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The Savage Innocents

  • 1960
  • Not Rated
  • 1h 50m
ÉVALUATION IMDb
6,8/10
2,1 k
MA NOTE
The Savage Innocents (1960)
AventureCriminalitéDrame

Ajouter une intrigue dans votre langueAn Inuit who has had little contact with white men goes to a trading post where he accidentally kills a missionary and finds himself being pursued by the police.An Inuit who has had little contact with white men goes to a trading post where he accidentally kills a missionary and finds himself being pursued by the police.An Inuit who has had little contact with white men goes to a trading post where he accidentally kills a missionary and finds himself being pursued by the police.

  • Director
    • Nicholas Ray
  • Writers
    • Hans Ruesch
    • Franco Solinas
    • Baccio Bandini
  • Stars
    • Anthony Quinn
    • Yôko Tani
    • Peter O'Toole
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,8/10
    2,1 k
    MA NOTE
    • Director
      • Nicholas Ray
    • Writers
      • Hans Ruesch
      • Franco Solinas
      • Baccio Bandini
    • Stars
      • Anthony Quinn
      • Yôko Tani
      • Peter O'Toole
    • 34Commentaires d'utilisateurs
    • 21Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 1 victoire et 1 nomination au total

    Photos24

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    Rôles principaux18

    Modifier
    Anthony Quinn
    Anthony Quinn
    • Inuk
    Yôko Tani
    Yôko Tani
    • Asiak
    Peter O'Toole
    Peter O'Toole
    • First Trooper
    Carlo Giustini
    Carlo Giustini
    • Second Trooper
    Anna May Wong
    • Hiko
    Kaida Horiuchi
    • Imina
    Marco Guglielmi
    • Missionary
    Lee Montague
    Lee Montague
    • Ittimargnek
    Marie Yang
    • Powtee
    Andy Ho
    • Anarvik
    • (as Andi Ho)
    Anthony Chinn
    Anthony Chinn
    • Kiddok
    • (as Anthony Chin)
    Yvonne Shima
    • Lulik
    Francis De Wolff
    Francis De Wolff
    • Trading Post Proprietor
    Michael Chow
    Michael Chow
    • Undik
    Ed Devereaux
    Ed Devereaux
    • Pilot
    Nicholas Stuart
    Nicholas Stuart
    • Commentarist
    Robert Rietty
    Robert Rietty
    • Missionary
    • (voice)
    • (uncredited)
    Nikki Van der Zyl
    Nikki Van der Zyl
    • Asiak
    • (voice)
    • (uncredited)
    • Director
      • Nicholas Ray
    • Writers
      • Hans Ruesch
      • Franco Solinas
      • Baccio Bandini
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs34

    6,82.1K
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    10

    Avis en vedette

    7weskelley

    Cultural Study

    This movie presents an intriguing picture of two widely dissimilar cultures coming together. The Eskimos are simple and innocent, but ideally suited and armed with the knowledge to survive one of the harshest places that people inhabit. One my favorite moments occurs when the officer says he can subdue the main character by himself, to which the main character replies, "You are that strong?", showing the absence of boastfulness in the Eskimo culture, which stems from the cooperative nature necessary to survival. The stark and uncluttered settings give space to concentrate on the dialog. Definitely worth watching
    bebop63-1

