Fahrenheit 451

Perhaps one of the greatest science fiction writers of all time is Ray Bradbury. He was able to look at so many different fantastical things from so many different fantastical angles. Many credit his novel Fahrenheit 451 has his greatest work. It is a book that depicts a future where learning is oppressed and conformity is expected. Government rules with no one ever questioning it. The masses are swayed by what the government wants them to see through television and pills. This adaptation of Bradbury's novel by French auteur Francois Truffault is effective in retaining the heart of Bradbury's work. Oskar Werner plays Guy Montag, a fireman who burns books rather than puts fires out. He is an expert in his field. He can find all the neat, out-of-the-way places people hide their books like in toasters or behind TV picture tubes. Books are outlawed as seen as corrupting forces in society. Only picture books are allowed. Montag goes on with his mundane life with his wife who is always watching television. The status of one is determined by how many TVs you have in the house. Montag doesn't like TV and has an undeniable quench for something more. Anyway, he meets a neighbor like him in spirit and soon decides to start reading. I loved this film because its message is so very clear today and so scary as we live in a society very different from Montag's yet not so far away. TV dominates our lives to some degree. Most of our news comes from it. Much of our bias comes from it. It is definitely a defining instrument in our lives whether or not we wish to admit it. Reading some argue is in a massive decline and our standards as a society certainly have much lower expectations as to what people should know. If you doubt this, just look at a show from the 1960s(even a show like Bewitched or Gilligan's Island) and compare the vocabulary to something made for a similarly aged viewing audience. We dumb down everything. Anyway enough sermonizing, Farenheit 451 will get your mind thinking. Truffault creates plenty of suspense and a wonderfully eerie new future. His use of color in particular really impressed me. It is of course the 60s, but he makes his world look very different. The acting is very good. Werner gives a more than competent performance as a man troubled with a life he finds to be false. Julie Christie excels playing BOTH Werner's wife and the neighbor girl that inspires him to find the true self. I also enjoyed a rare turn by crusty Cyril Cusak! This is indeed an underrated science fiction film and more importantly a film that should be explored as we move closer and closer to that society it showcases. Fortunately for all of us here, we understand the power, the joy, the fulfillment that reading and writing bring us each day. One last note(or two): this was Truffault's first film in English(may be his only one?) and the ending was wonderfully done!

This is a thought-provoking and poignant story happens in an oppressive and odd far world , a strange and terrifyingly mechanised society . It describes future Earth civilization with television a universal father-figure poring out messages , there a fireman whose duty is to destroy all books begins to question his task . This is the best adaptation of a Ray Bradbury book to hit the big screen , furthermore quite faithful to the tone of the story. It deals with a fire fighter named Montag ( Oscar Werner ) works in the line of duty as responsible for the destruction of materials , but he begins to question about the necessity of his job . Guy Montag is a veteran fireman who is much respected by his superiors (Cyril Cusack) from fire department and is in line for a promotion . Montag doesn't wonder what he does or why he does it until he deals with Clarisse ( Julie Christie in double role also as Montag's wife ). As his doubts enhance , he starts to rob some books he is about to burn . But a work's companion named Fabian (Anton Driffing) suspects about his hidden activity .

It's an intriguing type of story with Science-Fiction leanings and stretching rather far for some of the plot points . This cerebral picture is full of cinematic and literary references as Charles Dickens-David Copperfield- , Robert Stevenson , James Joyce and many others . The interesting story , generally slow-moving , mingles the genres of Dystopian science fiction and suspense film . It contains an intelligent and surprising ending , Truffaut's own invention , with the rebels wandering in idyllic exile by the edge of a glittering icy lake . Although set far in the future , there are no great special effects or elaborate sets ; despite , the movie was filmed in real locations by prestigious cameraman Nicolas Roeg , subsequently filmmaker , in Danebury Avenue, Roehampton, London, England, UK (opening sequence, block of flats) ,Linkway, Edgcumbe Park, Crowthorne, Berkshire, England, UK(Montagu's bungalow)Black Park, Iver Heath, Buckinghamshire, England, (Monorail),Fortismere Secondary School, Maidenhead, Berkshire, England, UK and Loiret, France , though most scenes were shot in Pinewood Studios . It is colorfully photographed in bright and gleaming red . Suspenseful and thrilling musical score by the classic Bernard Herrmann , Alfred Hitchcock's usual . The flick is stunningly directed by Francois Truffaut , in his fist English-language movie treating the subject of literature and tyranny with a intelligence and dignity not found in other films . This is one of the best of his suspense movies along with ¨ La Sirene du Missisipi ¨ and ¨Shoot the piano player¨. Rating : Very good , above average and well worth watching .

