La noche de Walpurgis

This barely keeps afloat and is so slow in parts that when one of the characters falls asleep at the table we think for a moment she has dropped off in a state of boredom. And it is such a shame about the pacing because there are decent moments, lovely girls, lots of nudity and blood, even a little gore. The slo-mo gliding of the lady vampires is good too and there are a few minutes somewhere in the middle where it looks as if the film is rising to some altogether different level. But no we are soon back to a plodding Mr Naschy and the plodding script. It's the extras on the disc that tip the scales and the interview with Mr Plod is welcome and goes some way to helping one understand his popularity!

Noche de Walpurgis, Nacht der Vampire, Blood Moon, Werewolf Shadow ... the amount of alternative titles that this movie has, annoying as it may be, is a testament to it's international success.

So why is it that the world cared so much about some Spanish horror movie? Well, the fact is, it was simply better than most of what everyone else was doing at the time. But like "I Was A Teenage Werewolf" did in the late fifties, this movie sparked off a whole new generation of similar werewolf movies such as "The Beast Must Die", which attempted to emulate it's atmosphere precisely.

But has it stood the test of time? Lead actor and writer Jacinto Molina certainly thinks so. Others are less certain. For instance, it's easy to put off by the cheesy soundtrack, complete unsuited to what the mood of the movie should be, and the script definitely has it's dull moments. There's a whole sequence towards the end of the movie, when a policeman comes to investigate the murders and seems to spend half an hour in pointless conversation with the villagers. Oh, and the 'romance' aspect of the film feels both rushed and forced. The blood often looks fake, and the clearer the picture is, the less convinced you are by the makeup. It's one of the few movies that fails to benefit from a restored DVD version.

However, there's still plenty of good stuff here that help it to rise above the 'trashy horror' category for some parts at least. There's only a small amount of nudity in the film, gratuitous though it may be, and the dialogue isn't half as bad as most horror movies of this period. The historical sequences are surprisingly good, and the vampires are particularly creepy -- thanks to Molina's insistence that they should be filmed in slow motion. His performance is easily the most notable, and it's likely that if he'd been given more creative control over the production of these movies, they would have been much better.

All in all, this movie may well be for genre fans only. Most will probably find it dull and dated, but at the time it was definitely something pretty special.

Paul Naschy again with his classic character and frightening to viewer. It deals with Elvira (Gaby Fuchs) and her friend Genevieve (Barbara Capell) travelling through the French countryside in search of the lost grave of a medieval vampire, Countess Wandesa (Patty Shepard) , then things go wrong . The Blood Flows Like Vintage Wine ! . Things happen that have never been seen by human beings ! . The blood flows like vintage wine ! .

Jacinto Molina or Paul Naschy , who recently passed away, was actor, screenwriter and director of various films about the personage based on a fictitious character, the Polish count Waldemar Daninsky. The first film about Waldemar was ¨The mark of the Wolfman (1967)¨ by Enrique Eguiluz , after that ¨Night of Walpurgis¨, ¨Fury of the Wolfman¨ , ¨Doctor Jekill and the Wolfman¨ ,¨The return of the Walpurgis¨, ¨Howl of the devil¨, ¨The beast and the magic sword(1982)¨ that is filmed in Japan and finally ¨Licantropo(1998).

It's a B series entertainment with abundant sensationalistic scenes and a Naif style. The movie has a bit of ridiculous gore with loads of blood similar to tomato . This time Paul Nashy/Jacinto Molina exhibits little breast but he was a weightlifting champion. Here Waldemar takes on Countess Wandessa played by Patty Shepard in some unforgettable slow-moving scenes . Brief nudism and erotic situations in charge of Gaby Fuchs and Barbara Capell . Good cinematography by cameraman Leopoldo Villaseñor is accompanied by a correct remastering . Eerie and atmospheric musical score by composer Anton Garcia Abril .The motion picture was professionally directed by Leon Klimovsky , a slick craftsman who directed all kind of genres, as Terror for Paul Naschy (Marshall of hell, Rebellion of dead one , Orgy of vampires , Werewolf shadow ,Dr Jekill vs. The werewolf) , Warlike (June 44 attack force Normandy , A bullet for Rommel, Bridge over Elba) and Spaghetti/Paella Westerns (Badland drifter , Some dollars for Django , Death knows no time , Two thousand dollars for Coyote). Carlos Aured's assistant direction, who directed the following sequel titled, ¨ The return of the Walpurgis ¨. The flick will appeal to Paul Naschy fans and horror genre enthusiastic. Rating : 6/10 . Acceptable and entertaining.

AKA La Noche de Walpurgis, aka Shadow of the Werewolf, aka The Werewolf's Shadow etc. It wasn't until reviewing this afterwards that I realised that I had already seen it many yeas ago but under a different title. Countess Waldessa is revived when a girl cuts herself during an excavation of her tomb & the blood drips on to her skeletal remains. How clumsy! And so begins a battle of werewolf (Naschy) versus sexy looking vampires. There seems to be a lot of full moons here & these vamps must be immune from sunlight but this film drips Gothic horror. It is also a tale of doomed, tragic love. Not a patch on Universal or Hammer horror but good fun none the less. I believe that some prints are cut.

Although this movie obviously suffered from a lack of budget and resources, it is pretty well done by a crew who made the best of what they did have. I saw this as " The Werewolf vs. The Vampire Women " and despite the ridiculous title there actually were some effective and artfully done scenes, especially with a slow motion, day-for- night cloaked figure lurking in some windy ruins. Also very interesting are the last few scenes, shot in slow motion, of the title's vampire women (who are both really hot and reasonably talented) running from the rising sun.