Hit Man

An excellent version of the Ted Lewis book, Jack's return home. Although the style and acting is below the high standard of Hodges' classic Get Carter, it conjures up some novel death scenes and some cool dialogue. Caine said "You're a big man, but you're out of shape. Me, it's a full time job." Bernie Casie said, "You're a big cat, but don't be selling me no wolf ticket." Quality. If you liked Carter, you'll like Hit Man.

As a big fan of 'Get Carter,' I watched this on cable TV for a laugh and wasn't disappointed. It is a funky blaxploitation movie to rival 'Shaft' and a pretty fair remake of 'Carter,' much better than the Stallone nonsense of a couple of years back. It was fun matching scenes from the original especially the 'phone sex, which just killed me. Very funny and pretty cool!

I first saw this movie at a Blaxploitation Film Festival in 1992. Bhetty Whaldron and Roger Mosley {The Mack was also shown} were among the guest stars. Mosley admitted in the post film commentary the everybody knew that it was a black version of Get Carter. It came under fire at the time of it's release for it's racial stereotypes, but it was a big hit at the drive ins and neighborhood theaters across the country. Bernie Casey was better know at the time for his NFL career but would come to be regarded as a handsome and talented leading man and of course the incredibly beautiful Pam Grier was on her way to becoming a cult movie legend.This is a real guilty pleasure film and is a real time capsule piece to see how black men and women were coming to be regarded in 1970's cinema.

This brutal , austere crime-thriller focuses cheerless Tyrone in the title role (a tough , amoral African-American Bernie Casey) , he's a hit-man who returns home to investigate his brother's death by some mobsters . Two-fisted Tyrone in order to revenge his brother , vows vengeance and spontaneously meets sleazy characters in the middle of sinister bands war and running afoul into underworld . Tyrone Tackett keeps the things moving along until ending vendetta , as he aims to please .

This routine film features thrills , raw energy , adult subject matter with abundant nudism and lots of violence . Plenty of intrigue , funky music , kinky sex , noisy action and grisly killings until finale vengeance . Cool secondary cast filled with African-American actors such as Pam Grier , Roger E Mosley and appears unbilled Paul Gleason . Based on a novel titled 'Get Carter' by Ted Lewis from 1970 original movie and of far superior directed by Michael Hodges and starred by Michael Caine and Britt Ekland . Remade again (2000) by Stephen Kay with Sylvester Stallone and Mickey Rourke . This Blaxploitiation movie was regularly directed by George Armitage . He's a good director with a few movies and expert on action and intrigue genre , such as ¨Miami Blues¨ (with Alec Baldwin and Jennifer Jason Leigh), ¨Grosse Point Blank¨ (with John Cusack and Minnie Driver) and ¨Big Bounce¨ (Charlie Sheen, Owen Wilson). Rating : Acceptable and passable ; being rated R for nudism and strong violence .

This film shows how taking even a solidly founded film and remaking it with low end rambling dialogue can mutilate what had some promise. Shot almost scene for scene from GET CARTER -based on the 1969 novel Jack's Return Home (which has resonated through multitudes of other film plots successfully). This movie flounders in a horribly almost plot-less screenplay. I dread what the outcome would have been had GET CARTER not been the master mold. In this genre remake the hero is not clear as to his history and drive and floats from place to place. No matter how much spicing up with racy visuals it still falls short.

Not trying to short change any film, I watched it a second time and nothing changed, no nuance to be found (no fault of Bernie Casey). This is a typical low grade band wagon production from MGM of the time. With dialogue like "That just ain't in his head. I'm the freak of the family", when pondering whether his brother's death could have actually been a suicide you have a long haul to the end of this one.

Better use of the "out for revenge" plots of this era and genre have been seen in Welcome Home Brother Charles and Gordon's War.