The Grasshopper

This badly-done movie comes across as a 1970s porn film--without porn! It has the same 1-dimensional, slimy characters that populated porn films of that era, and it is very hard to believe that this was actually a Hollywood production. The story is insulting to adults--everything is predictable and trite. Jacqueline Bisset is gorgeous, but she does not get to show the front of her body off, despite a bunch of teasing scenes that suggest she might.

Christine Adams (Jacqueline Bisset) hitchhikes from Canada to L. A. to be with her boyfriend. Comedian Danny Raymond drives her on a detour to Vegas. By the time she gets to L. A., her boyfriend is more interested in getting a promotion than having a family with her. She decides to leave him for Danny. She becomes a showgirl. She marries ex-football player Tommy Marcott (Jim Brown).

The story meanders around and hits some big points. There are some turns that I don't like and I would like other turns that aren't there. After the shooting, I want her to get revenge against Dekker. The movie could have made a dramatic turn there. I'm fine with the final turn but it's more humorous than high intensity. In the end, it's a character study of Christine. She's a woman of the 70's trying to find her path. She keeps looking and changing but can't stay settled. At times, she's aimless. At other times, she has plans but that never lasts long. I get the theme and her progression. I really want to settle the score with Dekker.

Darling with Julie Christie came out in 1965 and this looks like an unofficial remake that takes place in the U.S instead of Britain. However, no one would think it would fall into the hands of TV hacks like Garry Marshall and Jerry (The Dick Van Dyke Show) Paris. It's a combination Showgirls and Valley of the Dolls. It's funny bad, though and worth hunting down. It's also worth the price to pay to see Jackie Bissett in bed with none other than Corbett Monica! True, it does show the gay lifestyle and interracial marriage in a blase fashion which is good. There's this funny scene where Jackie's having a shouting match with her boyfriend Jay. It's about money and he says, "We can even afford the mailblox." That's not a typo. He says mailblox. Also funny are the intrusive vocal songs that dominate a lot of the scenes. They pretty much stop the show and were probably considered groovy back in 1970. Enjoy!

This film may have been dismissed as a showcase for Jacqueline Bisset's beauty when it was initially released, but viewing it thirty-two years later reveals not only that directors should have recognized Bisset's brilliant performance and given her the type of film career which Julia Roberts has had, but also it dared to present the issues of interracial marriage and homosexuality as simple facts of life without any intentional shock value.

In a time when films had presented gay and lesbian characters as victims and victimizers, Christine's gay friend Buck (Roger Garrett) is her joyful sidekick who is accepted by his coworkers, at least until a friend's little boy reveals what his mother says when Buck is not around, to which Buck replies with a rebuttal which is sensitive to the child but conveys his true feelings to the mother.

Speaking of Julia Roberts, The Grasshopper was written by Garry Marshall, who went on to direct Roberts in Pretty Woman. While Pretty Woman was justly criticized for its message to girls that if they run away to Hollywood and become a hooker they will find the man of their dreams, The Grasshopper is a realistic portrayal of how women who gamble on financial security provided by men can ultimately suffer severe consequences.

"The Grasshopper" is a little-known melodrama in the spirit of "Valley of the Dolls." The similarities between the two films are many. 'Valley' was made in 1968, 'The Grasshooper' in 1970, and both films tell the story of young and vibrant women who find themselves lost in the overwhelming world of show business. However of the two films, this 1970 film starring Jaqueline Bisset is more focused, and more in-depth, as it is telling the tale of one woman, while "Valley of the Dolls," followed at least three different women on their road to oblivion. Christine leaves home at the age of 19 to find excitement, and a better life. She seems to be driven by the terrifying thought that she might end up as an ordinary woman, with a boring life. Chris, wonderfully played by Bisset, wants it all, and she wants it now, before it is too late. She realizes that she has no real talent, and not much to offer besides her beauty, so she plays that card, with expected results. Jumping from man to man, in search of something that even she doesn't quite know what, always believing that she is the smart one, and the one in control. But when she slowly realizes that it is she that is being used, she finds herself a hard and jaded young woman indeed, turning to drugs, and a succession of 'wrong guys'. Because of the films age, and flashy style, "The Grasshopper" holds much camp appeal. But when you bother to look beyond the kitch, you might find a story filled with some pretty important life lessons, for Christine made all the choices that we don't want to make. And most everyone has known a person like this girl, living for the moment, with no thought of next week, until the time comes when it is too late to realize any dreams of success or happiness. This is a glitzy, excessive film, bursting with eye popping late 60's fashion and music. Jaqueline Bisset sports a different hairstyle every 10 minutes, and she is at her most beautiful here. And oddly, this is the film that showcases her acting ability, far more than any of her well known, later films. Featuring a finale that is both outrageous, and surprisingly downbeat at the same time, this one is quite entertaining, and worth a look, if you can track it down.