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The Picasso Summer

  • 1969
  • M/PG
  • 1h 30m
ÉVALUATION IMDb
5,2/10
393
MA NOTE
Albert Finney and Yvette Mimieux in The Picasso Summer (1969)
AventureDrame

Ajouter une intrigue dans votre langueA San Francisco couple travels to France in search of Pablo Picasso.A San Francisco couple travels to France in search of Pablo Picasso.A San Francisco couple travels to France in search of Pablo Picasso.

  • Réalisation
    • Robert Sallin
    • Serge Bourguignon
  • Scénaristes
    • Ray Bradbury
    • Edwin Boyd
    • Wes Herschensohn
  • Vedettes
    • Albert Finney
    • Yvette Mimieux
    • Luis Miguel Dominguín
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    5,2/10
    393
    MA NOTE
    • Réalisation
      • Robert Sallin
      • Serge Bourguignon
    • Scénaristes
      • Ray Bradbury
      • Edwin Boyd
      • Wes Herschensohn
    • Vedettes
      • Albert Finney
      • Yvette Mimieux
      • Luis Miguel Dominguín
    • 19Commentaires d'utilisateurs
    • 9Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos1

    Voir l’affiche

    Distribution principale20

    Modifier
    Albert Finney
    Albert Finney
    • George Smith
    Yvette Mimieux
    Yvette Mimieux
    • Alice Smith
    Luis Miguel Dominguín
    • Dominguin
    • (as Luis Miguel Dominguin)
    Peter Madden
    Peter Madden
    • Blind Man
    Jim Connell
    Jim Connell
    • The Artist
    Tutte Lemkow
    Tutte Lemkow
    • Drunk
    Marty Ingels
    Marty Ingels
    • Man at Party
    Graham Stark
    Graham Stark
    • Postman
    Theodore Marcuse
    Theodore Marcuse
    • The Host
    • (as Theo Marcuse)
    Stephen Scott
    • German Tourist
    Kathryn Reynolds
      Miki Iveria
      Miki Iveria
      • Blind Man's Wife
      Bee Duffell
      • German Tourist
      Sopwith Camel
      • Sopwith Camel
      Lucia Bosè
      Lucia Bosè
      • Guest George Smith Explains Why He Wants to Meet Picasso
      • (uncredited)
      Georgina Cookson
      Georgina Cookson
      • British Woman at Dinner
      • (uncredited)
      Dorsay Dujon
      • Singer at SF party.
      • (uncredited)
      Duke Fishman
      Duke Fishman
      • Pablo Picasso
      • (uncredited)
      • Réalisation
        • Robert Sallin
        • Serge Bourguignon
      • Scénaristes
        • Ray Bradbury
        • Edwin Boyd
        • Wes Herschensohn
      • Tous les acteurs et membres de l'équipe
      • Production, box office et plus encore chez IMDbPro

      Commentaires des utilisateurs19

      5,2393
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      Avis en vedette

      7itsjoan

      Good film if about 30-40 minutes were edited out.

      Watching Picasso Summmer I think I can now accept that his work was not poking fun at wannabe art critics. For the 'uneducated eye' one has to wonder if what we're seeing...is how the artist is really viewing something; is it really a creative vision or a put on.

      I did come away with a glimmer of understanding and motivation to do some research and reading on Picasso after viewing the film. All I knew about him from an art appreciation class in school is that he had a 'Blue period'.

      As I said in the summary title, the morphing segments, while cleverly and creatively carried out, were way too many and way too long to sustain at least this casual viewer. The kernel of a good film was there, it just didn't 'pop.
      4mossgrymk

      picasso slumber

      I'd rather be in Guernica. Can you imagine how bad Serge Bourguignon's rough cut must have been for Warner Brothers to reject it in favor of this...what? Call it an R rated Rick Steves episode with stupid Picasso animated psychedelia alternating with dopey devices like the ol split screen/jigsaw puzzle as Albert Finney and Yvette Mimieux bike around southern France, swim in the Med and copulate at the Carlton. Kind of a "Two For The Road" for idiots. And good luck getting that syrupy Michel Legrand score out of your head anytime soon. I bailed right around the time Mimieux and Finney temporarily split up and suggest you do the same before that. C minus.
      drednm

      Ruined by Animation and Violence

      Good movie about a San Francisco couple (Albert Finny, Yvette Mimieux) who go to France to find Picasso. Beautiful location shooting and some humorous situations as the stars meet various locals and eccentrics in their search. Simple plot is accompanied by music by Michel Legrand.

      On the down side are a long and violent sequence in which Finney seeks out a famous toreador who is friends with Picasso. There are also three long and tedious animation pieces that depict Picasso's art and themes of war, love, and the bullfight. These are done in a pulsating psychedelic style and seem interminable.

