Press for Time

Norman Wisdom plays three roles in "Press for Time," although two are very brief. He sells newspapers and is the grandson of the prime minister of England. His mom and granddad (in his other roles) want Norman Shields to do better. So, granddad leans on a political crony to get him a job on a newspaper the crony owns. It's located in Tinmouth (actual Teignmouth), along the English Coast.

Others have noted that in this late film in Wisdom's career, his character seems to have lost its innocence. He still has crazy antics, but they are missing the playfulness and humor of his earlier escapades. His humor with the mix of local politics doesn't come off as funny. But, there still are some laughs in this film. Stanley Unwin as the town clerk, Mr. Nottage, is very funny in his garbled talk.

This is one of the lesser Wisdom comedy films. Die-hard fans will enjoy it. Those not familiar with Wisdom would better watch another film to appreciate Wisdom's humor and energetic talent for comedy. "On the Beat," "A Stitch in Time," or "The Bulldog Breed," are all first-rate comedies.

Press for time, where to begin? It's a somewhat madcap comedy, I'm not sure why, but I get glimpses of some of the earlier Carry on Films, it has that vibe, no smut, good clean humour. It takes its time to get going, but the scenes involving The Mayoress are hilarious, particularly in the debating chamber and at the 1000th house.

The Beauty Contest scene was perhaps a little deeper than you would perhaps think, there are several messages in it, the first being that beauty is very much in the eye of the beholder, and secondly, how refreshing to see women with curves!

Stanley Unwin is great to watch, delivering his gobbledegook lines in his own unique style. Frances White is lovely as Norman's eventual live interest, but the one that stole the show for me was Noel Dyson, who played The Mayoress.

Not a classic, but enough madcap moments, and if course shows us that the eternal battle between Labour and Conservatives has gone on for a very long time. 6/10.

Norman Wisdom comedies aren't to everyone's taste. Sometimes his slapstick can be childish and he can overdo the pathos of his 'little man' routine. Nevertheless this - the last major film Wisdom made in his traditional manner - is one of his best.

The comedy is well-paced and Wisdom's character is rather more mature than usual, capable of using some initiative rather than simply being a clumsy fool. The photography of the attractive seaside locations is excellent. Perhaps another reason I find this film particularly likeable is that it reminds me of the seaside town I grew up in at about the same time, the petty-politics and small-town journalism especially.

This is a pleasing comedy from a simpler, gentler age.

Not quite Norman's best film, but it has plenty of great comic moments. Stanley Unwin's contribution in his inimitable gibberish (you can in fact follow the meaning if you listen very carefully!) is brilliant as always. Frances White gives a lovely performance as Liz. She may not have been as 'attractive' as Norman's primary love-interest Eleanor, but she turns out a much more worthy character. The seaside locations are beautiful (I must visit Teignmouth one day). And the condemnation of tinpot local politicians is perfect, and should be seen more often. For me, though, the supreme glory of 'Press For Time' is Norman's stunt when he visits the Mayor's house. Liz's mother introducing him to her daughter, while he's hanging from the chandelier, is a truly unforgettable moment in British cinema.

Norman Shields is the Grandson of the Prime Minister of England. He was fathered by a drain inspector and has been shunned by his family. However the PM feels an obligation to look after him and sets him up as a journalist in a small town paper. Despite causing chaos wherever he goes, Norman gets involved with both Labour and Tory councillors and eventually teaches them a thing or two about what politics should mean.

This film was yet another in the long running series of Norman Wisdom comedies that relied on his talent to be a likeable, misunderstood, clumsy, common clown. Here the story has it's usual message for the working classes - here Norman shows up the toffs in local government as self-centred and disconnected. The love interest is even more interesting than usual, here she is a plain Jane type rather than a stunner who falls for Norman's charms. As a film it is interesting enough, but the comedy is not as fresh as in other Wisdom films.

It may be because he is a little older than other films, his character doesn't feel quite so innocent or wide-eyed as before and it makes his antics seem less acceptable. He also plays his own Mother and Grandfather, however they are quite empty characters and are only amusing because they are played by Wisdom.

Overall this is not quite up to Wisdom's usual standard but it has a good message, an interesting story and some genuinely amusing scenes.