Ce monde à part

Vincent Sherman directed this long but interesting drama that stars Paul Newman as Anthony Judson Lawrence, an ambitious young man in Philadelphia society who rises from construction foreman to law school student with a good offer of employment that is interrupted by the Korean War, which sees Tony distinguish himself even more. After his discharge, he resumes his successful career, finding love along the way. There is a sad development when old friend(and fellow war veteran) 'Chet'(played by Robert Vaughn) has fallen on hard times, now an alcoholic accused of murder, and wanting Anthony to defend him, despite his inexperience... Despite the potential simple soap opera story, this is a well acted and written film that is surprisingly interesting. Glossy but entertaining.

The Young Philadelpians which was made in 1959 is tame by today's standards; out-dated for sure. Yet, when it was made it was not only controversial, but very daring for it's time; dealing with homosexuality, child-birth out of wed-lock, mental illness, adultery, suicide and alcohol abuse.

Paul Newman was out-standing in the role of Anthony Judson Lawrence, a career driven lawyer, whose mother is hiding a deep dark secret. Newman is at his physical prime; handsome and lean. Everyone in this classic black and white soap opera was great. Just a really entertaining rainy night movie.

Building a Hollywood resume as outstanding as he did, actor Paul Newman selected roles which in one way or another tapped his enormous talent. This movie is a prime example of that legendary persona. The Film is called " The Young Philadelphians " and is the story of Anthony Judson Lawrence (Paul Newman) who is born into an upper social class family. Although raised as an up and coming Laurence, his mother Kate (Diane Brewster) and father (Brian Keith) keep from him a dark family secret which involved his biological father (Adam West). Having graduated from a prestigious Ivy league school, believes he can contribute to his family name. However ambitious he is, there are several outside influences which seek to bar his success. There is a young lady (Joan Dickinson) whom he wishes to marry, but who's father (John Williams) is against it. Then there are the In-laws who believe Lawrence's mother is a disgrace by fathering an illegitimate child. In addition, there are faltering friends like Chester Gwynn (Robert Vaughn) who calls on him when charged with murder. Then there are influential millionaire friends like Mrs. J. Arthur Allen (Billie Burke) who is impressed with Lawrence's ability to succeed when put in real jeopardy. This happens when he is chosen as defense counsel for his friend Chester in a real life drama which endangers his family, his friends and himself if he should fail. All in all, this is one film not to be missed by fans of Paul Newman. The end result is another milestone and a definite Classic for his career. ****

Set in Philadelphia society in the 1940s/1950s. The two leads- Newman and Rush are excellent, but it is Vaughan as Newman's alcoholic buddy who gives the best performance- he was nominated for an Oscar. Billie Burke as the rich, eccentric little old lady is a delight. Alexis Smith as the attractive frustrated wife married to Newman's elderly boss gives a great performance. Several of the other supporting players- Keith, Picerni, John Williams as Rush's father, and Krueger as Newman's boss are excellent. I own the video and have watched the movie numerous times.

... by not marrying his father in the first place. Let me explain.

Kate Judson (Diane Brewster) marries socialite Bill Lawrence (Adam West... yes THAT Adam West). Kate marries him because her mother wants the marriage into high society. But apparently, Bill is gay. The film comes as close to saying that as you could in 1959. He runs out of the honeymoon suite. Kate runs to the man she really loves, construction company owner Mike Flanagan (Brian Keith). When she returns home later that night she learns Bill has died in an accident. Nine months later a son is born. But the mother in law has PIs all over the place and tells Kate she knows this is not her grandson and offers to pay her off as long as she and the baby relinquish the Lawrence name. Kate refuses, because the Lawrence name will open doors for her son some day. She also refuses to marry the father whom she loves, because "people will talk" and possibly figure out his real parentage.

So the son grows up to be Paul Newman, Mike Flanagan overpays him to work at his flourishing construction business, and as he grows into manhood he is now rubbing elbows with some of the most insufferable snobs ever committed to celluloid. They lie. They cheat. They steal. They mess with him professionally and romantically. He tries to keep his honor, but they don't make it easy for him.

If Kate had married Mike in the beginning she would have had all of the money she ever needed because Mike was very successful, avoided both her and her son's suffering, and yes, those snobs would have had nothing to do with her family, but after watching this film that seems like a plus.

Billie Burke as a widow worth a billion dollars in today's money is hilarious. She ventures out on Christmas just to make sure her dog is mentioned in her will. Robert Vaughn is a standout as a blue blood friend of Newman's character who drinks heavily to deal with the hypocrisy of his relatives.