Sueur froide dans la nuit

While recovering from a nervous breakdown, Peggy Heller (Judy Geeson) is stalked and attacked by a one-armed man. Not surprisingly, due to Peggy's mental state, no one believes her.

After moving back in with her husband at a boy's school, Peggy meets the headmaster (Peter Cushing), who happens to have a very familiar disability! It's not long before Peggy is attacked again.

FEAR IN THE NIGHT is a wicked little mystery-thriller from Hammer Studios that keeps the viewer guessing. Ms. Geeson is believable in her tormented role. Cushing is brilliant as usual. Joan Collins co-stars in one of the best roles she's ever played!...

Often effective British thriller features a tip-top cast(Joan Collins, Peter Cushing, Ralph Bates, Judy Geeson), but suffers from a lack of originality as this is, for the most part, a rehash of similar motifs explored in earlier British horror films like PARANOIAC and NIGHTMARE, which themselves derived from the brilliant French thriller DIABOLIQUE. Still, the good outweighs the bad and there are plenty of nice, genuine jolts.

A great story and cast! A suspenseful horror-thriller! Worth watching if you like the classics! The casting in this movie is wonderful - everyone was great in this movie. Judy Geeson plays Peggy Heller so wonderfully... I felt so sorry for her. Ralph Bates plays Robert Heller a man who seemly is in-love with his young wife Peggy. Joan Collins plays Molly Carmichael - snooty rich woman. Peter Cushing is The Headmaster Michael Carmichael - a strange gentleman.

The movie does build an amount of suspense and it does have it's thrilling moments. It makes a wonderful late-at-night film. Not overly scary but definitely suspenseful and thrilling!

8.5/10

Sangster's third and final film as director forsakes the Gothic trappings of the first two for the psycho-thrillers which Hammer occasionally dabbled in (inspired by LES DIABOLIQUES [1954] and kick-started by the Sangster-penned TASTE OF FEAR [1961]).

As such, it's a pretty solid entry in the genre: well-made (the last half-hour being especially tense), stylish (making subtle use of elliptical editing, careful not to go overboard as was the case with STRAIGHT ON TILL MORNING [1972]) and sporting a compact but most able cast - Judy Geeson (her inherent vulnerability is suited to this type of frightened lady role), Joan Collins (going through a horror/thriller phase at the time and who's, of course, alluringly bitchy), Ralph Bates (it took me some time to accept him in a modern setting since he's so comfortably placed in the Gothic world of his other stuff for Hammer, but there's no denying that he does quite well by his role here!) and Peter Cushing (superlative as always, he has a field day with an ambiguous characterization); incidentally, Cushing and Collins must be one of the most incongruous husband-and-wife pairings in film history!

As one can gather from the above, I liked the film quite a bit and, in fact, pondered for a while the notion of awarding it a *** rating but was, ultimately, deterred from doing so by a couple of flaws: the 'ingenious' plot is, actually, fairly predictable (but, if anything, it's even more fun to be able to anticipate the many twists involved!); however, this also means that one has to labor through a first half that is both slow and repetitive!! I do feel that it's underrated in the Hammer canon: Leonard Maltin dismisses it, for instance, but Leslie Halliwell - not usually one to bother much with the company's latter-day output - is surprisingly complimentary in his review.

While FEAR IN THE NIGHT more or less adheres to Hammer's formula for this type of film - an innocent girl having a brush with murder and madness in remote surroundings - it also draws parallels to the contemporary giallos, especially with its device of a black-gloved stalker. Incidentally, of Hammer's 10 modern suspensers, I've only got two more to catch up with - MANIAC (1963) and CRESCENDO (1970).

The Audio Commentary here proves disappointing - not because it isn't informative but, rather, due to the fact that we get an awful lot of repetition of Sangster's anecdotes from his tracks for THE HORROR OF FRANKENSTEIN (1970) and LUST FOR A VAMPIRE (1971); to be fair to him, the fault lies more with moderator Marcus Hearn - who should have come up with a fresher set of questions, as it were. Then again, I'd have expected more insight into the actual construction of the script (a psycho thriller being, fundamentally, more intricate than a Gothic horror) - but it's safe to assume that, after all these years, Sangster recalls precious little about this aspect...although he does mention that he had pitched the script to the company as early as 1963, and that it was originally intended to be set on a boat! The discussion also touches upon Hammer's other suspensers: apart from citing TASTE OF FEAR and THE NANNY (1965) as his favorite films, Sangster mentions that Orson Welles turned up unannounced one day on the set of MANIAC; in connection with the film under review - which, incidentally, brought Sangster's fortuitous association with Hammer to a close - he acknowledges the fact that Peter Cushing was basically serving the same function (i.e. a red herring) that Christopher Lee did in TASTE OF FEAR.

In London, the twenty-two year-old Peggy Heller (Judy Geeson) meets and marries the school teacher Robert Heller (Ralph Bates) after recovering from a nervous breakdown. Robert works in the countryside in a private school owned by the headmaster Michael Carmichael (Peter Cushing), who is married with Molly Carmichael (Joan Collins). On the eve of moving to the country with her husband, Peggy spends the night at the board house of Mrs. Beamish (Gillian Lind) and is attacked by a man with mechanical arm in her room. Mrs. Beamish calls the doctor but they do not believe in Peggy. On the next morning, she heads with Robert to the country and moves to the cottage in the school. But soon Peggy is attacked by the same man but Robert does not believe in her. Then she meets The Headmaster and realizes that he has a mechanical arm. What will happen next?

"Fear in the Night" is an intriguing and mysterious thriller by Hammer with Judy Geeson in the lead role. The storyline is good but could have more characters to increase the mystery of the identity of the attacker. But it is worthwhile watching this thriller. My vote is seven.

Title (Brazil): "Um Grito Dentro da Noite" ("A Scream in the Night")