      On the plus side are Finney and Mimieux. Familiar faces include Graham Stark as the postman, Georgina Cookson as the loud lady at dinner, Jim Connell as the artist at the party, and Peter Madden as the blind artist.

      The final scene on the beach was filmed on Catalina Island and tacked on. The film was never released in US theaters but has been shown on television.
      4robertlauter25

      Acclaimed?

      There are literally 3 reasons for watching this movie. Yvette Mimieux in a bikini, picasso's art made into cartoons and a bull fight, all can be achieved by watching 10 minutes of it on mute, to block out the grating, redundant score that drones on like a nagging woman during a hangover This whole film is a mess, that plays like a woodstock era porn film, only less entertaining.

      I hear all sorts of nonsense about Albert Finney agreeing to do the 1981 movie Looker ( a wonderful movie), yet somehow this monstrosity passes as legitimate cinema? The horrid story line plays like a travel column in readers digest. The split screen jigsaw puzzle, multi-spectrum cinema photography resembles a segment of Rowan and Martin's Laugh Inn, and the two leads seem really quite bored, which is no doubt how any sentient being will feel after slogging through 10 minutes of this mess.

      Evidently there where issues with the production of this film, directors fired, producer Bill Cosby demanding his name be removed, Picasso refusing to make an actual appearance and so forth, it certainly shows in the final product. I cannot emphasize enough the agony caused by the elevator music that accosts one throughout, the stale dialogue and idiotic story line. How this got any critical acclaim only shows how utterly, defunct so called professional movie criticism has always been. Simply Awful
      10Jan-429

      The best way to understand Picasso's paintings

      This is the one thing that explained Picasso's paintings to me, when I just happened to see it on television many years ago.The long animated sequences extending the paintings are quite wonderful;they not only interpret the paintings but also show you why Picasso painted certain things the way he did - face extortions for example. All art students should be shown this film! It's also great for children. Whether the story surrounding the animations is any good I can't remember, but that's almost irrelevant! I have been searching for a copy of this film on video or DVD ever since these media became possible.But it just doesn't seem to be available. I can't understand why the film it is not shown on TV whenever there is a Picasso festival or exhibition.Can anyone tell me how I can get a copy of it?

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      Intérêts connexes

      Still frame
      Aventure
      Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Moonlight - L'histoire d'une vie (2016)
      Drame

      Histoire

      Modifier

      Le saviez-vous

      Modifier
      • Anecdotes
        Producer Wes Herschensohn in his book "Resurrection in Cannes: The Making of The Picasso Summer" states that the final shot was filmed in Catalina, because it resembled the shores of Southern France. Mr. Herschensohn did the sand drawings and a local man named Duke Fishman played Picasso -he bore a striking resemblance to Picasso. He was somewhat of an artist himself and briefly able to continue Herschensohn's sand drawings for the camera.
      • Gaffes
        The couple is implied to leave within 24 hours, without passport, shots, nor visa. It is doubtful those could be obtained for non-emergency reasons, even in 1969.
      • Citations

        Luis Miguel Dominguín: There, you see. And, there. And there. Always the horses, the man, the bulls. One way or another, with oils or watercolors or etchings and now in clay. Picasso comes back to the arena. Because he is Spanish and because he cannot come back to Spain, he must come back in his own way. And so again and again, Picasso returns to the center of life in Spain, which is the bull-ring. You wish to see Picasso? Then you must enter that arena yourself - and fight a bull.

        George Smith: Do you think, eh, its absolutely necessary, in order to met Picasso, that I actually have to fight a bull?

        Luis Miguel Dominguín: Absolutely necessary!

        George Smith: Fine. Well, okay. I'll fight a bull.

      • Bandes originales
        Hey Ho The Wind and the Rain
        (uncredited)

        Lyrics by William Shakespeare from "Twelfth Night"

        Sung by Albert Finney

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      FAQ15

      • How long is The Picasso Summer?Propulsé par Alexa

      Détails

      Modifier
      • Date de sortie
        • 1969 (United States)
      • Pays d’origine
        • United States
      • Langues
        • English
        • French
        • Spanish
        • German
      • Aussi connu sous le nom de
        • Picasso yazı
      • Lieux de tournage
        • Nice, Alpes-Maritimes, France
      • sociétés de production
        • Campbell-Silver-Cosby Corporation
        • Warner Bros./Seven Arts
      • Consultez plus de crédits d'entreprise sur IMDbPro

      Spécifications techniques

      Modifier
      • Durée
        • 1h 30m(90 min)
      • Mixage
        • Mono
      • Rapport de forme
        • 1.78 : 1

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