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The Mod Squad

  • Série télévisée
  • 1968–1973
  • TV-PG
  • 1h
ÉVALUATION IMDb
7,0/10
2,7 k
MA NOTE
Peggy Lipton, Michael Cole, and Clarence Williams III in The Mod Squad (1968)
The Mod Squad
Liretrailer2:00
1 vidéo
99+ photos
Drame policierCriminalitéDrameMesure

Un trio de jeunes délinquants réformés travaille comme flics infiltrés.Un trio de jeunes délinquants réformés travaille comme flics infiltrés.Un trio de jeunes délinquants réformés travaille comme flics infiltrés.

  • Création originale
    • Buddy Ruskin
    • Tony Barrett
    • Harve Bennett
  • Vedettes
    • Michael Cole
    • Clarence Williams III
    • Peggy Lipton
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,0/10
    2,7 k
    MA NOTE
    • Création originale
      • Buddy Ruskin
      • Tony Barrett
      • Harve Bennett
    • Vedettes
      • Michael Cole
      • Clarence Williams III
      • Peggy Lipton
    • 16Commentaires d'utilisateurs
    • 15Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
    • Nommé pour 7 prix Primetime Emmy
      • 6 victoires et 20 nominations au total

    Épisodes123

    Parcourir les épisodes
    HautLes mieux cotés

    Vidéos1

    The Mod Squad
    Trailer 2:00
    The Mod Squad

    Photos158

    Voir l’affiche
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    + 151
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    Distribution principale99+

    Modifier
    Michael Cole
    Michael Cole
    • Pete Cochran
    • 1968–1973
    Clarence Williams III
    Clarence Williams III
    • Linc Hayes…
    • 1968–1973
    Peggy Lipton
    Peggy Lipton
    • Julie Barnes
    • 1968–1973
    Tige Andrews
    Tige Andrews
    • Capt. Adam Greer
    • 1968–1973
    Simon Scott
    Simon Scott
    • Chief Barney Metcalf
    • 1968–1972
    Ross Elliott
    Ross Elliott
    • Arnold Sanders…
    • 1969–1973
    Bob Golden
    • Patrolman…
    • 1969–1972
    Rex Holman
    Rex Holman
    • Eddie Pickett…
    • 1968–1973
    Linda Marsh
    Linda Marsh
    • Ruth Stringer…
    • 1968–1973
    Arthur Franz
    Arthur Franz
    • Dr. Sam Berger…
    • 1968–1971
    Norman Alden
    Norman Alden
    • Parker…
    • 1968–1972
    Woodrow Parfrey
    Woodrow Parfrey
    • Harvey Durko…
    • 1969–1972
    Murray MacLeod
    Murray MacLeod
    • Dave Pruitt…
    • 1969–1973
    Brooke Bundy
    Brooke Bundy
    • Trudy Hansen…
    • 1968–1973
    John Dennis
    John Dennis
    • Bike Shop Owner…
    • 1969–1972
    Bill Zuckert
    Bill Zuckert
    • Del Vecchio…
    • 1969–1972
    Harry Basch
    Harry Basch
    • Dr. Berger…
    • 1968–1970
    Frank Farmer
    Frank Farmer
    • Koler…
    • 1969–1971
    • Création originale
      • Buddy Ruskin
      • Tony Barrett
      • Harve Bennett
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs16

    7,02.6K
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    Avis en vedette

    10sonya90028

    Most unique cop show of the late 60s.

    The Mod Squad centered around three youthful cops, that were recruited to the LA police force in the late 60s. This show was truly cutting-edge as a concept back then. Three cool, under thirty hipsters as cops?? Yep! And it worked, because this was one of the most popular crime dramas of all-time.

    The Mod Squad included Pete Cochran, a rich kid looking for kicks, who runs afoul of the law. Then there's Linc Hayes, a black ghetto youth who's struggling to survive, and gets himself busted. Lastly, there's Julie, a gorgeous young woman who suffers from a sad home life, and flees it. She too gets wrapped-up in law-breaking. Instead of throwing these three offenders in the clink, Capt. Greer has the idea of making them undercover cops, as long as they all agree to obey the law from then on.

    Linc, Pete, and Julie were the coolest cops on TV in the late 60s. They all dressed in the latest 60s youth fashions, used hip lingo, and had the street-smarts necessary to do their jobs, as cops in the urban jungle of LA. The three were almost like a family, with Capt. Greer looking out for them like a kindly father would.

    By working together in harmony, the Mod Squad showed that the societal chasms of race, class, gender, and even generational strife, could be overcome. It may have been an idealistic vision, but then the 60s were an idealistic period. It was so positive to see the three very different Mod Squad members, have a cooperative working relationship, despite their differences. They set an example, that folks could strive to follow in real life.

    I highly recommend the Mod Squad, and not only for those who are nostalgic for the 60s. It's simply a quality show, enjoyable for all ages. Like Linc Hayes would say, it's 'solid man'.
    jgarner136

    Julie Barnes was my idol

    Watching this show as a teenager, Julie was my idol; hip, intelligent, beautiful, with a cool job, great clothes, and hot guy friends.

