Confidences sur l'oreiller

This hugely enjoyable romantic comedy from the late 1950s teamed Doris Day with Rock Hudson and struck gold. They'd team for three films in all, but this is the best of them.

Doris Day plays an interior decorator who finds she's sharing a telephone party line with a womanising songwriter (Hudson) - she finds him unbearable at the end of the phone, but there are definite sparks for the better when they meet for real. He goes about romancing her in the guise of a nice Southern boy and almost succeeds ...

In support are the funny Thelma Ritter and Tony Randall, perfect foils for the glamorous leads. The film zips along with a large amount of charm, certainly helped by the colour and the snappy title song. There are numerous classic scenes to add to the fun but I won't spoil yours until you've seen it. If you've never seen this, lucky you, you've got a treat to look forward to.

In New York, the interior decorator Jan Morrow (Doris Day) and the wolf composer Brad Allen (Rock Hudson) share a party line, but Brad keeps it busy most of the time flirting with his girlfriends. They do not know each other but Jan hates Brad since she needs the telephone for her business and can not use it.

Coincidently Jan's wealthy client Jonathan Forbes (Tony Randall) that woos her is the best friend of Brad and he comments with him that he feels an unrequited love for Jan, who is a gorgeous woman. When Brad meets Jan by chance in a restaurant, he poses as a naive tourist from Texas named Rex Stetson and seduces her. But Jonathan hires a private eye to find who Rex Stetson is.

"Pillow Talk" is a delightful romantic comedy that improved my Saturday afternoon. This is the first time that I watch this movie and Doris Day and Rock Hudson show a great chemistry. But Thelma Ritter steals the movie in the role of the alcoholic housemaid Alma. The gags with the nurse and the obstetrician are also hilarious. My vote is eight.

Title (Brazil): "Confidências à Meia-Noite" ("Confidences at Midnight")

How can you critique something you are just meant to enjoy? There will never be another combination like Doris and Rock, both giving everything to their roles. And you can tell they are having fun doing them. I especially enjoyed Rock's bit of physical comedy trying to squeeze himself into a very low sports car!

So there I was, in my sick-bed when this film comes on. I start to watch, having never seen it before, and to my surprise, find myself laughing...out loud.

I have never really been a fan of either Doris Day or Rock Hudson, but I did enjoy this piece of fluff. And in our modern times when comedies currently released in the cinema can hardly raise a smile, let alone a laugh, I found this a pure delight. So the sexual politics maybe a little outdated, but there were some beautifully timed comedy set-pieces: The moment Doris Day discovers the real identity of Hudson's character has one of the best use of music I have seen in a movie since the Warner Bros cartoons!

A film that I didn't think I would enjoy, but was completely bowled over by.

Out of all the "Bedroom Comedies" of the 50's & 60's this is the best by far. Nothing else comes close to "Pillow Talk" with its witty script, stylish sets, and costumes and a great cast of "A" actors at their very best. Some movies wrap you up like a warm mink coat and make everything seem right in the world. 1950's New York looks fabulous, and I've always wanted to go one of those chic supper clubs decked out like Doris is here. This is one of those rare movies that make you laugh, no matter how many times you've seen it. How sad it is for some reviewers to take fault with Alma and her apparent drinking problem (only to find love herself and throw away the bottle!) or Rock's sexuality that some just can't get past. This is an elegant romp with Doris and Rock.