Johnny Reno, le shérif d'une petite ville, défend un prisonnier accusé à tort du meurtre d'un indien. En réalité ce sont les notables de la ville qui l'ont assassinés par racisme.Johnny Reno, le shérif d'une petite ville, défend un prisonnier accusé à tort du meurtre d'un indien. En réalité ce sont les notables de la ville qui l'ont assassinés par racisme.Johnny Reno, le shérif d'une petite ville, défend un prisonnier accusé à tort du meurtre d'un indien. En réalité ce sont les notables de la ville qui l'ont assassinés par racisme.
- Réalisation
- Scénaristes
- Vedettes
Lon Chaney Jr.
- Sheriff Hodges
- (as Lon Chaney)
Regis Parton
- Bartender
- (as Reg Parton)
Nick Borgani
- Townsman
- (uncredited)
Jaye Durkus
- Townsman
- (uncredited)
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Avis en vedette
Jane Russell and Lon Chaney
1965's "Johnny Reno" was number 7 of the 13 Paramount Westerns from house producer A.C. Lyles, returning many veteran performers from previous entries: Dana Andrews (second), Lon Chaney (7 for 7), John Agar (fourth), Lyle Bettger (second), Richard Arlen (sixth), Robert Lowery (second), Reg Parton (fifth), Rodd Redwing (second), plus first timers Jane Russell and Tom Drake. The Conners brothers are accused of killing an educated young Indian in the Kansas town of Stone Junction, where federal marshal Johnny Reno (Dana Andrews) hopes to rekindle old flame Nona Williams (the still scrumptious Jane Russell). Thinking the marshal is pursuing them, the brothers open fire on Reno, who kills Ab Conners (Dale Van Sickel) in self defense, taking the wounded Joe Conners (Tom Drake) into custody. Stone Junction's mayor, Jess Yates (Lyle Bettger), seems all too anxious for Reno to return to St. Louis and leave his prisoner with Sheriff Hodges (Lon Chaney), which only whets the marshal's curiosity about the facts behind the murder charge. The longer he sticks around, the greater his suspicions become, and with the formerly cowed sheriff regaining his pride by backing Reno, prejudice and bigotry are soon vanquished. Lyle Bettger makes for an effectively slimy villain, John Agar and Robert Lowery in compliance, while Tom Drake is believable in his desperation. Jane Russell ably provides the surprisingly strong love interest, her backstory similar to that of Johnny Reno, living down past mistakes made out of love or loyalty. His career slowly winding down, Lon Chaney once again enjoys a chance to shine as Sheriff Hodges, refusing to allow vigilantism in standing up for law and order, getting shot in his final act of selflessness. The lone actor to thus far appear in all seven Lyles Westerns, Chaney only did one more, 1967's "Buckskin" (the last of the 13 to be released).
The mistake I made was being born.
Johnny Reno is directed by R.G. Springsteen and written by Steve Fisher and Andrew Craddock. It stars Dana Andrews, Jane Russell, Lyle Bettger, Lon Chaney Jr., John Agar and Tom Drake. A Technicolor/Techniscope production, with music by Jimmie Haskell (title tune song by Jerry Wallace) and cinematography by Harold Stine.
Andrews is Johnny Reno, a tough no nonsense U.S. Marshal who after arresting suspected Indian killer Joe Conners (Drake), takes him to the jail in Stone Junction in Kansas. But once there Johnny finds a hostile and corrupt town that want Conners lynched before trial. Why? Does this town have a secret? Is Conners really as innocent as he proclaims? Reno must stand alone against the town to find the truth.
Safe Western film making 101, Johnny Reno has just enough about it to keep it from stinker status. There's a fine cast involved, but they are either winding down their long careers or merely going through the motions. The direction is standard fare, with the action sequences constructed only adequately, and the musical score is at times more befitting a comedy serial episode.
Yet the premise, as simple as it is, plays out well for dramatic purpose. Reno is a two fisted hard bastard type of guy, and it's fun to watch him tackle the whole of Stone Junction, including, naturally, affairs of the heart by way of Russell's Nona Williams. The narrative has some observations on corruption, racism and vigilantism that are to be applauded, while the Techniscope photography around Vasquez Rocks Natural Area Park is most easy on the eye.
It is what it is, a Western in the late 60s trying to keep with the formula traditions of the "B" grade Oaters from the previous decade. It succeeds on that front for sure, where even though it has plenty of faults, it's a decent enough time waster for fans of the stars or those who like the said undemanding Westerns of the 50s. 6/10
Andrews is Johnny Reno, a tough no nonsense U.S. Marshal who after arresting suspected Indian killer Joe Conners (Drake), takes him to the jail in Stone Junction in Kansas. But once there Johnny finds a hostile and corrupt town that want Conners lynched before trial. Why? Does this town have a secret? Is Conners really as innocent as he proclaims? Reno must stand alone against the town to find the truth.
Safe Western film making 101, Johnny Reno has just enough about it to keep it from stinker status. There's a fine cast involved, but they are either winding down their long careers or merely going through the motions. The direction is standard fare, with the action sequences constructed only adequately, and the musical score is at times more befitting a comedy serial episode.
