Carry on Constable

A flu epidemic has reduced the local police station down to a skeleton crew. Hope arrives in the form of four recruits - - that's no hope mind you...

Carry On Constable introduced the wonderful Sid James to the series, he would become one of the most beloved actors to Carry On film fans. Ironically "Constable" finds James somewhat removed from the type of character he would become known for, it's a restrained role and showcases his acting abilities as an official figure type, the glue binding the whole play together.

The fourth film in the Carry On series retains the more genteel comedy factors that had imbued the previous three outings, though this would be the first to show nudity! Four policemen's bums gleaming bright! A scene that provides a splendid anecdote in Kenneth Williams brilliant book, Just Williams (I urge anyone interested in classic film/TV/radio/stage to check it out).

Plot basically pitches the four recruits, Williams, Leslie Phillips, Charles Hawtrey and Kenneth Connor (brilliant as usual as a superstitious sort) into a number of chaotic physical situations mined for laughs. Back at the station Sgt. Frank Wilkins (James) is pulling his hair out at the ineptitude of his new charges - and that of his ignoramus boss, Inspector Mills (Eric Barker). Joan Sims is on hand to steam the collar of Kenny Connor, just as Phillips lusts after any female form, while Hattie Jaques provides a glimpse of her tender character acting side as the station's sensible soul.

There's some drag dressings played for good laughs, a whole bunch of scenes where the not so intrepid coppers get taken for fools, and a few deftly scripted lines guaranteed to raise a smile. Elsewhere there's a raft of super character actors in cameos who beautifully portray the classic eccentricities of the Brits of the era, so take a bow Irene Handl, Esma Cannon and Joan Hickson (wonderful as a posh drunken lush). Never riotous or bawdy, "Constable" is still a fondly thought of entry in the long running series, as are most of the black and white productions. It shows a group of film makers very much of the time and using it to the max. Lovely. 8/10

The fourth film in the long running British comedy series, Constable sees Sid James making his Carry On debut as Sergeant Frank Wilkins, whose police station has been hit by a flu epidemic leaving him relying on rookie officers to make up the numbers. Fresh from training college, PC Charlie Constable (Kenneth Connor), PC Timothy Gorse (Charles Hawtrey), PC Stanley Benson (Kenneth Williams) and PC Tom Potter (Leslie Phillips) make a series of blunders that look likely to result in Sgt Wilkins' transfer to another station. In order to make up for their mistakes, the four newbies attempt to track down and arrest a tough gang of thieves they believe to be holed up somewhere nearby.

Constable sees little bit of cheeky innuendo ('You stupid constable!, 'I've lost my pussy') and gratuitous bare flesh (four bare male backsides and Shirley Eaton in her underwear) creeping into the Carry On formula, making this one a stepping stone between the more gentle comedy of the earlier films and the more ribald humour of latter entries. For much of the running time, though, the film is simply good-natured knockabout fun, consisting of a series of amusing episodic scenes, with a little romance thrown in for good measure, the whole thing coming together for a predictable feel-good ending designed to leave the viewer with a warm glow. As always, the likable cast put in winning performances, and as silly as it all undeniably gets, it's hard not to have a reasonably good time.

Joan Sims (The Last of the Blonde Bombshells) the gym teacher in Carry On teacher is here as a constable. Just out of the Academy and wanting to do a good job. Unfortunately, she has caught the eye of a fellow copper.

Shirley Eaton from Goldfinger is also here looking as good as ever.

The usual antics and sight gags with the normal Carry On gang; only this time in a police station. Bonus nudity that has not been in any of the other ones I have seen. Sorry, it bare butts on guys running to the shower.

It is kind of cute, even if the formula stays pretty much the same, just in different locations.

With a flu epidemic decimating the ranks of the local bobbies, the police are forced to quickly take on some new recruits who in other circumstances may not have quite made the ranks – a decision made by Inspector Mills and then dumped on Sergeant Wilkins to deal with. However not even Wilkins' low expectations are met when at least a handful of the new recruits turn out to be barely able to manage themselves, never mind the wider community.

This is quite an enjoyable little film that is never funny but manages to be amusing if you are in the mood for a light, dated comedy. The story is simply a rerun of Carry on Sergeant in the way that an efficient Sergeant (in this case Sid James) is charged with turning a bunch of bumbling, inept recruits (this time into the police) into an effective unit of men, encountering much amusing bumbling along the way (with even some of the same actors playing the same sort of characters). In this regard it is pretty much a cookie-cutter of a story but to look down on the film for being unoriginal and basic is to really miss the point when it comes to the Carry On films. Aside from the poor story, the film is actually quite amusing but never really made me laugh more than once or twice; certainly those not in a forgiving mood will dislike this because it doesn't have much life to it but those looking for a movie for a wet Saturday afternoon will maybe enjoy it.

The cast are a selling point and do manage to do quite a bit with the basic material even if they don't raise it that much. Sid James has a minor role in his first Carry On film and, although he is a good presence, he is less effective than he was in other films. Barker is a nice straightman and holds up that side well enough while the main comedy is brought off by the recruits themselves. Connor repeats his "uptight and resisting love" performance to reasonable effect. Hawtrey and Williams do good work with their usual stuff (Williams playing upper-class early in the series) while Phillips makes a nice addition with his usual stuff. Sims and Jacques are OK but have very little to do around the edges but are nice filler.

Overall this is nothing special but it is amusing in its own way despite never making me laugh. The script does throw up a few nice touches and is cheeky rather than smutty or anything like that and, despite being a rerun of Carry On Sergeant, it is still enjoyable in a rather amusing and light sort of way.

This is one of the first Carry-On films and, consequently is one of the best. The chemistry of the stars is already there and Connor's as the superstitious constable in love with a co-workers from afar, and Williams as the scientific deduction 'expert' both shine above the rest.

Sid James is surprisingly poorly used as the Sargeant supervising the chaos, but still a very funny movie throughout and one which should be included in anybody's Carry-On collection.