Le masque

I think that I may be in the minority here, but I actually prefer this 1959 movie adaptation of Avery Hopwood's stage-play The Bat over the original silent film by director Roland West. Although it is just as flawed in terms of narrative and undoubtedly lacks its earlier '20s incarnation's stylish visuals, the performances are far less irritating and there is very little sign of the original's dreadful cornball comedy. This version also turns the titular character into something far more sinister than a mere jewel thief—a psychotic serial killer with a penchant for vulnerable women—making it a darker affair overall.

Top-billed horror star Vincent Price is, as always, simply great and easily steals every scene he is in, but his role as devious Dr. Malcolm Wells is merely a supporting one, the focus of the film being on thriller author Cornelia van Gorder (Agnes Moorhead), who finds herself at the centre of a real life murder/mystery when it transpires that there is a fortune hidden somewhere inside the mansion in which she currently resides. Moorhead puts in a strong performance, her character being extremely feisty, unflappable, and resourceful, but most importantly of all, likable.

Creepy, thrilling, and genuinely scary in parts (The Bat, with his hat, mask and clawed glove, looks like a murderer straight out of a giallo), this is one 'old dark house' that you'll have fun exploring.

Watch out for the red herrings, I was wrong. And I am very rarely wrong in pre-1980's whodunits. Grabbing this to watch early Vincent Price I was pleasantly surprised at the quality of thriller that could be produced with the technology. For those of you looking for the technological aspects of movies the lighting and shadow work was excellent. That and the sound-tract adds a lot to the overall feel of the movie. An added plus was Darla from "Our Gang" adding a cute bit part of the movie. Comletely gore-less, this movie actually does as promised and delivers thrills without blood. Something most modern movies cannot pull off.

Problems with the movie - First it has a nasty habit of just dumping information on you instead of making the viewer gradually learn what happens. Second as most 1950's horror fare it does have a tendency to drag on. But both of these can be overcome by what some previous reviewers call a confusing plot. Sorry guys, if you know whodunit at the beginning of the movie it is not worth watching.

Agnes Moorhead (Endora of "Bewitched" fame) is a sheer delight as a cagey old bird of a mystery writer, and Price is wonderful in his seemingly dual role. As has been lamented here before, the brevity of Price's screen time is somewhat disappointing but that is the only factor which disappoints.

I found this to be an inventive and disingenuous endeavor full of red-herrings and wrong turns. Figure this one out for yourself. Puzzle the clues, weed out the characters set here as distractions, look past the deliberate contrivances and solve the mystery on your own.

Excellent entertainment with a splendid darkling atmosphere which I found enormous fun to view. While this is not up to "Gaslight" or "Rebecca" standards, there are many worse ways to spend a late Saturday night, or a rainy Sunday afternoon.

It rates a 7.5/10 from...

the Fiend :.

Cornelia (Agnes Moorehead) is a mystery writer who temporarily moves into a mansion to attempt to get some work done. She later learns that the homeowner embezzled money and hid it in somewhere in the house. After he turns up dead, Cornelia and her houseguests find that someone knows about the money and will stop at nothing to get it. Could it be the notorious spikey-fingered murderer, "The Bat"?

This is a fun little mystery with a delicious performance by the always fabulous Agnes Moorehead. Vincent Price co-stars as the slightly creepy (of course!) town doctor. One of the most intriguing things about the movie is the refreshing treatment of the lead heroine. She has no love interest--something you don't see often in 50s horror movies. Her only reliance is upon her tough (and slightly butch!) maid, and her independence has garnered admiration by her female houseguests (one of which is played by Little Rascal Darla Hood).

Unfortunately, the movie doesn't really capitalize much on the potential of its "big creepy house with a claw-gloved murderer on the loose" premise, and seems to run out of fuel towards the end. Once the body count starts, the actors look like they couldn't care less. But overall, this is an enjoyable and often creepy mystery with terrific performances by Moorehead and Price.

My Rating: 6.5/10

At least the third filmed version of story dealing with master criminal known as the "Bat" that steals and robs and kills. This version is probably the most brutal and certainly the most suggestive. Although shot on an extremely limited budget, The Bat is a pretty good little thriller, thanks in large part to the performances of Vincent Price and Agnes Moorehead and a pretty good script. The story is one of those types that keeps throwing red herrings at you so you will have no idea who the real Bat is. I had no idea who the real Bat was. It also makes good use of a creepy old mansion and has some good comedic, subtle relief. Watch for Darla Hood of Little Rascals fame in a smaller role.