Le patriarche vieillissant d'une dynastie de la mafia New Yorkaise passe le flambeau de son empire clandestin à son fils réticent.Le patriarche vieillissant d'une dynastie de la mafia New Yorkaise passe le flambeau de son empire clandestin à son fils réticent.Le patriarche vieillissant d'une dynastie de la mafia New Yorkaise passe le flambeau de son empire clandestin à son fils réticent.
- Réalisation
- Scénaristes
- Vedettes
- A remporté 3 oscars
- 31 victoires et 31 nominations au total
Richard S. Castellano
- Clemenza
- (as Richard Castellano)
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Sommaire
Reviewers say 'The Godfather' is acclaimed for its intricate narrative, deep character exploration, and universal themes of power, family, and loyalty. The film's deliberate pacing, iconic performances by Marlon Brando and Al Pacino, and its significant influence on the gangster genre are often lauded. Critics also praise the cinematography, memorable score by Nino Rota, and its cultural impact. However, some reviewers find it overrated, slow-moving, or morally ambiguous, reflecting a spectrum of opinions.
Avis en vedette
For Me, This Is The Definitive Film
This isn't just a beautifully crafted gangster film. Or an outstanding family portrait, for that matter. An amazing period piece. A character study. A lesson in filmmaking and an inspiration to generations of actors, directors, screenwriters and producers. For me, this is more: this is the definitive film. 10 stars out of 10.
Favorite films: IMDb.com/list/mkjOKvqlSBs/
Lesser-Known Masterpieces: imdb.com/list/ls070242495/
Favorite films: IMDb.com/list/mkjOKvqlSBs/
Lesser-Known Masterpieces: imdb.com/list/ls070242495/
One of the best of all time.
A masterclass in film making, is The Godfather a contender for the best film of all time? I'd argue the case that it is, this is the ultimate gangster movie.
Before you panic at the thought of a film being almost three hours long, you needn't, you won't even notice the time, it flies by.
Production values are incredible, it looks sublime the whole way through, it's so well produced, at roughly fifty years old it puts many new films to shame.
Brandon, Pacino and Castellano, just a few of the Incredible performances, I could add a whole lot more.
If you're considering buying a hard copy, I would recommend it on blu ray, it is sharper than the dvd, there is a difference.
This film has had a huge influence down the years, it is still, and will forever be, one of the greatest, 10/10.
Before you panic at the thought of a film being almost three hours long, you needn't, you won't even notice the time, it flies by.
Production values are incredible, it looks sublime the whole way through, it's so well produced, at roughly fifty years old it puts many new films to shame.
Brandon, Pacino and Castellano, just a few of the Incredible performances, I could add a whole lot more.
If you're considering buying a hard copy, I would recommend it on blu ray, it is sharper than the dvd, there is a difference.
This film has had a huge influence down the years, it is still, and will forever be, one of the greatest, 10/10.
100U
The greatest movie of all time!
One of the best films of all time, an absolute masterpiece. The Godfather is arguably the best gangster drama as well as setting the standard for cinema.
Everything you've ever heard is true...
THE GODFATHER is quite simply a masterful piece of film-making, an epic in the truest sense of the word and by far the finest gangster film ever shot. Made with finesse, style to spare and a director who elicits pitch-perfect performances from a talented cast, this is movie-making as it should be.
Yes, it's a very long film and yes, some sections are quite slow. Nevertheless, none of the film is any less than riveting. The story - of a father/son takeover in one of New York's major Italian Mafia families - is fairly straight forward, and yet Francis Ford Coppola turns it into something else so much more; a meditation on the human condition, perhaps.
Certainly this is a film that explores the darker side of humanity. Jealousy, betrayal, anger and revenge are all key themes here, and the film is inevitably punctuated by moments of graphic and shocking violence. And I'm glad Coppola chooses not to shy away from the said violence, which makes it all the more gritty and realistic when it does happen.
Marlon Brando takes the showrunner role here, the patriarch who's past his prime, but it's easy to spot the real star of the piece: Al Pacino, who burns up the screen with sheer ferocity. Robert Duvall is easy to miss in a quieter part, but watch out for James Caan whose volatile Sonny is one of the film's most engaging characters. Altogether this is a splendid and unforgettable piece of film-making, which inevitably spawned sequels and a whole gamut of similar gangster fare, but THE GODFATHER towers head and shoulders above them all.
