Une décoratrice d'intérieur et un auteur-compositeur partagent une ligne téléphonique et se mesurent mutuellement.Une décoratrice d'intérieur et un auteur-compositeur partagent une ligne téléphonique et se mesurent mutuellement.Une décoratrice d'intérieur et un auteur-compositeur partagent une ligne téléphonique et se mesurent mutuellement.
- Réalisation
- Scénaristes
- Vedettes
- A remporté 1 oscar
- 8 victoires et 11 nominations au total
7,420.6K
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Avis en vedette
Enjoy!
How can you critique something you are just meant to enjoy? There will never be another combination like Doris and Rock, both giving everything to their roles. And you can tell they are having fun doing them. I especially enjoyed Rock's bit of physical comedy trying to squeeze himself into a very low sports car!
Bedroom Problems
Out of all the "Bedroom Comedies" of the 50's & 60's this is the best by far. Nothing else comes close to "Pillow Talk" with its witty script, stylish sets, and costumes and a great cast of "A" actors at their very best. Some movies wrap you up like a warm mink coat and make everything seem right in the world. 1950's New York looks fabulous, and I've always wanted to go one of those chic supper clubs decked out like Doris is here. This is one of those rare movies that make you laugh, no matter how many times you've seen it. How sad it is for some reviewers to take fault with Alma and her apparent drinking problem (only to find love herself and throw away the bottle!) or Rock's sexuality that some just can't get past. This is an elegant romp with Doris and Rock.
One of the better sex comedies with perfect casting.
I have just had my first viewing of this film and grinned all thru it, not only that but I also laughed out loud on some occasions as well. So do I love this film because of the following: I have always had the most loin yearning crush on Doris Day since my snot nosed years? I simply find Tony Randall an irresistible comic joy? Rock Hudson actually brings acting substance to the table? Well all of the above helped me to enjoy this delightful sex comedy, however, it should be stressed that it has much more to offer.
I loved that Doris was showing a more sexually knowing side with the character of Jan, I really feel that the chemistry between Hudson & Day is casting gold, and boy is the story a cheeky joyous romp. Tidyily scripted and containing some visual treats {watch as Hudson towers over Randall whilst Randall picks him apart}, Pillow Talk is a film for film lovers to enjoy no matter what is the individual's preferred genre.
Looking at the history of the film I was not surprised to find that it was a massive box office success, for although the film may have been {and still seen this way now} a bit too sweet and sickly for some, it is actually a delightful wink wink nudge nudge comedy that we could do with more of in this day and age. 8/10
I loved that Doris was showing a more sexually knowing side with the character of Jan, I really feel that the chemistry between Hudson & Day is casting gold, and boy is the story a cheeky joyous romp. Tidyily scripted and containing some visual treats {watch as Hudson towers over Randall whilst Randall picks him apart}, Pillow Talk is a film for film lovers to enjoy no matter what is the individual's preferred genre.
Looking at the history of the film I was not surprised to find that it was a massive box office success, for although the film may have been {and still seen this way now} a bit too sweet and sickly for some, it is actually a delightful wink wink nudge nudge comedy that we could do with more of in this day and age. 8/10
Delightful Romantic Comedy
In New York, the interior decorator Jan Morrow (Doris Day) and the wolf composer Brad Allen (Rock Hudson) share a party line, but Brad keeps it busy most of the time flirting with his girlfriends. They do not know each other but Jan hates Brad since she needs the telephone for her business and can not use it.
Coincidently Jan's wealthy client Jonathan Forbes (Tony Randall) that woos her is the best friend of Brad and he comments with him that he feels an unrequited love for Jan, who is a gorgeous woman. When Brad meets Jan by chance in a restaurant, he poses as a naive tourist from Texas named Rex Stetson and seduces her. But Jonathan hires a private eye to find who Rex Stetson is.
