Ajouter une intrigue dans votre langueA woman's life is upended when she falls for a charming stranger, only to find he's part of a crew planning to rob her workplace, needing her knowledge to pull it off.A woman's life is upended when she falls for a charming stranger, only to find he's part of a crew planning to rob her workplace, needing her knowledge to pull it off.A woman's life is upended when she falls for a charming stranger, only to find he's part of a crew planning to rob her workplace, needing her knowledge to pull it off.
- Director
- Writers
- Stars
Walter Horsbrugh
- Mr. Maitland
- (as Walter Horsburgh)
Avis en vedette
David Hemmings was THE Icon of Swinging 1960's London following his performance in 'Blow Up'. Here he plays Leigh, a slightly sinister seedy artist in 1969/ 70's London, who picks up Deborah (a very beautiful Samantha Eggar) at a fashionable party in Hampstead.
Leigh is a sordid betrayer and crook who may be only using Deborah to gain access to the auction house she works in. When she realises this, Deborah proves to be capable of dealing with the problem and her walking stick, far from eliciting sympathy for her minor disability, proves to be a prop for her strengths.
It is a good example of British Cinema. A strong storyline, originally by author Winston Graham, is moved along by well lit, deep technical images of a London that has in the case of the West India Dock sequences disappeared. And unlike modern films it is not afraid of silence. The music is sparse and appropriate (check out the guitar solo. Isn't it familiar?).
This is a film to buy and watch when the alternative on a wet Bank Holiday is endless 'Carry-On' or Sitcom spin-off films being shown back-to-back on TV.
Leigh is a sordid betrayer and crook who may be only using Deborah to gain access to the auction house she works in. When she realises this, Deborah proves to be capable of dealing with the problem and her walking stick, far from eliciting sympathy for her minor disability, proves to be a prop for her strengths.
It is a good example of British Cinema. A strong storyline, originally by author Winston Graham, is moved along by well lit, deep technical images of a London that has in the case of the West India Dock sequences disappeared. And unlike modern films it is not afraid of silence. The music is sparse and appropriate (check out the guitar solo. Isn't it familiar?).
This is a film to buy and watch when the alternative on a wet Bank Holiday is endless 'Carry-On' or Sitcom spin-off films being shown back-to-back on TV.
Three English movies "obsessed" me all my life and I always wanted to see them and watch them again and again: "The Walking Stick" (1970), "The Collector" (1965) and "Our Mother's House" (1967). And, I've seen and re-seen them many times. And I would see them again with the same great pleasure. All three have something magical. All three have also something tragic, melancholic, they are particularly sad and all three are about love, about the big failure in love. The first two star Samantha Eggar, actually, she is the movies. Her acting is impeccably perfect. She is of a unique beauty, you can't help but fall in love with her. That's what happened to me. This is not actually a
review, but an eternal declaration of love, mine to Samantha Eggar. She really convinces you that is a crippled person here, that she has polio. There are two other great actors in the film, David Hemmings and Dudley Sutton. Excellent director Eric Till, excellent music, an exceptional film.
Pretty but man-shy art-appraiser in London, alienated from the opposite sex due to one leg affected by childhood polio, is courted by a struggling artist and falls in love; soon after moving in with him, however, he demands her help in a burglary, leaving her unsure whether he ever loved her or perhaps was simply using her. Flawlessly acted, rather brilliantly assembled adaptation of Winston Graham's book is a bit slow, yet incredibly assured. Director Eric Till shows a deft touch in weaving sequences together, keeping a fluid pace, and he's helped by wonderful editing and cinematography. The film examines deeply the issues of trust and love...and the consequences of those emotions when they are blind to reality. A real sleeper, with Samantha Eggar giving one of her finest performances. *** from ****
Curtailing evil, criminal intentions, a dashing young man, Leigh, seduces and persuades the dreary, moderate polio victim Deborah Dainton into falling in love with him. Deborah leads a neatly organized life, and is obligated to see it being reduced to shreds when she discovers her boyfriend is part of a gang who intends to rob the auction house in which she works in. That's when Deborah has to come to grips with the fact that Leigh may have maintained a relationship with her solely for the benefit of the heist.
This is an utterly unforgettable study on bitterness, hope and disappointment. We get to witness the magnificence of Eggar's performance as her character slowly discovers what Leigh - David Hemmings - truly had in mind when they began living together. And how Eggar manages to show that her bad leg does not stop her from being as tricky - if not trickier - than the good for nothing Leigh.
'The Walking Stick' is an emotionally-charged melodrama that does not appeal to tacky tearjerker clichés. Everything is beautifully executed in a low-key, calm and yet gut-wrenchingly real manner, with an emotionally disarming ending that will leave you sobbing.
This is an utterly unforgettable study on bitterness, hope and disappointment. We get to witness the magnificence of Eggar's performance as her character slowly discovers what Leigh - David Hemmings - truly had in mind when they began living together. And how Eggar manages to show that her bad leg does not stop her from being as tricky - if not trickier - than the good for nothing Leigh.
'The Walking Stick' is an emotionally-charged melodrama that does not appeal to tacky tearjerker clichés. Everything is beautifully executed in a low-key, calm and yet gut-wrenchingly real manner, with an emotionally disarming ending that will leave you sobbing.
David hemmings, four years after his huge hit blowup. In that one, he was a struggling photographer... in this one, he's a struggling artist. The first half of the film is the progression of leigh and deborah's romance. We hear several time about how much she values honesty and trust. So when leigh starts asking about the security at deborah's workplace, she knows he's up to something. Will she go along with it? It's quite good. In the late 60s and 70s, the studios made tons of films about heists and hijackings. This one is pretty good. Directed by eric till. Till also directed hot millions, one of the best films in the world. Check it out!
Le saviez-vous
- AnecdotesThe first film to feature the film's composer Stanley Myers' classic "Cavatina" theme, which was later re-used to more famous advantage as the theme music on the soundtrack for Voyage au bout de l'enfer (1978).
- GaffesWhen the explosives are taped to the wall, the tape is horizontal initially. Then it is diagonal. Then just before it is detonated, it is almost horizontal again, but not quite (it is actually at a slight angle).
- ConnexionsReferenced in American Sexual Revolution (1971)
- Bandes originalesCavatina
Composed by Stanley Myers
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Volela sam varalicu
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 36m(96 min)
- Mixage
- Rapport de forme
- 2.35 : 1
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