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The President's Analyst

  • 1967
  • PG
  • 1h 43m
ÉVALUATION IMDb
6,8/10
3,7 k
MA NOTE
James Coburn in The President's Analyst (1967)
When the overworked and stressed-out White House presidential shrink runs away, the CEA and the FBR scramble to retrieve him before he could be abducted by various competing foreign intelligence services.
Liretrailer3:37
1 vidéo
99+ photos
ComédieScience-fictionThrillerSatire

Ajouter une intrigue dans votre langueA psychiatrist suddenly gets assigned to be the US president's shrink. Paranoid from the many spies tailing him in hope of kidnapping him, he runs away, and dozens of spies, and the FBI, CIA... Tout lireA psychiatrist suddenly gets assigned to be the US president's shrink. Paranoid from the many spies tailing him in hope of kidnapping him, he runs away, and dozens of spies, and the FBI, CIA, and various agencies scramble to retrieve him.A psychiatrist suddenly gets assigned to be the US president's shrink. Paranoid from the many spies tailing him in hope of kidnapping him, he runs away, and dozens of spies, and the FBI, CIA, and various agencies scramble to retrieve him.

  • Director
    • Theodore J. Flicker
  • Writer
    • Theodore J. Flicker
  • Stars
    • James Coburn
    • Godfrey Cambridge
    • Severn Darden
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,8/10
    3,7 k
    MA NOTE
    • Director
      • Theodore J. Flicker
    • Writer
      • Theodore J. Flicker
    • Stars
      • James Coburn
      • Godfrey Cambridge
      • Severn Darden
    • 71Commentaires d'utilisateurs
    • 51Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 1 nomination au total

    Vidéos1

    Official Trailer
    Trailer 3:37
    Official Trailer

    Photos103

    Voir l’affiche
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    Rôles principaux25

    Modifier
    James Coburn
    James Coburn
    • Dr. Sidney Schaefer
    Godfrey Cambridge
    Godfrey Cambridge
    • Don Masters
    Severn Darden
    Severn Darden
    • Kropotkin
    Joan Delaney
    Joan Delaney
    • Nan Butler
    Pat Harrington Jr.
    Pat Harrington Jr.
    • Arlington Hewes
    • (as Pat Harrington)
    Barry McGuire
    • Old Wrangler
    Jill Banner
    Jill Banner
    • Snow White
    Eduard Franz
    Eduard Franz
    • Ethan Allan Cocket
    Walter Burke
    Walter Burke
    • Henry Lux
    Will Geer
    Will Geer
    • Dr. Lee-Evan
    William Daniels
    William Daniels
    • Wynn Quantrill
    Joan Darling
    Joan Darling
    • Jeff Quantrill
    Sheldon Collins
    Sheldon Collins
    • Bing Quantrill
    Arte Johnson
    Arte Johnson
    • Sullivan
    Martin Horsey
    • 1st Puddlian
    William Beckley
    William Beckley
    • 2nd Puddlian
    Kathleen Hughes
    Kathleen Hughes
    • White House Tourist
    Walt Davis
    • Phoneman
    • (uncredited)
    • Director
      • Theodore J. Flicker
    • Writer
      • Theodore J. Flicker
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs71

    6,83.6K
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    10

    Avis en vedette

    BlackArt

    Beware of the "Altered Music" version

    Because of copyright problems (probably resulting from Barry McGuire finding God) some of the music has been replaced on most copies of the home video version. This replacement REALLY spoils some of the best parts of the film. The most evident example takes place during the stalking scene in the field. The sceen was designed to keep in pace with the song being played. The replacement is at the wrong tempo and spoils the whole scene. The scene at the club when Dr. Schaffer gets nabs was missing on my copy as well.

    AMC showed the film with the proper music, but without the eyeball footage and how he meets Nan.

    In the uncut version, it is one of my favorite films.
    mercuryix

    Discover or Rediscover this movie

    I forgot what a masterpiece of paranoia this movie is; only in this

    case, it isn't paranoia, everyone really IS out to get you! This is

    James Coburn's best performance in my opinion, as a psychiatrist

    who has been conscripted to become the President's analyst, and

    when he decides to quit, discovers just how disposal American

    citizens are. This is my pick for THE paranoia movie of the 1960s.

    That this movie came out in 1967 is incredible; it deals with

    assassination carried out casually by the FBI, the CIA, the violence

    that has been absorbed as wholesome by America, the escape

    from violence into sex and drugs, and much, much more, all

    during the time of the Vietnam War and zero tolerance for differing

    views. The speech by the black FBI agent in the beginning on

    how he discovered racism is especially painful, and remarkable

    given the time period.

    The movie is hysterically funny, cynical, black, and most ironically,

    hopeful, and a must-see for any film lover. The script is terrific, but

    the direction stands out in the inspired camerawork. This

    obviously was a labor of love by the director/writer, and

    interestingly, one of only two or three non-t.v. films he ever directed.

    If you see it, you may be bored by today's sex and gore standards.

    But if you remember the 60s, keep them in mind when you see

    this film. You'll wonder how it ever got made.

