Cosmos 859

Just in case some stubborn people are still questioning George A. Romero's talent after his 1968 milestone "Night of the Living Dead", we hereby present "The Crazies"! Once again a film stuffed with subtle criticism on society and pitch black humor. "The Crazies" immediately demands your full attention with a powerful pre-credits opening sequence and the high-excitement level is upheld throughout the entire movie. The little Pennsylvanian town of Evans City is overcome with a secret, but very lethal, government virus leaving the infected either dead or incurably insane. "Trixie" initially was developed as a chemical weapon, so not one of the scientists or army officers know how to put a stop to it when innocent people are exposed to it. The simple plot and cheap elaboration are excellently camouflaged by Romero's sharp eye for detail. Right from the start, he builds up a tense atmosphere of truly realistic mass hysteria that confuses even you – the viewer – in not knowing which characters are infected and which aren't. They could all simply be trigger-happy Pennsylvanian hillbillies for all we know! Although this film never really becomes "disturbing", there are quite a few scenes that shock and that feel strangely real. You could also state "The Crazies" was quite ahead of its time because chemical warfare is much more in the picture now than it was 30 years ago, when this film got shot. Romero's premise is simple but efficient: the malfunctioning and greed of the human race is much scarier than any fictional horror monster could ever be. Best example is the military men who become eerie and threatening in their icky white suits.

Very cheaply made film by Director George Romero about a virus, known as Trixie, that has somehow leaked out in a small town in Western Pennsylvania. The military quickly comes, assesses the situation, and then implements martial law. This is a very thought-provoking film and has some clever dialog and direction here and there. The biggest problems arise with Romero's virtually absent budget. We have a cast of amateurs, some moved on to star in other films particularly by Romero. Richard Liberty as Frankenstein in Day of the Dead being the most noteworthy. Despite not having any star power, the cast for the most part does a decent job notwithstanding. But the settings, although very "realistic," just don't create a real sense of fear for me or believability. I wonder what this film might have been with a budget double the size. If you can get past the minuscule budget, you will find an interesting film here. A film I think that has some real issues at hand even now. The things Romero does do well is create suspense based on the feelings of time being an enemy and make some scathing social commentary on the nature of war, science in war, and apocalyptic threads concerning the way rules are all thrown out when faced with doomsday.

Aside from Dawn of the Dead, I feel that this little seen film is one of Romero's strongest vehicles. Indeed the two films have a great deal in common in terms of pacing, style and overall visual impact. It throws the viewer into the middle of a story with little introduction, and continues at a breakneck pace right until it's bleak conclusion. The wonderful thing about Romero's works is that he manages to take situations that might just be distantly possible and make them an absolute chaotic reality. This film is a testament to that, and may even stand as one of his more realistic and plausible stories. Performances on the part of almost all of the actors are very good, particularly the main group of focus. There are some awkward moments with David, but Judy is very good, and proves herself particularly in her final scenes. Clank is interesting to watch, and does a very good job of descending into a dangerous and confused haze. Richard Liberty's Artie is a favorite, though, due largely to a scene where he tells why he never allowed his daughter to date. He is truly creepy. Those on the military side are also very good, particularly Major Rider and Colonel Peckam. I must admit that I do have a soft spot in my heart for Richard France as Dr. Watts. He rants and relentlessly chews the scenery in a grand performance, and adds a wonderful dash of color and even more insanity to this bleak film. Romero is always interesting in his use of characters, and this film is no exception. He is constantly pushing the envelope of audience expectations by having major characters die or succumb to the madness. Nothing is safe in a Romero movie. His use of the soldiers is wonderful in the frenzied and gritty military and chase scenes. This film as a whole is gritty, unnerving and a perfect stylistic precursor to Dawn of the Dead. One of the better scare pictures of the 70s.

George Romero's legend as a genre filmmaker is secure; his repertoire is less sure, as his movies can be hit or miss. I admit I started watching 'The crazies' with expectations of something different than what we actually get. However, while the narrative starts slowly, it nonetheless ends up being duly engaging. What begins as a disordered effort to contain an outbreak gradually spirals out into a deepening crisis, and the spotlight on a handful of recalcitrant townspeople humanizes the course of events and a strong overarching theme of distrust in the military. The premise is disquieting, the story as it transpires is often unsettling, and in the midst of all the chaos, what scenes of violence we get are acutely jarring. The sense of horror here is broadly more thematic and conceptual than concrete, but even at that, this is a reasonably worthwhile classic.

The detail in the production design is somewhat impressive considering especially that this was only Romero's fourth film, a few short years after 'Night of the living dead.' The vehicles, props, and costume design presumably ate a fair portion of the budget, joined in that spread by special effects including blood. In general there's not much to speak of in terms of dialogue or characters, but the scene writing is pretty swell. And though never wholly captivating, or engaging to the extent we'd hope, the overall narrative is fairly solid.

Moments that could be emphasized with gravity or emotional weight are passed over with the same detached observer's eye that otherwise captures the unfolding events. With this in mind, the assembled cast get to explore their parts mostly only in instances of worsening infection - but they all inhabit their roles well to tell the story. And this rather summarizes 'The crazies' as a whole: the storytelling and film-making are fine, demonstrating Romero's practiced hand in the genre - and that's about it. Nothing about the movie is bad, but nor is anything exceptional to the point of demanding praise. It's modestly gripping, but not necessarily satisfying; entertaining, but not outright stimulating.

One shouldn't necessarily go out of their way to find this, but it's sufficiently deserving of consideration as to be worth watching if you come across it. As a horror film, and as a George Romero picture, 'The crazies' isn't the most essential slice of cinema, but it's a good time all the same.

Though as a lifelong resident of the greater Pittsburgh area, the idea of anything noteworthy coming out of Evans City, like a classic movie, is still a laugh.

After the success of his classic Night of the Living Dead (1968), horror master George Romero followed up with this low-budget thriller.

Airplane crashes outside of a small Pennsylvania town and unleashes a bio chemical substance that turns the locals into murderous psychotics. The government steps in, but only makes things worse... far worse.

George Romero's films have long been known for their violence, disturbing nature, and social commentary and this early film is no exception. The Crazies has exciting action wrapped all in a thought-provoking and unsettlingly believable story. There's plenty of moments of gore and a number of scenes that are quite horrific (burning preacher anyone?). Romero's direction is nicely done, providing tense atmosphere and using the rural locations of Pennyslvania well.

Cast-wise some of the performances of this film seem a bit forced, but the performers do manage to hold it together. Harold Wayne Jones, Will MacMillian, and Lloyd Hollar are the best stand-outs.

While The Crazies is often forgotten among the horror films of the 70's, it's a good film from a great director. A must for Romero fans.

*** out of ****