Les quatre de l'Ave Maria

When he escapes the noose, criminal Cacopoulos flees the charges against him and, on his way, robs two banker robbers – Cat Stevens (no, a different one) and Hutch Bessy. Unwilling to kill the two men, Cacopoulos heads off with the money while Cat and Hutch begin the long walk out of the desert. Getting back to civilisation, they vow to track down Cacopoulos and get their money back. They start their search for him but meanwhile Cacopoulos is also bent on revenge on those that betrayed him – and plans to get Cat and Hutch to help, whether they know about it or not.

Screened under the main English title of Ace High, I recorded this film on late night TV hoping for a typical spaghetti western. While that is pretty much what I got, I must confess to being a bit put off by how silly it was at times. I know it was meant to be a comedy of sorts but it didn't sit very well with the spaghetti western genre because it made aspects of that feel like they had been badly done, as opposed to done for laughs. The plot is solid enough but the running time is too long for the material to sustain, making many scenes feel dragged out beyond their intended time. The action (as in movement generally) also suffers because of this perceived slow pace.

The cast are suitable for the genre, but this is not the same as being any good. Eli Wallach has fun in the central role and his performance is good value. I couldn't shake the feeling that Hill had borrowed his performance from many other actors but hadn't been sure how to make it work for him; he didn't really have the screen presence required to carry off the character. Spencer is better in terms of presence but his performance is a bit wanting. The support cast are all so-so, which works within the genre and as always much of the dialogue has that strange bad ADR/bad dubbing feel to it that I think is a prerequisite for the spaghetti genre.

Overall this is an enjoyable enough spaghetti western but if you only know the Eastwood, "Fist Full" or Leone spaghetti films then you'll probably come away thinking this is a low-rent version of those (which I suppose it is). With all the trademarks and weaknesses of the genre, this one will most likely please fans but probably not the casual viewer.

A Leone pasta western without the pretentiousness. Easy going romp of crosses, double crosses, and triple crosses. Wallach is just fine and dandy reprising his Tuco role from GOOD, THE BAD... this time playing an ethnic Greek-Mexican bandit with a Yiddish accent (oy vey) manipulating ol' buddies Hill & Spencer into a scheme to get back at the people who left him out to dry years back. Along the way they pick up acrobat (!) Brock Peters who becomes crucial to their plan. Kevin McCarthy is the target of their wrath. The film concludes with a satisfying round-up. Colizzi directs with a sure hand, even allowing New York method actor Wallach to kvetch for several minutes at a time. No wonder he returned to Italy and Spain from time to time to make these films. No where else would a director allow his star to chew the scenery in such a way. The comedy is not broad or overpowering as most films in this sub-genre tend to be. The characters are uncharacteristically likeable, thanks to the cast. Great scene: revelutionaries mete out rough justice to a town's leaders. Later, our trio, with the help of some greedy peasants retake the town and mete out the same justice to the revolutionaries!!! I've never seen that done in a Euro-western.

This early outing for Bud Spencer and Terence Hill sees the pair in fine form in a huge spaghetti western with loads of story, characters and tons of action to recommend it from the start. The meaty running time consists of dozens of plot twists, dupes, swindles and betrayals and the film never lets up from a spot-on pacing which holds the viewer's attention at all times. The three main ingredients for the film are drama, action and comedy and all are served up in spades. Obviously the Spencer/Hill relationship is played for laughs and both actors put in commendable performances; Hill as the Eastwood-style sharp-shooter, the intelligent member of the pairing, and Spencer as the clumsy but lovable oaf who's as strong as an ox and complements Hill's character perfectly.

The dramatic angle of the storyline comes in the sweaty form of Eli Wallach, reprising his role from THE GOOD, THE BAD AND THE UGLY as a bandit with a heart of gold who ends up being used and abused by those he considered to be his friends. Wallach's mission of justice makes up the bulk of the film and once again the actor puts in an excellent performance which hugely enhances the film. Writer/director Giuseppe Colizzi understands the old adage "if it ain't broke, don't fix it" in regard to Wallach's performances so gives the public more of what they have seen already in the Sergio Leone film and the result is no less successful. The script is unusually fine and lends plenty of comic banter and interplay to the scenes between the action sequences.

Speaking of action, there is plenty ranging from bloody boxing matches to more traditional shoot-outs, prison breaks, brawls and even a massive gun battle with a machine gun involved. The suspense is gradually upped for the genius climax, set in a dodgy gambling house as our heroes attempt to make themselves some cash by hiding in the loft and cellar and using the fixed roulette wheel for themselves with disastrous results. The film then plays its own ace by introducing arch-villain Drake, acted by American import Kevin McCarthy (INVASION OF THE BODY SNATCHERS) as one of those slimy villains you just love to hate, and the resulting climax is wonderfully exciting.

Great use of widely differing music is made throughout the film from epic-sounding vocals to waltzes at the end! Technically the movie is proficient with a more than adequate budget put to good use in the sets and costumes; solid, slightly artistic photography; and well-staged action. One of the best I've seen from Spencer and Hill and a film guaranteed to please fans of the genre.

giuseppe colizzi was a fine underrated director dead too early that invented the characters of Spencer-Hill. Differently from E.B.Clucher, Hill is more Eastwood-way then Trinità but the substance is the same. Colizzi was a well competent director, more american then italian, with strong sense of spectacule and correct with the particulars. In Italy is very underrated, I don't know why. "Ace high" is, probably, his best western. It's also hard to see his movies in tv. You can only see every summertime "Arrivano Joe e Margherito", but this is not his best. I hope one day critics rediscover the art of this modest, hard worker artigian of the screen.

The comical duo Bud Spencer and Terence Hill are teamed with a likable crook played by Eli Wallach.Hill as Cat Stevens and Spencer as Hutch Bessy show the western people what they are made of.Wallach as Cacopoulos is fantastic with the stories about his grandfather.And another veteran actor Kevin McCarthy makes a great character as Cacopoulos' third enemy, the sniveling casino owner Drake.All these people work great together in Ace High from 1968.There are some great scenes in this western comedy.Bud boxing with the champion is brilliant.Guess who wins.The sequence in the end with the roulette table and the violin...beautiful, just beautiful.These movies bring me back to my childhood, back to the early 90's.Those were the days Bud Spencer and Terence Hill ruled the world.