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Chamber of Horrors

  • 1966
  • Unrated
  • 1h 20m
ÉVALUATION IMDb
6,0/10
1,6 k
MA NOTE
Patrick O'Neal in Chamber of Horrors (1966)
A one-handed madman (he lost the hand while escaping a hanging) uses various detachable devices as murder weapons to gain revenge on those he believes have wronged him.
Liretrailer3:15
2 vidéos
30 photos
Horreur avec tueur en sérieHorreur de série BHorreur psychologiqueSuspense psychologiqueCriminalitéHorreurThriller

Un fou à une main (il a perdu la main en échappant à une pendaison) utilise divers dispositifs détachables comme armes du crime pour se venger de ceux qu'il pense lui avoir fait du tort.Un fou à une main (il a perdu la main en échappant à une pendaison) utilise divers dispositifs détachables comme armes du crime pour se venger de ceux qu'il pense lui avoir fait du tort.Un fou à une main (il a perdu la main en échappant à une pendaison) utilise divers dispositifs détachables comme armes du crime pour se venger de ceux qu'il pense lui avoir fait du tort.

  • Réalisation
    • Hy Averback
  • Scénaristes
    • Stephen Kandel
    • Ray Russell
  • Vedettes
    • Patrick O'Neal
    • Cesare Danova
    • Wilfrid Hyde-White
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,0/10
    1,6 k
    MA NOTE
    • Réalisation
      • Hy Averback
    • Scénaristes
      • Stephen Kandel
      • Ray Russell
    • Vedettes
      • Patrick O'Neal
      • Cesare Danova
      • Wilfrid Hyde-White
    • 38Commentaires d'utilisateurs
    • 34Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Vidéos2

    Official Trailer
    Trailer 3:15
    Official Trailer
    Chamber Of Horrors: Unholy Matrimony
    Clip 2:57
    Chamber Of Horrors: Unholy Matrimony
    Chamber Of Horrors: Unholy Matrimony
    Clip 2:57
    Chamber Of Horrors: Unholy Matrimony

    Photos30

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    Distribution principale66

    Modifier
    Patrick O'Neal
    Patrick O'Neal
    • Jason Cravatte
    Cesare Danova
    Cesare Danova
    • Anthony Draco
    Wilfrid Hyde-White
    Wilfrid Hyde-White
    • Harold Blount
    Laura Devon
    Laura Devon
    • Marie Champlain
    Patrice Wymore
    Patrice Wymore
    • Vivian
    Suzy Parker
    Suzy Parker
    • Barbara Dixon
    José René Ruiz
    • Senor Pepe De Reyes
    • (as Tun Tun)
    Philip Bourneuf
    Philip Bourneuf
    • Inspector Strudwick
    Jeanette Nolan
    Jeanette Nolan
    • Mrs. Ewing Perryman
    Marie Windsor
    Marie Windsor
    • Madame Corona
    Wayne Rogers
    Wayne Rogers
    • Sergeant Jim Albertson
    Vinton Hayworth
    Vinton Hayworth
    • Judge Randolph
    Richard O'Brien
    Richard O'Brien
    • Dr. Cobb
    Inger Stratton
    Inger Stratton
    • Gloria
    Berry Kroeger
    Berry Kroeger
    • Chun Sing
    Charles Seel
    Charles Seel
    • Dr. Hopewell
    Ayllene Gibbons
    Ayllene Gibbons
    • Victoria the Barmaid
    Leon Alton
    Leon Alton
    • Tour Group Member
    • (uncredited)
    • Réalisation
      • Hy Averback
    • Scénaristes
      • Stephen Kandel
      • Ray Russell
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs38

