Kidnapped

May I take this opportunity to correct a misunderstanding that has arisen in connection with "Kidnapped". In doing so I shall not attempt a review of the film itself, other than to note here that it is reasonably well-made and entertaining.

Whatever the rights and wrongs (ethically speaking) of the breakup of the old clan system in the Scottish Highlands, and the claims of the Jacobite Succession, it is just plain wrong (factually speaking) to refer to the English as the "British" by contrast with the Scots. The term British refers to anyone who was a subject of the British Crown, subsequent to the Act of Union of 1707; it can refer indifferently to Scots, Welsh, English and Northern Irish, and historically (prior to Home Rule) to the Irish generally.

There may be some sentimentality on the part of American viewers who, mindful of their own War of Independence, wish to identify with others struggling against "British" rule. But the terms British and English are not, and should not be considered, interchangeable.

(There is great ignorance about this distinction in Continental Europe as well; I have had many animated discussions with German-speakers, who have failed to distinguish between "England" and "Grossbritannien", and with Francophones, who think that the whole of "Grande-Bretagne" is also "Angleterre". This may be politically comforting, but is culturally and historically WRONG!)

I enjoyed this movie very much. It is loosely based on two Robert Louis Stevenson novels, Kidnapped and its sequel Catriona. Those who would religiously stick to the contents of these novels will be disappointed in the adaptation. However, the film has, as it should IMHO, a world and plot of its own. Moreover, the plot is engaging and quite exciting.

The film movingly portrays a culture and political cause on the verge of destruction and the politics behind it. To a certain extent, it has to modify the plot of the two novels to effectively do so. Now it might have been nice if we could have heard the Scottish language spoken amongst the Highlanders. This absence makes it harder to portray the cultural conflict which was important both in the period and in the novels. However, we can forgive the film's makers by remembering that such was rarely done in the early 1970s.

The plot may not be entirely accurate in detail (the Appin murder, etc), but the portrayal of the Jacobite Rebellion is both very accurate and insightful, surprisingly so for a big-time film. The ending is a terrific and original attempt to convey the thoughts and psychology of a man through the medium of film.

All that aside, it is a historical adventure. One either likes that genre or doesn't. If the former, then the chances are you will like this.

The story begins just following the Scottish Jacobite loss to the mostly English forces at the Battle of Culloden in 1746. This battle, if you care, was the final conflict between the two nations and as a result, Scotland was forced into the new United Kingdom. To the Scots, it's among their most important event in their long history and it's not surprising that Robert Louis Stevenson placed his story following it, as he himself was Scottish.

One reviewer wrote all about how the battle was between Scottish and English (they were offended by the use of the word 'British' by some reviewers), but that isn't exactly correct. Some Scottish troops fought with the English and there would have also likely been Welsh and Irish troops fighting with them as well (nations the English had long before subjugated). As for the Jacobite Scottish, they apparently had a few English and Irish with them...very few and they were mostly Catholics who did not want Anglicanism imposed on them by the Church of England. The odds were definitely stacked against the Jacobites...and the loss seems, in hindsight, rather inevitable. Today, many in Scotland STILL mourn the loss at Culloden....but on to my actual review!!

The story begins just after this climactic battle, with a rather naive David Balfour arriving at his uncle's home in the border country to claim his inheritance. It' pretty obvious the uncle isn't a kind man and, in fact, he tries to arrange for David's 'accidental' death....though the young man manages to survive. Now you'd THINK David would throttle the elderly uncle or he'd leave the home and seek the law, but instead he foolishly stays the night. Not surprisingly, when morning arrives, the uncle has arranged for David to he 'shanghaied' aboard a sailing vessel headed for the Carolinas. But before he can be forced there, the ship stops to pick up a Scottish patriot, Alan Breck (Michael Caine)...and they plan on also robbing him and taking him to the American colonies. Fortunately, Breck and Balfour are able to prevent this and they escape from the ship and head back to Scotland. What's next? See the film...or just read the book...as the book is among Stevenson's best works (I actually like it better than his more famous "Treasure Island").

While Michael Caine seems okay in the lead, you do wonder why the story wasn't done with a Scottish actor. While most Americans, like me, probably wouldn't notice, I am pretty sure Brits noticed this casting decision.

So apart from the casting of Caine (which is NOT a serious issue for me), is the film any good? Well, considering the Stevenson source material is so good, it's hard to dislike the movie. Plus, it actually was filmed in Scotland unlike some versions of the story. I liked the lovely music as well...very moving and fitting to the story. All in all, a very good version of the story...along with some of its sequel tossed in as well.

