing the film for the very first time! While I have no American version to compare it to, I have no doubt that this version has footage edited from the American release. Interestingly (for me, anyway), the title in Japanese is 'Beauty and the Liquid Human', an odd but actually more accurate title. The H-Man provides some very well-done special effects, creepy atmosphere and a decent amount of suspense. Along with 'Rodan' and 'The Mysterians' (and, I guess, Godzilla), this is among the best of early Japanese sci-fi films.

Like many other posters, I saw this film as a young boy and it gave me nightmares for weeks (maybe even months)! Luckily, my older brother finally convinced me that the "liquid creature" would not survive a swim from Japan to the United States and I was able to sleep again.

I suspect that the modern age's Freddies, Jasons and Leatherfaces would not hold a candle to the effect that this film had on an impressionable youth back then. Perhaps the very fact that the monster had no tangible qualities and could theoretically be any puddle of water you came across was what gave it its fright value.

It would certainly be interesting to see how a remake of this would play today.

I saw this when it was first released in 1958 in Sydney. The theatre was a very large and cold cinema. The atmosphere of the environs only added to the atmosphere of the film. I was six at the time but I can still remember it fairly vividly today - nearly forty years later. It gave me nightmares for weeks.

I always thought this was the movie that the Blob was based on although the release dates seem to be fairly close. This by far was the better movie of the two. I have seen this once again in my older years and it still resurrects memories of those childhood nightmares.

I would love to be able to obtain a copy of the film but it seems these days no-one seems to know of it.

Toho are known for dark gritty movies (Usually about Samurai or the struggles of Japanese life) and goofy giant monster films (Godzilla). That is why this came as so much of a surprise to me as it isn't either.

While the west the same year made The Blob (1958) Toho made their own liquid monster movie and truth be told it's not at all bad and makes me wish Toho had done more horror.

What struck me immediatly was how amazing everything looks, sure it doesn't have the usual incredible writing of Toho and lacks the direction of Kurosawa but it looks a couple of decades ahead of its time. Seriously, I'm blown away.

It tells the story of the police looking for a missing man and during the investigation coming across a mysterious liquid creature whose very touch dissolves its prey.

Though the movie isn't outstanding it makes up for it in enough areas to be more than watchable.

Genuinely creepy and unnerving in places, the H-Man is deserving of any horror fans time.

The Good:

Looks incredible for its time

The Bad:

Cast are pretty below par

Things I Learnt From This Movie:

Microphones are overrated

Before putting your jacket around a woman dip it in sewage first

Be sure to watch for the really creepy flashback sequence wherein the title creature is first discovered by sailors exploring an abandoned ship. The film's photography and special effects deserve a nod also. Those with a soft spot for blob movies are urged to also check out the Steve McQueen film of that name (released the same year), as well as Hammer Films' "X the Unknown" (1956).