    6,01.6K
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    Avis en vedette

    7BaronBl00d

    Horror Delight Despite the Fear Flasher and Horror Horn

    This is above all a fun horror film about two criminologists in the late 19th century Baltimore area(one decidedly English - Wilfred Hyde-White and the other decidedly Italian - Cesare Danova)working in a wax museum and uncovering crimes for/with the police. Apparently it was to be a pilot for a television series, and it is very unfortunate it never progressed that far. Hyde-White is always a treat and Danova is rather good too. This story deals with capturing Jason Cravatte - a local aristocrat with a fetish for girls in wedding gowns - dead or alive. Patrick O'Neal gives one of his best screen performances in the role of this psychotic, deranged killer who loses his hand and replaces it with all kinds of cutlery(ax, sword, scalpel, etc...) The film also boast the two gimmicks of the Fear Flasher when the screen will flash with green to let the viewer know something terrifying is about to happen and is preceded by the Horror Horn announcing its arrival. We are told in the beginning of the film that this will occur four times and none of those times are scary in the least bit. What makes this film work is the acting by Hyde-White, Danova, O'Neal, and people like Wayne Rogers as a constable, Jose Rene Ruiz as Pepe the dwarfish assistant, a cameo by Tony Curtis helps out, and all the acting is workmanlike and credible. Hy Averback , a television director of repute and ability, gives the film a very stylish feel with its Victorian-like atmosphere, swirling fogs, and seedy locales when needed. The wax museum itself is indeed impressive as well as is the denouement of the film. This "little" film - judging by its limited audience - is much better than one might at first expect given the gimmicks and story.
    6SnoopyStyle

    horror with a gimmick

    Jason Cravatte (Patrick O'Neal) forces a reverend at gunpoint to marry him and the dead body of Melinda Sawyer. The police is brought in but Jason had already escaped. Anthony Draco (Cesare Danova) and Harold Blount (Wilfrid Hyde-White) own a wax museum and consider themselves amateur detectives. The police searches throughout Baltimore for the disturbed killer.He is caught and sentenced to hang. He manages to escape from a train transport but he had to chop off his own hand. With his new hand replacement, he takes revenge upon those who wronged him.

    This is an old horror with a gimmick. At the beginning, the narrator explains the Fear Flasher and Horror Horn would precede the most horrific scenes. That is the best part of the movie. It's campy and fun in treating it seriously. The actual use of the gimmick does not do much. The grotesque violent scenes are not so shocking especially with modern horror eyes. There is blood but the camera cuts away before the actual violence. The story starts interesting but it flounders in the second half. The characters don't have the special interest and the actors are not the most charismatic. It's a passable bland old horror with a cheesy gimmick which is more fun in the imagination than it is in reality.
    8Clarence Abernathy

    William Castle meets Jacques Tourneur at Hammer Studios

    Expecting a low-grade and low budget chiller (you know: good ol' Tony Curtis has a cameo in it...), knowing that it was originally made for TV, and having seen vintage ads of it, announcing gimmicks like the "fear flasher" and the "horror horn" to protect rabbit-hearted viewers from being shocked without warning, this one's a real surprise to watch. Sure, the gimmicks are quite ridiculous, but the rest of the movie -and that is quite a lot- provides tense and moody atmosphere, above average camerawork, gorgeous colour compositions and probably the most gripping performance Mr. Patrick O'Neal -as the demented killer- has ever delivered (well, sure, there have not been many...). It's great fun watching him do scary things with his special wooden hand stump, fitted with a variety of hooks, knives and cleavers. This almost forgotten pic can easily compete with the quality of the Vincent Price Classic "House of Wax" and it's a winner - especially considering the fun factor. The whole thing looks a bit like as if William Castle would have produced and re-edited a classic hammer movie directed by -say- Jacques Tourneur (forgive me, Jacques). Great fun to watch.
    7preppy-3

    Silly but enjoyable

    This takes place in the 1800s. Patrick O'Neal (having a REAL good time) plays a killer who is sentenced to jail for killing his wife and then marrying the corpse! He escapes from the train taking him to jail and is believed dead. However he's alive. He also lost his hand in the escape and has a variety of attachments (among them a hook and a meat cleaver) and sets out to kill the men who convicted him.

    This was originally made for TV but was considered too gruesome (at the time) and released to theatres. It was also put on with a VERY fun gimmick--the Fear Flasher and Horror Horn. When the supposedly gruesome parts were coming the frame froze, flashed red and a horn sounded to warn people! The "gruesome" parts are ridiculously tame by todays standards and wouldn't scare a child. In fact I originally saw this on TV uncut during the afternoon in the 1970s when I was in grade school! Didn't scare me at all. Still the acting is good, the atmosphere is spooky and it moves at a fast clip. Silly but fun. I give it a 7.
    7planktonrules

    A thrilling film with occasional lapses in the writing...but it's still well worth seeing.