    Quinn-tessential

    This movie serves primarily to showcase the versatility of veteran actor Anthony Quinn, who has portrayed characters of almost every ethnicity (Italian, Greek, Mexican, Native American, Arab,Filipino, just to name a few). Here he plays the role of Inuk, a typical Eskimo (Inuit) who lives and thrives in one of the harshest of climates, the Arctic, a perennial wasteland of ice and snow, where they have to subsist on the raw flesh of the native fauna such as seals, walruses and fish, as well as endure subzero temperatures and utilize the scant resources at hand. Yet for all the unforgiving nature of the environment, the Inuits are depicted as a warm-hearted, cheery lot who are content as long as they have sufficient food to go around and have the company of friends and relatives, and - in the case of the men - a woman to snuggle up to under the blanket and "laugh" with (a euphemism for carnal relations). Yet this wonderful cinematographic masterpiece is not without its flaws. Though the Eskimo culture is quite alien to most 'city slickers', one can obviously observe the inaccuracies and misconceptions of their way of life generated by this film. For instance, it is hard to believe that Inuk and his wife could be so naive as not to know that a baby is naturally toothless at birth which is not the result of some broken taboo, nor can viewers find it conceivable that their customs dictate that the old and infirm are mercilessly abandoned to exposure to the elements (or to be devoured by polar bears in this instance)when they begin to pose a burden to the family. That said, one can't help but empathize with the character of Inuk (whose name actually refers to all Inuits in general), admire his hunting prowess and survival skills, laugh at his foibles and follies and understand his adherence to traditional customs as that is all he knows and believes is right. It is also an insightful study of how the influence of white Western ways have a paradoxically beneficial and detrimental effect on indigenous cultures,as seen in the part where Inuk and his family visit the trading post.For those who prefer to concentrate only on the negative aspects (thereare indeed some stomach churning scenes such as the missionary beingserved food infested with maggots, which the Inuits consider gourmet,and the unseen but implied slaying of a dog to save a man's life), a second and perhaps third viewing is highly recommended.
    7macinyart

    More documentary than fiction

    I saw this movie many years ago. My recollection of it is that is a documentary comment on the interface of two widely different cultures. I also just finished reading Kabloona a book written by a white Frenchman in the later 1930s about the Eskimo Culture. The points made in the book confirm those points made in the movie. The Eskimo apparently is a guileless innocent whose life consists primarily of staying alive and fed. The innocence of these people was highlighted in the scene where Anthony Quinn came back to his igloo and found that his wife had given birth. He asked her the baby's name and when she told him, he responded in amazement, "How did you know?" As far as the scene where a man's hands were stuffed into a recently killed dog is concerned, the speed with which freezing occurs at 50 below zero is not to be believed. That scene demonstrates the fact that the Eskimo regards his dogs as livestock and useful. Shocking, but apparently realistic.
    10wild-plum

    An excellent movie

    In the late sixties, bob dylan was asked how he came to write the song "Quinn the Eskimo". He replied that he'd seen this movie in which Tony Quinn played an Eskimo. The Savage Innocents is that movie. (In a much later book about his lyrics, Dylan says he doesn't remember how the song came about- like many of us, ol' bob's memory ain't what it used to be.)

    This is the most accurate portrayal of Eskimo customs ever to come out of Hollywierd. It contrasts the cultural practices of Inuit and North American societies at a time when many Inuit people had not yet encountered the white man and his ways. The movie asks the question "who is savage and who is innocent?" The movie is full of memorable performances and "sound bites". You'll come away with a new appreciation for traditional Eskimo culture and more than a few new quotable quotes.

    When Quinn the Eskimo gets here, everybody's gonna jump for joy!
    chaos-rampant

    Encounters at the End of the World

    Inuk is a lonely Inuit hunter making ends meet in the barren, unforgiving wastes of the arctic regions by hunting seals and bears. So begins the glacial odyssey of one man against two worlds, his own and that of white man. In many ways a "northern", the frostbitten equivalent of the western (a genre director Nicholas Ray was familiar with), THE SAVAGE INNOCENTS shares many of the same themes and ideas with that most quintessentially American of genres - survival in a savage landscape, the frontier of civilization, the cultural clash between different civilizations. Yet no sight of spurs, stetson hats or six-shooters to be found in the movie. What other proof do we need that such ideas are universal?

    Filmed in the arctic regions of Canada and Greenland, and presenting us with a faithful and loving documentation of Inuit traditions and life, Ray on one hand captures the sheer monumental beauty of the harsh arctic wastelands with a kind of Kubrickian grandeur, while on the other reserving for his characters the utmost sympathy and affection. The stark realism of the uninviting climate contrasted with the good-natured predisposition and unpretentious simplicity of the people living in it. Realism meeting halfways with humanism in a movie that is as humorous and touching as it is cerebral, part survival grit and part mythological folklore.

