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Spider-Man

  • Série télévisée
  • 1967–1970
  • PG
  • 25m
ÉVALUATION IMDb
7,3/10
4,5 k
MA NOTE
Paul Soles in Spider-Man (1967)
Trailer for Spider-Man: Complete Season 1
Liretrailer0 min 36 s
3 vidéos
99+ photos
AventureFamilleFantaisieMesureScience-fictionAnimationAnimation dessinée à la mainSuper-héros

Une histoire animée originale basée sur le personnage de bande dessinée Marvel, Peter Parker, qui, après avoir été mordu par une araignée radioactive, assume des pouvoirs extraordinaires.Une histoire animée originale basée sur le personnage de bande dessinée Marvel, Peter Parker, qui, après avoir été mordu par une araignée radioactive, assume des pouvoirs extraordinaires.Une histoire animée originale basée sur le personnage de bande dessinée Marvel, Peter Parker, qui, après avoir été mordu par une araignée radioactive, assume des pouvoirs extraordinaires.

  • Creators
    • Stan Lee
    • Steve Ditko
  • Stars
    • Paul Soles
    • Peg Dixon
    • Paul Kligman
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,3/10
    4,5 k
    MA NOTE
    • Creators
      • Stan Lee
      • Steve Ditko
    • Stars
      • Paul Soles
      • Peg Dixon
      • Paul Kligman
    • 54Commentaires d'utilisateurs
    • 5Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Épisodes52

    Parcourir les épisodes
    HautLes mieux cotés

    Vidéos3

    Spider-Man: Complete Season 1
    Trailer 0:36
    Spider-Man: Complete Season 1
    Spider-Man: The 67' Collection Post
    Trailer 0:46
    Spider-Man: The 67' Collection Post
    Spider-Man: The 67' Collection Post
    Trailer 0:46
    Spider-Man: The 67' Collection Post
    Spider-Man
    Trailer 0:46
    Spider-Man

    Photos113

    Voir l’affiche
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    + 106
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    Rôles principaux19

    Modifier
    Paul Soles
    • Spider-Man…
    • 1967–1970
    Peg Dixon
    • Betty Brant…
    • 1967–1970
    Paul Kligman
    • J. Jonah Jameson…
    • 1967–1970
    Bernard Cowan
    • Police officer…
    • 1967–1970
    Tom Harvey
    • Police officer…
    • 1967–1970
    Gillie Fenwick
    Gillie Fenwick
    • Police officer…
    • 1967–1970
    Len Carlson
    • Green Goblin…
    • 1967–1970
    Henry Ramer
    Henry Ramer
    • Coach…
    • 1967–1968
    Chris Wiggins
    • Mysterio…
    • 1967–1970
    Billie Mae Richards
    Billie Mae Richards
    • Paperboy…
    • 1967–1970
    Carl Banas
    • Scorpion…
    • 1967–1970
    Ed McNamara
    • Rhino…
    • 1967–1970
    Alfie Scopp
    Alfie Scopp
    • Artie…
    • 1967–1968
    Max Ferguson
    • Phantom…
    • 1967–1968
    Claude Rae
    • Charles Cameo…
    • 1967–1970
    Jack Mather
    • Jesse James
    • 1967
    Vernon Chapman
    • Dr. Octopus
    • 1967
    Frank Perry
    • James Boothe
    • 1967–1970
    • Creators
      • Stan Lee
      • Steve Ditko
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs54

    7,34.4K
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    Avis en vedette

    EyeDunno

    Bakshi is Better (IMHO)

    I grew up watching this series in the early 1970s, and I'm happy that someone finally placed them onto DVDs. The set of 6 discs is rather deep, with all the episodes filling the DVDs. It's rather thin on extras. But there are what, 3 hours per disc? And the episodes are in chronological order, from the first to the final episode.

    Some of the episodes weren't digitally remastered, as most seem to have been, but heck, when I compare them to the VHS tapes I used to purchase at comic book shows where the tapes were recorded from UHF stations yielding poor reception, I won't complain. I'm just glad they're here. For the price, it's plenty of bang for the buck.

    As for the episodes, Ralph Bakshi took over as producer midway through the run of the original episodes (his cartoons can be found about midway through the third DVD). Reading through postings on the net, people have said that Bakshi took over and operations moved from Canada to the US when it was cheaper then to produce the animation in the states... and some staff cutting was done while the episodes were still cranked out at a good pace. Hence, people claim, a good bit of regurgitation of characters and plot lines increased. FYI, the Canadian episodes had Spidey webbing in clear skies, while the Bakshi episodes introduced eerie, watercolored skies.

    I'm a visual guy, and love the vibrant tones. Plus, it seems as though the music picked up a lot with the change. I just "dig" the way the music sounded. You can even hear a musician yelp every now and then in some jam sessions. So, I can't go Bakshi bashing. Usually, it's the networks that trim budgets, and Bakshi, I feel, had to make due. He did the best he could, I think, and I bet that if the budget had been fat, Bakshi would have had the animators take time and add depth and detail.
    Brock-4

    Most faithful adaption of the spirit of the 60s Spiderman comics!

    The music, the mood, the voice acting - everything was great, and some of it is timeless. Some of it is dated, true, but it is the best cheesy fun out there! I can't think of the voice of Spidey or JJJ without thinking of this show - which had AMAZING music - very moody and fun! Try it and love it!
    Big Movie Fan

    GREAT CARTOON

    I love superhero films and TV shows and this was a great cartoon.

    The animation may not be as great as the mid-1990's cartoon series but the stories were fun. My favourite episodes were "Return of the Flying Dutchman" and "Neptunes Nose Cone."

