The Big Day

Great character all very well acted. Three very different candidates after the plum position and willing to use dirty tricks to get it. Very short and as it was so good it would have been even better if it had been a bit longer. A bit odd that it was so short. A very enjoyable watch and an interesting look at late 50s early 60s office life with not a PC or laptop in sight but plenty of typewriters clicking away.

A strongly recommended watch as a good film and a look at a time long since passed, unfortunately. Not seen by many, which is a shame, going by the low number of reviews so see if if you get the chance.

It is no exaggeration to say that if Shakespeare had been around in 1960 this is the type of thing he would have written. Not for him the then popular Angry Young Man - he'd already done that.

This terrific tragi-comedy follows the story of 3 very different men as they vie for a vacant managerial post on the board of the small factory in which they work.

The always wonderful Donald Pleasance gives probably his best ever performance ever as a flawed, timid accountant.

Harry H Corbett, as a ne'er-do-well who has managed to marry his boss's sister, has a chance to show what a great actor he was and how much he deserves to be remembered for far more than just Harold Steptoe.

While the always excellent William Franklin, as an ambitious salesman, is allowed to give his familiar suave persona much depth than normal.

Though made on a B movie budget its acting, script, witty dialogue and location filming are all spot on. When the film was first shown post war austerity was just coming to an end and the swinging 60's were yet to arrive. A previous reviewer has mentioned the frank treatment of sex for the time and I will add to that its giving substantial roles to women - which also made it a forerunner of things to come.

This greatly underrated film would have been misunderstood when it came out and sadly fell into oblivion. It now well deserves to be rediscovered and really is a must see. Oh, and do laugh at the funny bits, they are meant to be there!

Almost didn't record this due to the insipid description on talking pictures, but wow head and shoulders one of the best old British films I've seen on there.every ageing middle managers dream, excellent pacing strong plot no weak link in the cast and perfect run time,the 1st film on talking pictures that I didn't fast forward 1 minute.

An incisive, economy-sized British version of 'Executive Suite' with an extraordinary cast, most of them better known for comedy and here much younger than we're accustomed to seeing them, which vouchsafes such cynical insights into office politics as "I find mediocrity around me less trouble."

In addition to the men the film also boasts a strong female lineup with radio comediennes Andree Melly and Betty Marsden as Lola to Donald Pleasance's Emil Jannings and William Franklyn's nagging wife respectively.

Made just before the dynamic, diametric shift of the more confrontational kitchen sink dramas like 'Poor Cow', and 'Darling', 'The Big Day' is a little more stolidly fashioned B-feature, while considerably less showy, Peter Graham Scott's compact, well acted drama about the the sly, internecine machinations of 3 disparate employees of a busy, mid-sized firm up for a directorship has much to recommend it to fans of vintage British melodrama. What might have been a somewhat glum, downbeat drama was vividly coloured by some robust acting from a capable cast with notably strong, well nuanced performances by future Hammer Horror scream queen Andree Melly as the immature, trampy, greatly manipulative teenage mistress Nina Wentworth, and terror titan Donald Pleasence is simply terrific as the melancholy, self-doubting accountant Victor Partridge whose somewhat sordid extra marital affair dramatically threatens both his mental equilibrium and his diminishing chances of promotion. 'The Big Day' is an engrossing study of toxic office politics, while not often mentioned, it remains a fascinating document, a fine, dramatically sound feature that proves once again what sublime acting range Harry H. Corbett revealed when playing straight, darker-edged roles, effortlessly oozing underhanded sleaze as the bone idol, money-grubbing schnook Harry Jackson.