The Projected Man

Scientist has terrible accident with his teleportation device and ends up horribly disfigured and with the power to electrocute people with his hand!

Intriguing enough science-gone-wrong thriller from Britain. There's some decent suspense and occasional shock (no pun intended) to be had. The cast isn't half bad, star Bryant Haliday is the best as both the films tragic hero and semi-frightening villain. The makeup work on Haliday isn't half bad. Nice dramatic music score as well.

Over all a decent enough sci-fi flick, but it doesn't match The Fly.

** 1/2 out of ****

1966's "The Projected Man" obviously suffers from an unoriginal script eventually picked up for production in Britain by Richard Gordon, shot soon after its superior co-feature "Island of Terror." Elements of "The Fly," in its use of a matter transference machine, and "4D Man," in its sabotage and revenge plot line, make for a prosaic viewing unlikely to get a rise out of any but the most die-hard sci-fi fans. Not so much a bad film as subpar, Gordon regular Bryant Haliday, a genuine horror buff who co-founded Janus Films, takes the title role of Dr. Paul Stanton, dedicated researcher, so close to success that he enlists the assistance of his novice secretary in the lab, resulting in his being transported to the wrong location, one hand and half his face destroyed, a walking power station whose electrical touch proves lethal. Things only pick up following a gabby first half, aided by decent effects and suitably gruesome makeup design for Haliday's monstrosity. His performance lacks the proper zip, but easily stands out due to the lackluster actors around him. Top billed Mary Peach still cringes at the mention of this film, later the widow of Hammer screenwriter Jimmy Sangster, confining most of her efforts to television afterwards. Most viewers will recall newcomer Tracey Crisp, whose scantily clad appearance in her underwear couldn't help but be noticed! Alas, everyone else, particularly the bland villains, leave virtually no impression, save for one cast member retained from "Island of Terror," Sam Kydd (the constable), here sadly reduced to one scene as a thief who becomes one of Haliday's first victims.

Bryant Haliday plays a research scientist named Paul Steiner, who's hard at work on a "projection" experiment: he hopes to be able to transmit matter from one place to another. His process works on inanimate objects, but not on living things. Despondent when it looks like the plug will be pulled on his entire operation, he uses himself as the first human guinea pig. As you can expect, this has disastrous consequences. When he regains human form, he's horribly disfigured, and has gained the "touch of death". (When he lays his mutilated hand on someone, they are electrocuted.) And, of course, he's now insane.

This British sci-fi / horror effort does owe a fair bit to "The Fly", putting just enough of a spin on the premise to not come off as a carbon copy. It's not a great story, but it does entertain quite capably nevertheless. It's paced reasonably well by directors Ian Curteis and John Croydon, clocking in at a painless 78 minutes. A great deal of what effectiveness it possesses comes from the performances of an excellent cast. Haliday is an earnest, sympathetic lead turned deliciously crazed antagonist, and ultimately tragic character. Ronald Allen and Mary Peach, as his worried colleagues, figure into a romantic subplot that doesn't waste too much of the running time. Norman Wooland and Derrick De Marney are superb at playing sneaky, nefarious types trying to discredit / ruin the experiment. Gorgeous Tracey Crisp is appealing as the helpful secretary, and Derek Farr has a solid, reliable presence as the obligatory inspector who picks up Steiners' trail. Legendary stuntman Alf Joint plays the security guard. The makeup by Eric Carter is pretty good for the time this was made, Kenneth V. Jones' music is good, and the widescreen photography helps to keep things visually interesting.

While the tale it's spinning is definitely on the routine side, this still makes for an enjoyable movie watching evening for fans of the science-fiction and horror genres.

Seven out of 10.

This movie is no sci-fi/horror masterpiece by any stretch of the imagination. But it is far better than most of the reviewers on IMDb would have you believe. It was originally released here in the USA on the second half of a double bill with the somewhat better ISLAND OF TERROR with Peter Cushing. I convinced my dad to take me to the drive- in for the bill when it was released, but it was a school night and he wouldn't tumble to staying for the second feature. Since then, it has been notoriously hard to track down. I finally saw it about a year ago and was surprised on how entertaining it was, especially considering how I had read various disparaging things about it in the interim. It does borrow elements from the earlier FLY pictures as well as the Karloff film, THE INVISIBLE RAY, and is by no means particularly original. However, since when does that really detract from the enjoyment factor of a low budget, sci-fi monster film? For the most part, you better resign yourself to that going in, or else stop watching films altogether. In its favor, it does move at a fast pace, has decent actors and color cinematography, some nice grisly shocks and certainly decent effects for a low budget sixties film from England. An added bonus, there is a distinctly assertive heroine scientist played by Mary Peach, a character who remains in possession of her wits, and aggressively intelligent without being obnoxious (her character is the sympathetic colleague of Bryant Halliday who becomes the tragically disfigured, death-dealing PROJECTED MAN) Undeserving of its bad rep.

It's a delightful but typical and overused cliché in horror movies that brilliant and obsessive scientists suddenly go bonkers and ruthlessly use themselves as guinea pigs with grotesque and catastrophic consequences. It's what makes this kind of movies entertaining, of course, but it's not exactly plausible. These brilliant men (or women) of science risk their lives even though they are practically certain the outcome will be irreversible and most likely fatal? Anyways, I'm always eager to watch a good old- fashioned "science gone wrong" horror flick; especially when it was made in Great Britain during the most flourishing decade for the genre (1960 – 1970). "The Projected Man" understandably became somewhat forgotten in between all the popular and high-grossing "Frankenstein" and "Quatermass" movies produced by the legendary Hammer Studios, but it's still a worthwhile effort with a decent screenplay, reasonable amounts of suspense and good gruesome make-up effects for its time. Doctor Steiner is a smart man, working on a hi-tech device that – during the first stage – vaporizes objects and then transforms them into pure energy that is kept is a cell, and then projected back into its original forms by a super-powerful laser. Don't ask me how it works, because I didn't understand one iota of all the technical details (and there are far too many overlong and purely technical monologues, by the way) but it's somewhat comparable to the "Tele-Pods" that previously featured in "The Fly". And here as well, the device works perfectly well with lifeless objects, but when Steiner attempts to project living tissue, the test animals die instantly and give off incredibly heavy electric shocks. Meanwhile, the director of the research facility wants the experiments to fail and even sabotages crucial demonstrations. I didn't quite capture why he – Dr. Blanchard – must terminate this genius scientific breakthrough, but at least he succeeds in driving Dr. Steiner to madness. He uses the unstable device on himself and re-emerges with a half-demolished face, a burning pair of hands capable of inflicting sudden death through electrocution and a lust for murdering everyone who gets in his way. I know it has a bad reputation, but I quite enjoyed "The Projected Man". Admittedly you require a fair share of patience and tolerance regarding stupid plot twists, dire love stories and tedious sequences set in cheap laboratory settings full of blinking lights and annoying buzzers. But when Steiner eventually goes on his rampage, it turns into a fun and unscrupulous midnight movie that I warmly recommend.