    And then white man comes into Inuk's world. With his rifles, his loud rock'n'roll music, his missionaries preaching their god, his weird customs and laws. That doesn't mean that what precedes Inuk's encounter with the white men of a trading post and the preacher living there is an idyllic utopia - Inuk is ready to club another man to death for taking the woman he planned to make his wife. Still it would be easy to sneer sarcastically from the comfort of our modern homes at the primitive customs of Inuit. "In the age of the atom bomb", says the voice-over narrator, "these people still hunt with bow and arrow". Indeed they do; they also leave their elders alone to die in the snow when they become too old to contribute to the household anymore and they leave their firstborn babies to die unless they are male, so they can take care of them when they in turn grow old. But such is the nature of their lives and the environment they live in.

    Anthony Quinn's performance as Inuk is fantastic, equal measure good-natured forwardness and unreserved honesty. A man as likely to offer you his wife as he is to bash your brains in for refusing her. Peter O'Toole (two years before LAWRENCE OF ARABIA) in the role of the officer sent to arrest Inuk for the murder of the preacher doesn't match Quinn but he's a nice addition to the cast. The most dramatically poignant moments in the film come from their interactions as Inuk struggles to comprehend the crime he is accused of. "But my Fathers' laws have not been broken" he says when he is informed he broke the law and will have to be taken back for trial. "When you come to a strange land, bring your wives, not your laws" is what Inuk's wife tells the officer.

    A great, great movie I can't recommend enough to fans of tales of survival in stark environments, different cultures and their folklore. NANOOK OF THE NORTH and DERSU UZALA are advised to look out for it.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      It was seeing this film, as an upcoming singer/songwriter, that inspired the young Bob Dylan to write the song "The Mighty Quinn (Quinn the Eskimo)."
    • Gaffes
      After giving the bear the baited food, Inuk initially chases it empty handed, then appears with a spear.
    • Citations

      First Trooper: Inuk. listen. No judge in the world will understand you offering another man your wife.

      Inuk: But it is our custom, we must be polite. White men don't borrow other men's wives?

      First Trooper: Never mind that. You don't lend your wife as if she were a sled.

      Inuk: Oh ho ho, someone would rather lend his wife than his sled. You lend your sled, it comes back cracked. You lend your knife, it comes back dull. You lend your dogs, they come back tired and crawling. But if you love your wife, no matter how often you lend her, she always comes back like new.

      Inuk: [embraces Asiak]

      Inuk: Man, man, you don't understand?

      Inuk: I understand. But the other men live by the book, and there you are a murderer

      Inuk: But we must make them understand, otherwise Papik, Asiak and me cannot go into other men's igloos, that is OUR law.

      Inuk: We change the book, huh?

      [to Asiak as he prepares to go out]

      Inuk: You bring the food

      [Exits]

      First Trooper: [to Asiak] They'll never understand.

      Asiak: [as she exits the doorway of igloo] When you come to a strange land, you should bring your wives, and not your laws.

    • Connexions
      Referenced in Lightning Over Water (1980)
    • Bandes originales
      Sexy Rock
      Written by Angelo Francesco Lavagnino and Mario Panzeri

      Performed by Colin Hicks

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    FAQ

    • How long is The Savage Innocents?
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    Détails

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    • Date de sortie
      • 4 février 1961 (Canada)
    • Pays d’origine
      • Italy
      • France
      • United Kingdom
    • Langue
      • English
    • Aussi connu sous le nom de
      • Top of the World
    • Lieux de tournage
      • Canada
    • sociétés de production
      • Société Nouvelle Pathé Cinéma
      • Appia Films Ltd.
      • Gray-Film
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 50 minutes
    • Rapport de forme
      • 2.20 : 1

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