    "Chamber of Horrors" sure reminds me of some of William Castle's films, as it begins with a prologue narrated by William Conrad. It explains how scary the film is but as a special service to the squeamish in the audience, a red light will flash and weird music will go off when one of four horrifying moments are about to begin! This is cheesy but also fills the movie with kitschy fun.

    The film begins with a truly horrifying and wonderful scene in which a total psycho (Patrick O'Neal) forces a minister to marry him....to a dead woman!! The guy is 100% nuts but clever--and manages to elude the police for some times after this. Eventually, when he is captured, he manages to escape both times--and I won't go in to detail about it, but the second time is a doozy and everyone assumes he's dead! And, from here on, the film bears a lot of similarity to the wonderful film "House of Wax" (the Vincent Price version, not the new crappy one) as well as the Dr. Phibes films--some amazingly gory murders, all in the name of revenge. This portion of the film is pretty good, albeit a bit slow at times.

    What intrigued me about this film was seeing Patrick O'Neal in a role totally unlike his other film and TV appearances. He was good, mind you--but NOT the typical sort of O'Neal! Also I appreciated that although the subject matter was grisly, it was not at all explicit--and the red flashing lights really weren't necessary. I am thrilled, as I think many horror films just go too far.

    Overall, I liked this film very much--O'Neal's character was great and the story quite exciting. The only serious problems were the occasional bad writing, as intended victims just acted too dumb at times--such as the cop (Wayne Rogers) who chose to look for a serial killer out to kill him TOTALLY ALONE! When this character found O'Neal, instead of shooting him on sight, he allowed him to get close to him...too close. Another case of bad writing involved the assistant, Pepe, who hears a noise and TELLS NO ONE--going to investigate it himself!! Too dumb--and sad because otherwise it was a thrilling little movie.

    By the way, the way the film ended it seemed apparent this was meant as either a TV pilot or the first in a series. Sadly, this was not to be.

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    Intérêts connexes

    Roger Jackson in Frissons (1996)
    Horreur avec tueur en série
    Bridget Hoffman in L'opéra de la terreur (1981)
    Horreur de série B
    Daniel Kaluuya in Get Out (2017)
    Horreur psychologique
    Rosamund Pike in Les apparences (2014)
    Suspense psychologique
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)
    Criminalité
    Mia Farrow in Le bébé de Rosemary (1968)
    Horreur
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      According to an article in the 9/28/66 edition of "Variety", this film was the second-most profitable film in release at the time.
    • Gaffes
      At the police department, on the door to room 112 it states it is the Exhibits Room, but in the hall outside, room 112 is indicated as the District Attorney's office.
    • Citations

      Anthony Draco: Can you describe him?

      Marie Champlain: He's... he's tall and uh... he's dark and um... uh... soft-spoken. He moves very quietly. What's wrong me? He's the easiest man in the world to identify. His right hand is missing.

    • Générique farfelu
      Patrick O'Neal, the villain of the piece, is inexplicably omitted from the cast list in the end titles.
    • Autres versions
      Produced as a TV series pilot, this film was determined to be too violent for the small screen and given theatrical distribution instead. Added for this release was an exploitation device called the "Fear Flasher/Horror Horn", ostensibly to warn the audience of the "Four Supreme Fright Points" (although it was not applied to the picture's most explicitly violent moment, the climactic fate of the villain). This device was explained in an introductory sequence narrated by William Conrad. Upon first showing on US network television, both the device and its explanation were deleted, but in subsequent syndication to local stations in the 1970s and '80s, some such prints were seen.
    • Connexions
      Featured in Deadly Earnest's Spooky Colour Marathon (1975)
    • Bandes originales
      An der schönen, blauen Donau, Op. 314 (On the Beautiful Blue Danube)
      (uncredited)

      Music by Johann Strauss

      Played at the party

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    FAQ13

    • How long is Chamber of Horrors?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 21 octobre 1966 (United States)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • Die Schreckenskammer
    • Lieux de tournage
      • Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, Californie, États-Unis(Studio)
    • société de production
      • Warner Bros.
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 20m(80 min)
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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