Yet the premise, as simple as it is, plays out well for dramatic purpose. Reno is a two fisted hard bastard type of guy, and it's fun to watch him tackle the whole of Stone Junction, including, naturally, affairs of the heart by way of Russell's Nona Williams. The narrative has some observations on corruption, racism and vigilantism that are to be applauded, while the Techniscope photography around Vasquez Rocks Natural Area Park is most easy on the eye.
It is what it is, a Western in the late 60s trying to keep with the formula traditions of the "B" grade Oaters from the previous decade. It succeeds on that front for sure, where even though it has plenty of faults, it's a decent enough time waster for fans of the stars or those who like the said undemanding Westerns of the 50s. 6/10
Tough Mayor Versus Tough Marshal
How ironic if Tom Drake and his brother hadn't fired on U.S. Marshal Dana Andrews one of them wouldn't have wound up dead and we would have had no film called Johnny Reno.
Dana Andrews plays the title role and he's drawn into a nasty local situation when that ambush happens. He brings Drake back to town to stand trial, but finds the town in a strange mood. They literally genuflect when their Mayor Lyle Bettger gives an order. Bettger really did not want to see Drake again.
Drake's accused of killing the son of a nearby Kiowa chief. That in it self is strange, why is Bettger and the town all worried about the death of an Indian which Drake protests he never did? Turns out there's a lot more going on than meets the eye.
A.C. Lyles once again provides work for several players of the forties and fifties who unless they were doing television found work increasingly hard to get. Jane Russell reprises one of her tough as nails, heart of gold women she took out a patent on. Lon Chaney, Jr. plays the part of an over the hill sheriff, very similar to what he did in High Noon. He does show why Gary Cooper did not want him backing him up in that.
Lyle Bettger adds another to his collection of twisted psychos he did like no one else could in the fifties. Richard Arlen and John Agar have decent size roles in this as well.
Not a great western, but thank you A.C. for bringing all of this cast together.
Dana Andrews plays the title role and he's drawn into a nasty local situation when that ambush happens. He brings Drake back to town to stand trial, but finds the town in a strange mood. They literally genuflect when their Mayor Lyle Bettger gives an order. Bettger really did not want to see Drake again.
Drake's accused of killing the son of a nearby Kiowa chief. That in it self is strange, why is Bettger and the town all worried about the death of an Indian which Drake protests he never did? Turns out there's a lot more going on than meets the eye.
A.C. Lyles once again provides work for several players of the forties and fifties who unless they were doing television found work increasingly hard to get. Jane Russell reprises one of her tough as nails, heart of gold women she took out a patent on. Lon Chaney, Jr. plays the part of an over the hill sheriff, very similar to what he did in High Noon. He does show why Gary Cooper did not want him backing him up in that.
Lyle Bettger adds another to his collection of twisted psychos he did like no one else could in the fifties. Richard Arlen and John Agar have decent size roles in this as well.
Not a great western, but thank you A.C. for bringing all of this cast together.
''The Hard-Fisted Texan With The Easy-Loving Way!
"Johnny Reno" is one of the thirteen low-budget westerns produced by A.C. Lyles in the sixties. It stars Dana Andrews, Jane Russell, Lon Chaney, Richard Arlen, Lyle Bettger and Tom Drake. The premise is a simple one. Sheriff Andrews is heading to a small town in order to see his one-time sweetheart (Russell). On the way, he is set upon by two brothers who think he is after them. Forced to shoot one, he captures the other (Drake) and brings him into town. His prisoner insists he is innocent of the crime the whole town wants him hanged for, and after hearing his story, will Andrews believe him? The film is an enjoyable time waster, mostly for the appearances of the veteran stars, but the story is also fairly suspenseful. Previously available only on a full screen videocassette, "Johnny Reno" has been released on DVD in a well-preserved widescreen edition. Hopefully, the rest in the series will follow.
Paramount producer A.C. Lyles made several westerns with well known Hollywood stars in support roles.
JOHNNY RENO is just one of many second feature Westerns produced by A.C. Lyles at Paramount in the 1960's. These Westerns were of great interest to me when they were shown at our local cinema as they always had many veteran actors in supporting roles. For example take a look at the credits for "Johnny Reno" - Dana Andrews, Jane Russell, Lon Chaney Jr, John Agar, Lyle Bettger, Tom Drake, Richard Arlen, Robert Lowery, and (uncredited) DeForest Kelley. Quite an impressive cast for a second feature western!! I always used to sit up and pay attention when the words "An A.C. Lyles Production" came up on the screen as I knew this film was going to be rather special!! One of A.C.s best friends was James Cagney who only directed one film in his entire career - "Short Cut to Hell" (1957) which he did purely as a favour to A.C. to get him started as a producer. (It was a remake of the Alan Ladd film "This Gun for Hire"). Now in his 80's A.C. still has an office on the Paramount lot which he visits most days. A.C. can be seen regularly on the TV series "Biography" where he is often interviewed with his memories of the "Golden Days of Hollywood" and the many stars he knew personally from that era. Clive Roberts.
Le saviez-vous
- AnecdotesShot in Techniscope as it was cheaper than CinemaScope.
- GaffesThe movie is set in Indian Territory, but a map of the US on Sheriff Hodges' wall shows the modern (i.e. 20th century) 48 mainland states.
- ConnexionsFeatured in Legendy mirovogo kino: Jane Russell
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Ceo grad je kriv
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 23m(83 min)
- Mixage
- Rapport de forme
- 2.35 : 1
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