L

Fahrenheit 451" is a strange film, hard to describe. No one could have interpreted the classic Bradbury novel in the same bizarre, fascinating manner as Francois Truffaut. It's a book, and a film, about freedom, choices, individuality, and intellectual repression in a future where books are forbidden; where Firemen are men who start fires...fires in which they burn books.

It was also the first color film directed by Truffaut. Although he by all accounts was not happy about making a color film and found it a bit unsettling, color is used to great effect here; sparingly, except for the extreme shade of red that is seen throughout.

"Fahrenheit 451" is supposed to be the temperature at which book paper catches fire, as the protagonist Guy Montag (Oskar Werner) explains in a scene at the beginning. Guy is a Fireman who seems happy enough with his life until he is approached by a young woman named Clarisse (Julie Christie) on his way home from work one day. She starts up a conversation with him, and the two become friendly. She bewilders him but challenges him to think and feel....and read. And when he arrives home we see his wife (also played by Julie Christie, with long hair), sedated and watching the wallscreen (TV of sorts)...we see what his life is really like, although he had told Clarisse he was "happy"...he is not.

As his friendship with Clarisse grows, he starts to secretly take home, hoard, and read some of the books he finds in the course of his daily work, and as he reads, he becomes obsessed with the books. They become his mistress, and are what finally make him feel affection and warmth. And when he starts to feel and care, so do we.

The two single best scenes are a passionate one involving an old woman who refuses to leave her books, her "children" as she calls them; and the wonderful ending of the film. The countless, painful closeups of books as they are being burned are beautifully done, and difficult to watch.

Truffaut was a well-known disciple of Alfred Hitchcock's films, so when Hitchcock fired his long-time music collaborator Bernard Herrmann during the filming of "Torn Curtain", Truffaut was thrilled to acquire his talents for his own film. The score for "F451" is beautiful, and the film would not be nearly as effective without it.

Writer/producer/director Frank Darabont ("The Green Mile", "The Shawshank Redemption") is working on a new film of "Fahrenheit 451" this year. He says it won't be a remake of the original film.

From Ray Bradbury's novel about totalitarian society that has banned books and printed words in order to eliminate independent thought; Oskar Werner plays professional book-burner who becomes enraptured with stories. Possibly a bit too thin at this length, but a fascinating peek at a cold future (which the times have just about caught up to). Didn't get a warm reception from critics in its day, yet the performances by Werner and Julie Christie (in a dual role as both Werner's wife and a rebel acquaintance) are top notch. I was never a fan of director François Truffaut's too-precious stories of childhood, but this film, curiously his only English-language picture, is extremely well-directed; the sequence with the woman and her books afire is one amazing set-piece, with tight editing, incredible and precise art direction, and the camera in all the right places. Truffaut lets you feel the agony of book paper curling up black in a mass of orange flames, and the proud defiance of the woman as she herself strikes the match. Unforgettable. *** from ****

The Firemen take the knowledge, they won't permit, those with power make the rules, it's their remit, books are burned and turned to ash, as sparking kerosene arcs flash, if you're caught with contraband, they will commit. Montag works the fire, erasing texts, since meeting Clarisse he's increasingly perplexed, she's opened up a door, that's taken him to hidden floors, now he knows the flames he throws are all pretext.

It's not the greatest piece of filmmaking you've ever seen, and you can pull a wagon through some of the holes in the logic, but for its time, and as an example of how the few can control the many, it's still worth an exploration to benchmark where the world is all these years later.