    Ten out of ten stars, because there isn't anything I can find wrong

    with this film; it's brilliant in every aspect.
    8smiler-grogan620

    LIFE IMITATING ART. A MODERN MUST SEE

    The erie ironies about our society this film conjures are amazing. Especially, the TPC subplot. The writer was certainly a visionary. Makes you wonder about SKYNET from the Terminator series.
    aktaylor

    "You must be at LEAST this age: ____ to find this movie funny."

    Au contraire, Jacob Cremins, The President's Analyst is a brilliant snapshot of mid-60s America, with all the insane paranoia and absurdity of a culture spinning out of control. It is intensely funny to anyone born before 1955. I'm sorry you had such a disagreeable experience viewing it. Your generation will have your movies, this one is mine.

    This is a wonderful Christmas movie for the old fart on your shopping list. William Daniels' role as a gun-happy suburbanite is worth the price alone. The talented, and woefully under-used Godfrey Cambridge finally gets a star turn as a government agent undergoing analysis. And Barry ("Eve of Destruction") McGuire as the leader of a band of hippie musicians is a dead-on send up of the emerging flower children.

    Yes, one had to be a telephone customer before the advent of the Baby Bells to grasp the sheer villainy of THE PHONE COMPANY!
    9copper1963

    Drugs, death and John Adams, too.

    When James Coburn passed away in 2002, it was sad to see how little fanfare was generated by this event. Coburn's resume is as strong as any actor of the Sixties and Seventies. For almost a decade, Coburn played in some of the strangest and most unorthodox films of the era. Everyone knows that he capably spoofed the popular spy genre with his "Flint" films. But it wasn't until he became the President's analyst that he really hit his stride. The fabulous panoramic views of a pre-World Trade Center New York duel with the more grimy shots of the Manhattan Garment District. Look for a humorous assassination involving a knife and a clothing pushcart. Nostalgic observation: the New York Skyline appears the way it does on the New York Mets' uniform patch. The plot concerns the President's need for a head shrinker. Wanted: a man who can be trusted with the leader of the free world's secrets. Grandpa Walton (Will Gear) shows up as the President's prior therapist. He is wonderful as always. Edgy pop singer, Barry McGuire, plays a stoner with a catchy song on his acoustic guitar. One memorable sequence combines McGuire's tune (something about "changes") and a team of assassins in a field, attempting to kill our hero, Coburn. The killers use everything from guns to gas to blow darts. Even a net. In widescreen, the final shot of the movie resonates with a sly, satirical nod to the genre. The villain of the piece comes as a big surprise to anyone under the age of forty: think telephone exchanges and room-size computers. And mix. Bravo!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In one scene being shot on the lower west side of New York City, James Coburn was being chased by two uniformed NYPD officers, who were just actors playing New York cops. Shouting "Stop, stop", they chased Coburn around a corner and he ran into a real NYPD officer, who dropped him with one blow from his nightstick. Coburn had to seek medical treatment, which postponed the filming for a time.
    • Gaffes
      Every line referring to the "FBR" or "CEA" is dubbed, often quite obviously. The actors were actually saying "FBI" and "CIA," but at the behest of the actual agencies the names were changed in post-production.
    • Citations

      Don Masters, CEA Agent: I was five. And I knew there were colored people and white people. But then Mama took me to school, and it was almost all white kids. And nothing much happened on the first day. But on the second day, I was walking to school alone - my big brother, he was already in the third grade, and when you got a kid brother in kindergarten it can be kind of an embarrassment. So he ran on ahead to be with his buddies. Anyhow, there was a group of white kids on the street up ahead, and as I came up they started laughing and running and yelling, "Run! Run! Here comes the nigger! Run, run!"

      [softly:]

      Don Masters, CEA Agent: Here comes the nigger. And I looked around, and I didn't see any niggers. But if they wanted to play, so did I. So I started laughing and running and yelling, "Run, run! Here comes the nigger!"

      [Whispered:]

      Don Masters, CEA Agent: Run, run. Here comes the nigger. Suddenly there was my big brother. And I ran up to him, and I started yelling, "Run, run, here comes the nigger!" And he hit me. Then he did something worse - he told me what a nigger was. And that I was it.

    • Générique farfelu
      Film disclaimer: 'This film has not been made with the consent or cooperation of the Federal Board of Regulations (F.B.R.) or the Central Enquires Agency (C.E.A.). Any resemblance to persons living or dead is purely coincidental, and so forth and so on.
    • Autres versions
      Due to a copyright dispute, all recent video and laserdisc releases omit a sequence featuring songs by Barry McGuire on the soundtrack.
    • Connexions
      Featured in Film Review: International Films (1968)
    • Bandes originales
      Inner Manipulations
      Composed by Barry McGuire and Paul Potash

      Sung by Barry McGuire

      (A Dunhill Records Artist)

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    FAQ17

    • How long is The President's Analyst?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 21 décembre 1967 (United States)
    • Pays d’origine
      • United States
    • Langues
      • English
      • Russian
      • Mandarin
    • Aussi connu sous le nom de
      • T.P.A.
    • Lieux de tournage
      • Washington, District de Columbia, États-Unis
    • société de production
      • Panpiper Productions
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 2 000 000 $ US (estimation)
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 43m(103 min)
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

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