Yes, it's a very long film and yes, some sections are quite slow. Nevertheless, none of the film is any less than riveting. The story - of a father/son takeover in one of New York's major Italian Mafia families - is fairly straight forward, and yet Francis Ford Coppola turns it into something else so much more; a meditation on the human condition, perhaps.
Certainly this is a film that explores the darker side of humanity. Jealousy, betrayal, anger and revenge are all key themes here, and the film is inevitably punctuated by moments of graphic and shocking violence. And I'm glad Coppola chooses not to shy away from the said violence, which makes it all the more gritty and realistic when it does happen.
Marlon Brando takes the showrunner role here, the patriarch who's past his prime, but it's easy to spot the real star of the piece: Al Pacino, who burns up the screen with sheer ferocity. Robert Duvall is easy to miss in a quieter part, but watch out for James Caan whose volatile Sonny is one of the film's most engaging characters. Altogether this is a splendid and unforgettable piece of film-making, which inevitably spawned sequels and a whole gamut of similar gangster fare, but THE GODFATHER towers head and shoulders above them all.
A Masterpiece
This must rank as the best film (along with part 2)of all time.An ensemble performance that has no weak spot.
Particularly, John Cazale ( Fredo) and Richard Castellano ( Clemenza) give wonderfully understated performances. You just have to believe that Castellano WAS Clemenza, he brings a real touch to his role.
John Cazale brings the troubled Fredo to life, and you can see the weak Fredo desperately trying to live up to the family reputation but knowing that he can never be what his father wants.
The story of one man's reluctance to be drawn into the murky family business,and his gradual change through circumstance, paints a vivid picture of this violent period of US history.
Do not miss this film!
Particularly, John Cazale ( Fredo) and Richard Castellano ( Clemenza) give wonderfully understated performances. You just have to believe that Castellano WAS Clemenza, he brings a real touch to his role.
John Cazale brings the troubled Fredo to life, and you can see the weak Fredo desperately trying to live up to the family reputation but knowing that he can never be what his father wants.
The story of one man's reluctance to be drawn into the murky family business,and his gradual change through circumstance, paints a vivid picture of this violent period of US history.
Do not miss this film!
The Coolest Movie Cats
The Coolest Movie Cats
Sometimes cats in movies talk. Other times, they don’t have to say a word, and yet they steal the show. We’ve rounded up some of our favorite on-screen felines.
Le saviez-vous
- AnecdotesFrancis Ford Coppola held improvisational rehearsal sessions that simply consisted of the main cast sitting down in character for a family meal. The actors and actresses couldn't break character, which Coppola saw as a way for the cast to organically establish the family roles seen in the final film.
- GaffesThe car Michael and Apollonia drive is a right-hand drive, whereas Italy drives on the right and you would expect vehicles to be left-hand drive. However Italian car manufacturers Alfa-Romeo and Lancia continued to produce cars with right hand drive for sale in Italy until the 1950s.
- Citations
[to Rocco who has killed Paulie in the car]
Peter Clemenza: Leave the gun. Take the cannoli.
- Générique farfeluIn the end credits, Marlon Brando's name is the only one that is not accompanied by the character name that he plays (e.g. "as Vito Corleone").
- Autres versionsIn 1972, Paramount was owned by Gulf & Western, so that company's name appears on the opening Paramount logo. When the film was re-released in 1997, Paramount was owned by Viacom, which placed its named on the re-release Paramount logo, and all subsequent video releases.
- ConnexionsEdited into The Godfather: A Novel for Television (1977)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- The Godfather
- Lieux de tournage
- Forza d'Agrò, Messina, Sicily, Italie(as Corleone village)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 136 381 073 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 302 393 $ US
- 19 mars 1972
- Brut – à l'échelle mondiale
- 250 926 102 $ US
- Durée
- 2h 55m(175 min)
- Mixage
- Mono(original release)
- Dolby Digital
- Rapport de forme
- 1.85 : 1
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