"Pillow Talk" is a delightful romantic comedy that improved my Saturday afternoon. This is the first time that I watch this movie and Doris Day and Rock Hudson show a great chemistry. But Thelma Ritter steals the movie in the role of the alcoholic housemaid Alma. The gags with the nurse and the obstetrician are also hilarious. My vote is eight.
Title (Brazil): "Confidências à Meia-Noite" ("Confidences at Midnight")
Coincidently Jan's wealthy client Jonathan Forbes (Tony Randall) that woos her is the best friend of Brad and he comments with him that he feels an unrequited love for Jan, who is a gorgeous woman. When Brad meets Jan by chance in a restaurant, he poses as a naive tourist from Texas named Rex Stetson and seduces her. But Jonathan hires a private eye to find who Rex Stetson is.
"Pillow Talk" is a delightful romantic comedy that improved my Saturday afternoon. This is the first time that I watch this movie and Doris Day and Rock Hudson show a great chemistry. But Thelma Ritter steals the movie in the role of the alcoholic housemaid Alma. The gags with the nurse and the obstetrician are also hilarious. My vote is eight.
Title (Brazil): "Confidências à Meia-Noite" ("Confidences at Midnight")
Comedy to aid the sick!
So there I was, in my sick-bed when this film comes on. I start to watch, having never seen it before, and to my surprise, find myself laughing...out loud.
I have never really been a fan of either Doris Day or Rock Hudson, but I did enjoy this piece of fluff. And in our modern times when comedies currently released in the cinema can hardly raise a smile, let alone a laugh, I found this a pure delight. So the sexual politics maybe a little outdated, but there were some beautifully timed comedy set-pieces: The moment Doris Day discovers the real identity of Hudson's character has one of the best use of music I have seen in a movie since the Warner Bros cartoons!
A film that I didn't think I would enjoy, but was completely bowled over by.
I have never really been a fan of either Doris Day or Rock Hudson, but I did enjoy this piece of fluff. And in our modern times when comedies currently released in the cinema can hardly raise a smile, let alone a laugh, I found this a pure delight. So the sexual politics maybe a little outdated, but there were some beautifully timed comedy set-pieces: The moment Doris Day discovers the real identity of Hudson's character has one of the best use of music I have seen in a movie since the Warner Bros cartoons!
A film that I didn't think I would enjoy, but was completely bowled over by.
Le saviez-vous
- AnecdotesRoss Hunter wrote that after he made this film, no theatre managers wanted to book it. Popular movie themes at the time were war films, westerns, and spectacles. Hunter was told by the big movie chains that sophisticated comedies like this movie went out with William Powell. They also believed that Doris Day and Rock Hudson were things of the past and had been overtaken by newer stars. Hunter persuaded Sol Schwartz, who owned the Palace Theatre in New York, to book the film for a two-week run, and it was a smash hit. The public had been starved for romantic comedy, and theatre owners who had previously turned down Hunter now had to deal with him on HIS terms.
- GaffesWhen Jan and Jonathan are talking in front of the interior design store about the car he is offering her, the same extras are seen multiple times. A woman with a blue coat and gray hat walks by four times, and a woman with a red coat walks by at least three times.
- Citations
Hotel clerk: There's no phone number, but I have a forwarding address.
Jonathan Forbes: 241 Stoneybrook Road.
Hotel clerk: Why yes sir.
Jonathan Forbes: [slams counter] And you let her go.
Hotel clerk: Well, it wasn't my place...
Jonathan Forbes: No, it's my place, and I helped him pack.
- Générique farfeluAs Doris Day sings 'Pillow Talk' over the closing credits, the film finishes with 'the end' on two horizontal pillows followed by 'not quite', 'not quite', 'not quite', 'not quite' stacked vertically on four pillows.
- ConnexionsFeatured in The Doris Mary Anne Kappelhoff Special (1971)
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- How long is Pillow Talk?Propulsé par Alexa
Détails
Box-office
- Brut – à l'échelle mondiale
- 10 265 $ US
- Durée
- 1h 42m(102 min)
- Rapport de forme
- 2.35 : 1
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