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Signes particuliers: néant

Titre original : The Man Inside
  • 1958
  • Approved
  • 1h 37m
ÉVALUATION IMDb
5,9/10
387
MA NOTE
Anita Ekberg and Jack Palance in Signes particuliers: néant (1958)
AventureCriminalitéDrame

Ajouter une intrigue dans votre langueA jeweler's bookkeeper steals a gem and kills someone while escaping to Europe, where he lives luxuriously and chases women. A detective follows his trail, realizing others are hunting him t... Tout lireA jeweler's bookkeeper steals a gem and kills someone while escaping to Europe, where he lives luxuriously and chases women. A detective follows his trail, realizing others are hunting him too, suggesting a deeper mystery.A jeweler's bookkeeper steals a gem and kills someone while escaping to Europe, where he lives luxuriously and chases women. A detective follows his trail, realizing others are hunting him too, suggesting a deeper mystery.

  • Director
    • John Gilling
  • Writers
    • David Shaw
    • M.E. Chaber
    • John Gilling
  • Stars
    • Jack Palance
    • Anita Ekberg
    • Nigel Patrick
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    5,9/10
    387
    MA NOTE
    • Director
      • John Gilling
    • Writers
      • David Shaw
      • M.E. Chaber
      • John Gilling
    • Stars
      • Jack Palance
      • Anita Ekberg
      • Nigel Patrick
    • 17Commentaires d'utilisateurs
    • 3Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos49

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    Rôles principaux38

    Modifier
    Jack Palance
    Jack Palance
    • Milo March
    Anita Ekberg
    Anita Ekberg
    • Trudie Hall
    Nigel Patrick
    Nigel Patrick
    • Sam Carter
    Anthony Newley
    Anthony Newley
    • Ernesto
    Bonar Colleano
    Bonar Colleano
    • Martin Lomer
    Sean Kelly
    Sean Kelly
    • Rizzio
    Sidney James
    Sidney James
    • Franklin
    Donald Pleasence
    Donald Pleasence
    • Organ Grinder
    • (as Donald Pleasance)
    Eric Pohlmann
    Eric Pohlmann
    • Tristao
    Josephine Brown
    Josephine Brown
    • Mrs. Frazur
    Gerard Heinz
    Gerard Heinz
    • Stone
    Alec Mango
    Alec Mango
    • Lopez
    Anne Aubrey
    Anne Aubrey
    • Girl on Train
    Mary Laura Wood
    • Mrs. Pritchard
    Angela White
    Angela White
    • Pamela Pritchard
    Alfred Burke
    Alfred Burke
    • Mr. Pritchard
    Bill Shine
    Bill Shine
    • English Husband
    Joan Ingram
    Joan Ingram
    • English Wife
    • Director
      • John Gilling
    • Writers
      • David Shaw
      • M.E. Chaber
      • John Gilling
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs17

    5,9387
    1
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    9
    10

    Avis en vedette

    8musical-2

    Superb British answer to The Third Man?

    This is a modest British adventure thriller which was hoped would hit the world market at a time when this kind of picture was in vogue. A jewellers book keeper steals a priceless diamond and is trailed by various factions half across Europe. Interesting vehicle for Anthony Newley who was given a more meatier role than his usual light musical comedy roles as taxi driver Ernesto. The all star cast includes the very British Nigel Patrick, Sid James (before his Carry On days), and a guest appearance by Donald Pleasence. Palance and Ekberg gave this British movie the American market interest. Richard Bennett's brilliant theme is akin to The Harry Lime Theme from The Third Man. Written by John Gilling (later of Hammer film fame). A rare movie, not released on video nor seen on TV for many years. Paul Goodhead - President Anthony Newley Society Worldwide.
    dougdoepke

    A Curious Misfire

    A detective pursues a stolen diamond and a voluptuous mystery woman.

    This is a curious production that had me puzzled until I read Zipper69's informative, if dismissive, review. In my view, he's a little too negative, but the movie remains a disappointment, mainly because of the odd casting. As an actor, Jack Palance may be many good things, but a dashing leading man he's not. Plus, his performance here remains just plain weird, the southern accent about as good as mine. I'm not sure what Palance is reaching for, but the director should have exercised better control. Then there's Ekberg, the mammary goddess, who's a first-rate model, but a third-rate actress, especially as a mystery woman. Between them, they distract heavily from the story itself.