This classic story of romantic adventure by Daniel Mann , filmed in location , comes to life enriched by the brilliant photography , as the color of the Scotland's fields is stunning and being freely based on historical events . A good clean fun with a legendary Scottish adventurer against the British army , the Red Coats . In 18th century Scotland , during the Jacobite Rebellion , David Balfour (a feeble Lawrence Douglas) claims his inheritance from his uncle (Donald Pleasence who turns a fine studio of evil) , but he is sold as a slave who has him shanghaied on a ship where David meets fugitive Jacobite rebel , a Highland patriot called Alan Breck (the cockney Michael Caine who gives a lift just when it needs it most ) . Breck is a dash and adventurous rebel who is escaping from Bonnie Prince Charlie's defeat at Culludon . As they getaway from the slave ship and return to battle the British .

"Kidnapped" is an amusing adventure movie that certainly hits the mark ; being plenty of action , thrills , colorful cinematography , luxurious costumes and catching score ; all meld together under Delbert Mann's fine direction . Although the story has been told before , tight filmmaking and nice acting win out . Combination of overwhelming battles , and full of villainy , romance , swashbuckler and heroism . This version covers both the novel "Kidnapped" and the first half of its sequel "Catriona¨ . It is a little slow , at times , in the telling , mainly because of the stolid acting of the sad couple playing David and Catriona . As Lawrence Douglas seems a little frail for the adventurous David Balfour and Vivien Heilbron is hardly casting as Catriona Stewart . But Michael Caine is magnificent , though uneasily cast with his cockney accent , he lends the part sufficient swashbuckling gusto to make it work . As Caine play his character with rush and swagger . The support cast is frankly excellent -though many of them were not paid because of cash problems- such as Trevor Howard as Lord Advocate , Donald Pleasence as Ebenezer Balfour , Gordon Jackson as Charles Stewart , Freddie Jones , normally seen in comedy characters , as Cluny and Jack Hawkins who had lost his voice in 1966, was dubbed by Charles Gray . The Scottish Highlands are a treat for your eyes in glamorous Technicolor similarly to recent TV series ¨Outlander¨ . Being luxuriously shot by Paul Beeson , he was also the Director of Photography for the film Kidnapped (1960) . Sensitive as well as thrilling musical score by Roy Budd . The movie was well directed by Delbert Mann (Separate tables, Desire under the Elms, Marty) . However , the film would be a failure and panned by critics , it nowadays is best considered . The flick will appeal to adventures buffs .

They are several versions based on Robert Luois Stevenson classic novel , though producers do seem to choose the most unlikely players to perform Stevenson's Alan Breck : the American Warner Baxter , subsequently Australian-raised Peter Finch , then , the Cockney Michael Caine and finally the New Yorker of Italian descent Armand Assante . These are the followings : 1938 produced by Daryl F Zanuck , directed by Alfred Werker with Warner Baxter , Freddie Bartholomew , Arlene Whelan , John Carradine . 1960 a Disney movie by Robert Stevenson with Peter Finch , Jamez MacArthur , Peter O'Toole . 1955 Cable rendition by Ivan Passer with Armand Assante , Brian Blessed , Brian McCardie , Patrick Malahide .

This is an adaption of the famous Robert Louis Stevenson novel. I haven't read it myself but hear that this film is pretty faithful to the book. Set in the aftermath of the Battle of Culloden in 18th century Scotland, a young man is sold into slavery by his unscrupulous uncle. He is soon rescued by a Jacobite rebel who is presently an outlaw wanted by the British government. The two men form an alliance of sorts and subsequently become involved in an incident that creates various complications.

The first thing that stands out from the outset here is that the cockney actor Michael Caine is starring in the role of Alan Breck, the Jacobite rebel. It seems like it must be a bit of miscasting, as it is difficult imagining Caine in such a role, however, pleasingly he is very good here and his film star charisma is used to very good effect for this particular character. The film also benefits a lot from plenty of nice on-location photography from around Scotland. It gives the whole production more of an authentic feel. The story-line is compelling and the direction is well-paced, while the events depicted are less over-the-top than in later Scottish adventures set in historical times such as Braveheart (1995) and this for me is a good thing. The story-line eventually dove-tails to a very bittersweet ending that seems like the only appropriate way to round things off.