Un photographe londonien tendance trouve des indices étranges dans les photos qu'il a prises d'une belle femme mystérieuse dans un parc désert.Un photographe londonien tendance trouve des indices étranges dans les photos qu'il a prises d'une belle femme mystérieuse dans un parc désert.Un photographe londonien tendance trouve des indices étranges dans les photos qu'il a prises d'une belle femme mystérieuse dans un parc désert.
- Nommé pour 2 oscars
- 8 victoires et 9 nominations au total
Veruschka von Lehndorff
- Verushka
- (as Verushka)
Jeff Beck
- Self - The Yardbirds
- (uncredited)
Roy Beck
- Boy dancing In Ricki Tick Club
- (uncredited)
Charlie Bird
- Homeless Man
- (uncredited)
Susan Brodrick
- Antique shop owner
- (uncredited)
Robin Burns
- Homeless Man
- (uncredited)
Tsai Chin
- Thomas's receptionist
- (uncredited)
Julio Cortázar
- Homeless Man
- (uncredited)
Chris Dreja
- Self - The Yardbirds
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesAmong the homeless men whose photos were taken by the David Hemmings character is Julio Cortázar, who wrote the original short story on which "Blow-Up (1966)" is based.
- GaffesWhen Thomas is frolicking with the two girls on the purple paper backdrop in the studio, two crew members, including a camera operator, can be seen just sitting there in the top right side of the frame.
- Autres versionsSome of the music was rescored for the Warner DVD release, namely the latter part of the opening title music. The VHS releases' music remain intact.
- ConnexionsFeatured in Film Review: How I Learned to Live with Being a Star (1967)
- Bandes originalesMain Title (Blow-Up)
Written and Performed by Herbie Hancock
Commentaire en vedette
I realize that this is a cinema classic, taught in cinema courses everywhere. And I recognize that there is some pretty remarkable stuff here. But some of it I found very off-putting.
First, to the good: the cinematography is almost constantly remarkable. The way scenes are framed, the constant variation of camera angles, the switches between close and far, etc. I almost would have preferred this without sound. There was so much of interest to watch.
There was little of interest to hear, however. The dialogue is inane. And the protagonist is an egotistical, selfish, thoroughly repugnant excuse for a man. Maybe he's alienated from his world. Why would I care? He does everything to demonstrate that he cares about nothing and no one but himself.
Just past the midpoint of this movie, it starts to become interesting when the photographer detects something in the background of one of his photos. When it turns out a man was murdered, he wants to know more. But why? He's never shown any interest in anything other than himself up until then?
And, finally, he seems to forget about it all.
Watch this once for the amazing camerawork. But as for the plot, the characters, and the rest, don't expect to be engaged. I certainly wasn't.
First, to the good: the cinematography is almost constantly remarkable. The way scenes are framed, the constant variation of camera angles, the switches between close and far, etc. I almost would have preferred this without sound. There was so much of interest to watch.
There was little of interest to hear, however. The dialogue is inane. And the protagonist is an egotistical, selfish, thoroughly repugnant excuse for a man. Maybe he's alienated from his world. Why would I care? He does everything to demonstrate that he cares about nothing and no one but himself.
Just past the midpoint of this movie, it starts to become interesting when the photographer detects something in the background of one of his photos. When it turns out a man was murdered, he wants to know more. But why? He's never shown any interest in anything other than himself up until then?
And, finally, he seems to forget about it all.
Watch this once for the amazing camerawork. But as for the plot, the characters, and the rest, don't expect to be engaged. I certainly wasn't.
- richard-1787
- 29 janv. 2023
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- How long is Blow-Up?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Blow Up
- Lieux de tournage
- Maryon Park, Woolwich Road, Charlton, Londres, Angleterre, Royaume-Uni(scenes where Thomas first photographs Jane and where mime artists play tennis at the end)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 800 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 38 575 $ US
- Durée1 heure 51 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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