    All of Spidey's main foes were in this-including my favourite Mysterio (the guy with the fishbowl for a helmet). And Peter Parker was so likeable in this show.

    One more thing-I just loved the theme tune for this show and it is the best theme tune out of all the Spider-Man cartoon shows.

    Will somebody please release EVERY episode onto video sometime?
    8ycam

    Classic

    The animation was not great by present standards, but through the age of 12 or so this series hit the spot. Further, though they leaned heavily on repeating with stock footage, most of it was pretty good and represented the action and strength of the character well. Every once in a while they turned the background sideways or something and achieved a startling effect without using new elements.

    I love that Peter Parker sounds like a boy and Spidey sounds like a man. It's the uni, don't you know.

    They best part for me is the theme song, one of the best of all time, and all of the incidental music (even the bulk of the special effects). Crime jazzy and dark. All of the episodes had great, swinging musical textures and overtones.

    The Bakshi stuff is stellar. Really idiosyncratic and daring. Spidey ends up removed to different dimensions and levels of the earth, battling the supernatural than the super- villainous. The humans are generally pawns caught in a cosmic battle between good and evil and Spidey comes through, natch. The oft-referred to backgrounds (black, dark blue, purples, fiery reds, etc., were awesome, as were the castles and thorny, leafless backdrops (ala Sleeping Beauty). The color schemes were sickening (purple and off greens with splotchy reds and hints of bruisy yellow. Brilliant. The music also took a further leap from poppier crime jazz and soda stand teen rock to psych-out freak rock interludes, darker crime jazz, and even odd sci-fi and kraut-rockish stretches. Watch the first episode on disc 3 or 4, the one with the Mole Men. The music is absolutely incredible.

    My two kids, 3 and 5, respectively, love these Spider-Man cartoons. They hold up for me, as well.
    Cador

    Classic animated series that is faithful to the original comic book.

    With the hype of the new movie to come out next year, some fans are skeptical about it being faithful to the original (ie: organic web-shooters). However, I like to point out to them that there is a presentation of the Amazing Spider-Man on film or TV that is faithful to the original comic book. That is the 1967-1970 animated series of Spider-Man.

    The first season contains the classic villains the Green Goblin, Dr. Octopus and the Vulture and the background is a sky-blue motif. I think that it resembles the Steve Ditko Spider-Man comics. And the 2nd and 3rd seasons are more weird and bizarre with villains that consist of space aliens, wizards, cavemen and the background is a more dark, night-time theme. These are my favorite even though the production budget was slashed considerably for them.

    Who can forget the 2nd season's "The Origin of Spider-Man"? Or the psychedelic and horrific "Revolt in the Fifth Dimension"? If you prefer more light-hearted shows, you can watch J. Jonah Jameson's comic-induced rantings from the first season as Spider-Man continues to frustrate the newspaper despot. The fact that there are two different sides to this series (1st season VS 2nd & 3rd seasons) is what makes it so fondly remembered today. If all the episodes were like the 1st season, people would easily dismiss it as a typical 1960's animated fluff. If all the episodes were just like the 2nd and 3rd seasons, it would also be discarded as weird psychedelia. The combination of the two styles perfectly portrays the evolution of Spider-Man from early 1960's innocence to the dark and forboding 1970's Spider-Man comics by John Romita and Gerry Conway.

    Another strength to this series is the background music which complements the eye-pleasing visuals. Despite the repeated use of the same animation, one never really gets tired of it. The theme song that accompanies the opening and closing segments of the show is very famous and the majority of the non-Spider-Man viewing and reading public will recognize it.

    My recommendation: 10 out of 10.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The theme song for this show was composed by Paul Francis Webster and Bob Harris. The theme song was recorded at RCA Studios in Toronto (where the cartoon was also produced) featuring 12 CBC vocalists (members of the Billy Van Singers, and Laurie Bower Singers groups) who added to the musical backing track supplied by RCA Studios, New York. The singers were paid only for the session and have had no residuals from its use since then. The song became as synonymous with Spider-Man as his red and blue costume.
    • Gaffes
      Due to the low quality animation, Spider-Man can be regularly seen swinging off webs that appear to be connected to nothing but the sky. This mistake has been the subject of a fair few memes.
    • Citations

      [theme song]

      Chorus: Spider-Man, Spider-Man, / Does whatever a spider can / Spins a web, any size / Catches thieves just like flies / Look out! Here comes the Spider-Man! / Is he strong? Listen, bud, / He's got radioactive blood / Can he swing from a thread? / Take a look overhead! / Hey there! There goes the Spider-Man! / In the chill of the night, at the scene of the crime, / like a streak of light, he arrives just in time! / Spider-Man, Spider-Man, / Friendly neighborhood Spider-Man / Wealth and fame, he's ignored / Action is his reward! / To him, Life is a great big bang-up / Wherever there's a hang-up/ You'll find the Spider-Man!

    • Connexions
      Featured in Les Bébés Muppet: Comic Capers (1989)

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    FAQ

    • How many seasons does Spider-Man have?Propulsé par Alexa
    • Didn't Bernard Cowan provide the voice of Spider-Man in the first season of the show?
    • Weren't two episodes directly copied from "Rocket Robin Hood"?
    • Which comic-book villains appeared in the series?

    Détails

    Modifier
    • Date de sortie
      • 9 septembre 1967 (United States)
    • Pays d’origine
      • Canada
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • Spiderman
    • sociétés de production
      • Krantz Films
      • Marvel Comics Group
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      25 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1

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