All in the Family

The series was a powder keg immediately from the start as Civil Rights unrest and equal rights not only for minorities, but also women dominated headlines. And then there was Vietnam and Watergate. There was total chaos still in places in the south and in larger metropolitan areas in the north. Could television bring these public affairs to light in a comical and thought-provoking way? The answer was a resounding yes as "All in the Family" tore down perpetual American television programming walls with brash views, crazed situations, envelope-pushing elements and dominant film-making techniques (even though this was a sitcom) which all merged to paint a canvass of programming superiority that lasted for 212 mind-blowing episodes over nine years from 1971 through 1979. "The Andy Griffith Show" in the 1960s displayed how Americans wanted life to be, while "All in the Family" in the 1970s showed how American life really was. The result was a ratings monster pretty much from the word go as people watched to be entertained, to be disgusted, to praise and to criticize. The show itself was about a blue-collared New York dock worker (Carroll O'Connor) who has bigoted expressions because life continues to slap him in the face. O'Connor was definitely anti-woman, anti-minority, anti-youth and anti-liberal. He also had crazed views that would show him as being pro-Nixon and pro-Vietnam (real hot button topics back then). The show struck cords the nation over, but comedy was always mixed in and the series thrived due to both its supporters and its detractors. "All in the Family" fought problems in the U.S. by poking fun at very serious issues instead of sweeping them under the carpet like other programs of the period did. Jean Stapleton was priceless as O'Connor's kind, naive and somewhat dumb housewife. Sally Struthers was their only child, a liberal who showed the viewpoints of the Baby Boom generation. She was also married to a young man (Rob Reiner) who was O'Connor's emotional and verbal sparring partner. Reiner was of a Polish descent and that only fueled more fire between the volatile pair. O'Connor's Archie Bunker is arguably the deepest and most unique television character of all time as his crazed and sometimes silly views overshadow the fact that he is a highly sensitive middle-class man who is doing the best for himself and those around him. He is someone who does not always think before he speaks and therein lied his greatest weakness. Eventually most who saw the program embraced him as a flawed and tortured hero (not because of who he was, but because of who he really wanted to be). The lasting effect of "All in the Family" is something to think about, even today. The program continues to be vitally important to 1970s art, society and history. The success of the program even led to spin-offs galore. "Maude", "The Jeffersons", "Archie Bunker's Place" and "Gloria" were all the birth-children of this innovative, smart and completely original taste of Americana that still lives on strong today through many cable channels. 5 stars out of 5.

When All In The Family first came on the air in 1971, you could say that tv was in it's infancy. I mean, when Lucille Ball became pregnant with Desi on her tv show they couldn't even say that word on the air. On the Dick Van Dyke show, they always showed Rob and Laura in seperate beds. All In The Family exploded like a bomb on this innocent world of tv. It showed subjects that were previously taboo like menopause, breast cancer, vasectomies, impotence, rape and even Archie taking a dump and flushing the toilet! Carroll O'Connor, Jean Stapleton, Rob Reiner and Sally Struthers all were an amazing team that made tv history. People don't realize that Norman Lear actually based the character of Archie Bunker on his father Herman. His father was basically a good man, but he was very prejudiced like Archie was. He would tell his wife to "stifle herself" and there was a special chair in his house that he alone would sit in. He would tell his son that he "was the laziest white kid he ever knew". Norman grew up hating his father's prejudices while he still loved his father. Paul Harvey had that on one of his "Rest Of The Stories". Carroll O' Connor had started off his acting career in drama and playing Archie gave him the chance to be dramatic on many occasions. The one episode that I remember was one that came on while the Vietnam war was still being fought it was where Mike brought home a friend for Thanksgiving who was a draft dodger and that same night a friend of Archies came over who had lost a son in the war. Archie exploded in rage at Mike (usually on the show when he gets mad its funny because he is just making a fool of himself, but in this episode it is chilling!). There was another episode where Archie had a problem with drugs and delivered a tearful monologue to Edith and Gloria and Mike when they confronted him with his problem. All In The Family spawned the realistic tv shows that we see today and also led to the spin offs Maude and The Jeffersons. Norman Lear created such a wonderful television legacy for all time and it all started with Archie Bunker, America's favorite bigot and All In The Family. His original aim was to create a show that would allow us to look into our own hearts and souls and see our own fears and prejudices and be able to laugh at them. I guess that in a sense you could say that there is a little bit of Archie Bunker in all of us and that is why he remains so endearing and so popular. It is like we are looking into a mirror.

Simply no other show dealt racism, sexism, liberal elitism, class, homophobia, the generation gap and reality as it is on the ground in America better than "All In The Family" did. It blew the door off the hinges of any remaining concept of a sanitized "family hour" on television. The gritty, dirty, messy, tragic and yet hilarious lives of the working class in 1970s America was laid out and dissected with surgical precision. A lot of painful, infected boils were lanced, which had bee. laid bare by the Vietnam war and the race riots of the 1970s. Viewing AITF was and still is a form of socio-political catharsis. In the 70s, older adults and their children and grandchildren saw each other more honestly by sharing the laughter of this unique, groundbreaking sitcom. Nothing before or since has been equal.

This is definitely my favorite show and I am glad that there are re-runs on Nick-At-Nite. One of my favorite episodes is when Archie gets locked in the cellar and is finally "rescued" by a repair man, but Archie is drunk and he thinks that the repair man is god, little does know, that the repair man is black!(not that it matters, but to archie?!) And when he bows down to him and lifts his head to see his "god" the audience roared in laughter as did I. Sometimes I wish that this show was on now, (of course with all the stupid issues today, that would be close to impossible), but then again it wouldn't be as good as it was, with all of the "1970's issues" to make fun of and comment on....infact, I think that the issues of the day greatly helped make this show the hit it was, along with the superb acting of course.I hope this show remains on the air for a long time, because I could never get sick of watching All In the Family!

When All In The Family premiered in 1971 it took some chances. Remember that the CBS lineup at the time included The Beverly Hillbillies, Gunsmoke, and Green Acres - hardly the stuff of controversy. Controversial "Laugh-In" had been racking up big ratings for a couple of years, but second-rate NBC had nothing to lose by taking chances.

Besides broaching all of the controversial topics of the day - abortion, the Vietnam War, homosexuality, and race relations, the show dared to say something that was seldom said on stage or screen before - that bigotry and racism thrived north of the Mason Dixon line, and found particularly safe harbors in some of the urban areas of what is normally thought of as the heart of liberalism. In this case, the Bunker household is in Queens, New York.

The year is 1971, and before outsourcing is even a word, Archie Bunker is able to maintain a middle class lifestyle in New York City with a blue collar job and a stay-at-home wife, Edith. He will never be anything more than he is right then. Archie holds very conservative though not well thought out - or at least not well articulated - viewpoints. And then his 18 year old daughter Gloria marries a liberal. Mike is an atheist with a Polish Catholic background, and stands for everything Archie is against. The icing on the cake - he's a penniless student and he will be a guest in Archie's home for the next several years while he finishes the university degree that will enable him to look down on Archie forever afterwords. It's funny this last point is brought up only once, by the observant if subservient Edith, Archie's wife.

For a few seasons all was well, and then this show and MASH suffered a series of crushing blows - the Vietnam War ended, Nixon was disgraced, and the controversial views held by Archie's son-in-law Mike began to enter the mainstream. Thus the show had to come up with new angles to stay fresh, and it did that, even managing to negotiate the loss of three of the four main characters and a neighboring family that played an important supporting role, the African-American Jeffersons.

Today it looks somewhat tie-dyed, but it's still worth studying just to see mainstream viewpoints change before your eyes.