War of the Satellites

This is cut-rate science fiction from Allied Artists and producer-director Roger Corman. The United Nations space program involving launching manned spacecraft into outer space is met with defeat after defeat as a strange energy barrier surrounding the planet destroys any craft that gets too close. One last chance is taken with an experimental solar device which will hopefully subvert the energy field, only unbeknownst to the programs members, the proposed captain (Richard Devon) has been replaced by an alien duplicate bent on stopping human efforts in space exploration once and for all.

This was rushed out in reportedly eight weeks, from conception to theaters, in an effort to cash-in on the Sputnik launch in the news. The special effects aren't very special, and a good bit of the film's final third is comprised on people walking back and forth through the same 10-foot stretch of ship corridor. But I liked seeing Richard Devon, a familiar character actor, in a lead role, and there are some fun moments when his true alien nature pops up. Longtime Corman regular Dick Miller gets one of his very few heroic leading man roles, and he uses a more serious voice than normal, much to my amusement. Susan Cabot acts a bit like a robot. This movie is no one's idea of high art, but it hit enough of the right B-movie buttons for me to be entertaining.

In October, 1957, the Soviet Union surprised everyone with the first successful launch and orbit of a spacecraft, a satellite dubbed "Sputnik". That name and the term "satellite" was on front pages of every newspaper in America.

"War of the Satellites" was produced by Roger Corman because he knew he could get a deal (funding) from his distributor by promising a film with the then hot buzz-word, "satellite", on the marquee. His plan worked and the film was rushed together. By then, Corman had a number of capable people he could count on to pull it off. Discount the war-surplus and junkyard props and and the hardly scientific premise and "War of the Satellites" turns out to be fun and a rather credible popcorn epic. It was released on a double bill and the title brought in the expected crowd.

WAR OF THE SATELLITES is too low budget for it's subject matter but is still great fun. First of all, you have the great Dick Miller as the lead, a cool score by Walter Greene and pretty good low-budget special effects by Irving Block, Jack Rabin and Louis DeWitt. Basic plot is that aliens take over earthlings in order to sabotage our space program, particularly the satellites. Roger Corman's strength was making something out of nothing and this film is no exception. He pulls off some neat ideas and manages to make us so interested in the film we forget how silly some of it is. I think it only runs a little over an hour so he gets right down to business. The movie is very fast-paced. I wish someone would take all of Corman's films for Allied Artists such as ATTACK OF THE CRAB MONSTERS and NOT OF THIS EARTH and this one and release them in a big box set with commentary. Are you listening to this Criterion/Voyager? Not likely but I can dream, can't I? WAR OF THE SATELLITES is hard to find but worth the effort it takes to see it. Recommended for sci-fi fans and Corman/Dick Miller completists.

Typically fast and cheap early Roger Corman sci-fi epic was put together in a hurry in order to capitalize on the launching of the Soviet satellite Sputnik, and the subsequent efforts of the United States to launch a satellite of their own. Lawrence L. Goldman wrote a script (based on a story by Jack Rabin and Irving Block), about the United Nations repeatedly failing with their space exploration missions. A hostile alien intelligence wants Earthlings to cease and desist with these missions, or else. Our intrepid heroes, naturally, become more determined than ever to succeed, and send a pair of rockets into outer space. But the aliens are ready to sabotage the mission.

The not so special effects and the minimum of sets merely serve to add to the fun factor of this Corman quickie. It sure as hell isn't anything great, but then it doesn't try to be. It's an amusing, fast paced, decently acted Allied Artists production that has a certain charm that often came with the low budget genre movies of this period. It's impossible to dislike, especially considering the way that Corman is slyly injecting some commentary about the Cold War as part of the package. Cormans' constant collaborators during this time, production designer Daniel Haller and cinematographer Floyd Crosby, do the best that they can with their minimal budget, and the music by Walter Greene is highly enjoyable. The acting is pretty good from all concerned: Richard Devon is effective as the determined Dr. Pol Van Ponder, Susan "The Wasp Woman" Cabot appealing as leading lady Sybil Carrington. Eric Sinclair as Dr. Howard Lazar, Robert Shayne as Cole Hotchkiss, Jered Barclay as John Compo, and Bruno VeSota as Mr. LeMoine comprise a fine supporting cast. But the primary appeal of "War of the Satellites" is the opportunity to see the legendary Dick Miller in not just a leading role, but a *heroic* leading role, as brave scientist Dave Boyer.

These 66 minutes go by quickly and engagingly.

Seven out of 10.

Roger Corman is well-known for his ability to make something fun and enjoyable out of nothing and War of the Satellites fits the bill. Corman even has a bit part as a ground control radio operator! It is a fast-paced film with an interesting premise that gets right down to business. Just add a few war-surplus props, footage lifted from other films and a set that looks like a basement for a UN meeting scene and Bob's your uncle! I'd love to get my hands on those fabulous reclining chairs that were used by the crew of the rocket ships!