    Nonetheless, the plot twists with the golf ball are cleverly inventive, along with the hectic park scene with the magician and the kids. There's also some good noirish photography, but that car trapping the man in the narrow alley was a crime drama cliché even in 1958. Nonetheless, with more appropriate casting and a more engaged director, the film did have real potential. Too bad, it remains a disappointing misfire.
    6dnhalliday

    Unfortunate miscasting but still enjoyable

    Nigel Patrick gives a great performance as usual, ably supported by screen stalwarts such as Sid James Donald Pleasance Gerard Heinz and especially Anthony Newley. Anita Ekberg provides the glamour and there are lots of exotic locations in Europe. However, Jack Palance is woefully miscast as the romantic lead and this film would have been far better if he had swapped roles with Bonar Colleano and played the villainous heavy. Having said that there is still a lot to enjoy as the story is good and there are plenty of entertaining scenes and dialogue. I liked the scenes on the train and particularly those with the precocious little girl. Incidentally, the train seems to start out in Paris as the famous Golden Arrow but ends up being pulled by an ordinary tank engine.
    71bilbo

    A good plot and a great cast.

    I suspect that this was a "B" movie of the day. We don't have "Second feature" movies any more, nowadays we are presented with one almighty production that revolves around a single famous actor and a host of special effects.

    This little offering is different, there is a host of really great actors and a lot of character development. Anthony Newley is great and fits his role so well. Palance seems to be not quite with it but I have noticed this in a few of his films, his Texan accent was a mistake.

    It was interesting to see the change in our leading lady after she had been beaten up. Even her ample top didn't seem to be bursting at the seams!

    Well worth a watch - if you can get it.
    searchanddestroy-1

    John Gilling was not only a horror film maker

    John Gilling was, for the British film industry, a director who gave us thrillers, adventure movies and also horror ones, as also did Terence Fisher, Roy Ward Baker, Freddie Francis. But for each of those directors, we always remind the horror features. For John Gilling, we remind THE REPTILE, SHADOW OF THE CAT, PLAGUE OF THE ZOMBIES, MUMMY'S SHROUD but never his thrillers: PICK UP ALLEY, MAN INSIDE, IT TAKES A THIEF - THE CHALLENGE. I don't even speak of this colonial adventure films speaking of pirates or British Army in India or Afghanistan - BRIGAND OF KANDAHAR, BANDIT OF ZHOBE. For all those films, non horror I mean, Gilling brought his trade mark in the script, directing. Here, he meets Anita Ekberg with whom he also made PICK UP ALLEY, a good thriller where the villain Nigel Patrick nearly steals the show for his performance.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This was Bonar Colleano's final film before he was killed in a car accident on August 18, 1958 at the age of 34, three weeks before the film was released.
    • Gaffes
      When Sam Carter takes delivery of his forged Spanish passport he runs through the attributes it lists - eye colour blue, hair colour fair, height 5 feet 11 and a half inches and so on. However, Spain adopted the metric system in 1849, so his height would have been given in metres/centimetres.
    • Citations

      Robert Stone: Without any warning at all, the door closed on me. I shouted and finally...

      Milo March: You say you've known him for a long time?

      Robert Stone: Yes, he's been doing our books for fifteen years at least. The quietest, nicest fellow you could meet. He came here about once in two weeks. Carter and I used to look at the stone together. We used to stand here, just looking.

      Franklin: Hand in hand?

      Robert Stone: Mr. March, you know anything about diamonds?

      Milo March: Yeah, I know I can't afford them.

      Robert Stone: Then let me ask you; have you ever seen something that became an obsession, something you simply had to possess?

      Milo March: Aha. But she ran away with a Texas oil man.

      Robert Stone: Well, Carter in a sense, eloped with the diamond. I don't condone him stealing it, mind you. But I can understand why he did it. He took it because he fell in love with it.

      Franklin: It's like stealing another man's wife.

      Milo March: Oh, come on now. What can a diamond do for you on a cold night?

      Robert Stone: If you're lucky enough to find The Tyrahna Blue, you'll know what I mean. You see, Mr. March, every man is actually two men: the one the world sees, the other the man inside.

      Milo March: You think that I'll steal it?

      Robert Stone: [chuckles] No, course not, Mr March. But the idea may cross your mind. A diamond like The Tyrahna Blue is like a beautiful woman - irresistible. A fire with passion.

    • Autres versions
      UK cinema version was cut for an 'A' rating.
    • Bandes originales
      Man Inside
      Written by Len Praverman

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    FAQ14

    • How long is The Man Inside?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 7 septembre 1958 (United Kingdom)
    • Pays d’origine
      • United Kingdom
    • Langues
      • Portuguese
      • Spanish
      • French
      • English
    • Aussi connu sous le nom de
      • The Man Inside
    • Lieux de tournage
      • France
    • société de production
      • Warwick Film Productions
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 37m(97 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 2.35 : 1

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