    Seriously, Mod Squad was a well-done show with interesting characters. When Aaron Spelling, with Danny Thomas and Sheldon Leonard, ran the show, it was very good. Later, when Harve Bennett replaced Spelling, it went down a bit, but was still worth watching just for the stars: Michael Cole, Clarence Williams III, and Peggy Lipton. No insult intended for the stars of the movie, but these three will always be the Mod Squad, with Tige Andrews as Captain Greer. I would still rather watch episodes of the show than the movie.

    For a young girl living in a small town, Mod Squad was a window into another world, giving me a glimpse of life outside my boundaries. What I learned about being cool back then, I learned from Julie Barnes.
    Sargebri

    The Precursor to Jumpstreet

    When this show first premiered in 1968, little did anyone know that over the next three decades that there would be several youth oriented shows. Shows like "21 Jumpstreet", "Starsky and Hutch" and "David Cassidy-Man Undercover" were all cop shows aimed at the youth market, but this was the granddaddy of them all. Michael Cole, Peggy Lipton and Clarence Williams III were perfectly cast and this show will always come to represent the era that it was produced in.
    10cooperhmc

    You'll not see a better social commentary of the times

    I write this commentary not as someone reminiscing about a show that they watched as a kid or adolescent; that reflected the era they grew up in - as many do on here, but as someone who discovered the show a generation later. I was not born until 1972 - so just as the show was ending its successful run. I didn't see the MOD Squad until it was shown as a rerun in the UK (where i was born and raised) in the late 90's/early 2000's. From memory it was on at 1.30 in the afternoon and I watched it during a brief period of unemployment. From reading episode synopsis' on several sites, it must have been season 4 I was watching. What I remember thinking was - what a cool premise. Three kids from conflicting backgrounds, anti-establishment, setting aside their differences, working together to help others. Yes, the cover is that they are working as young cops, ultimately to solve crimes but, to me, the show had a much more philanthropic message. At a torrid time in the USA and the world as a whole, the show commented on things such as Vietnam, race, social injustice - things that were actually quite risky for a mainstream TV show to be commenting on at the time. One thing that really sticks out is an episode where a soldier has just returned from Vietnam. Pete firmly shakes his hand and welcomes him home - in a time and a USA where returning veterans were, generally, not welcomed. The villains weren't always clear cut villains - it wasn't a case of black and white - the show exposed the fact that there are always several shades of grey in between; that there are often human tragedies lurking beneath the surface. The show had a lot of angst, the central characters Pete, Linc and Julie often having to examine their consciences; being faced with making difficult decisions. However, amongst all this, they always had each other. Maybe I am looking at this through rose tinted glasses but what I have really enjoyed through rewatching the newly released to DVD season 1, is the fact that these three 'kids' really care for each other; look out for each other - are always THERE for each other. Was it really like that at the time? Well, I like to think so - I think people were more neighbourly and mindful of each other back then. Is it like that now - sadly...no. I wish I could say it was but I really can't say it is. And this is from someone who did not live through that era - I was born to it but the world had changed a great deal by the time I was old enough to really start taking notice. I really hope that the distributors have had enough success with the release of the two season 1 DVD's to warrant a release of the subsequent 4 seasons. I know its all about profitability - sadly. But I think a lot of people would really appreciate this show - not only those who remember it first time around but perhaps those who enjoyed the reruns in latter years and, who knows, there may well be a new audience waiting amongst the generation of today. I can't think of any other show at the time that gives such an accurate social commentary of the time and if I was pointing anyone in the direction of a memorable show from that era to reflect ' how it really was' that would be the one.

    And boy......Was Pete Cochran ever sexy!!!!
    raysond

    One of the hippest shows ever from the late 60's

    Its premise was exactly this: Three teenagers who get into trouble with the law and help out others out of trouble by solving crimes with the help out the Lieutenant(played by Tige Andrews) who keeps one step ahead of everything they do. Out of all the Aaron Spelling shows that he ever produced this was one of the best ever(which is second to "Starsky and Hutch" and his earlier works too including the long forgotten detective show "Burke's Law"). Three teenagers from different backgrounds were basically detectives in their own way in getting the bad guys. The concept of this show was just that: kids ratting on kids,and going undercover to break up drug busts or sometimes save a girl from great danger. Pete, Linc,and Julie were the kids of their generation and it will never be a show like it ever. The show itself had some of the grooviest fashions ever from that period along with the stylings of the Afro and its standard of unity for all. The show was a top ten hit when it ran on ABC from 1968-1973. The executive producers were Danny Thomas(of Make Room for Daddy fame),and Sheldon Leonard(who was also producing I Spy and Andy Griffith at the time)and they kept the story lines with great action and one of the best crime drama shows ever to come out of that era. The guest stars who appear on the show were making their mark during its run with stars like Richard Dreyfuss, Richard Pryor, Michael Douglas,and Karen Black. Was one of the hippest ever....catch the episodes on videocassette if you can..

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    Mesure

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Series creator Buddy Ruskin, a former Los Angeles police officer, used his experiences with a special L.A.P.D. youth squad as the basis for this show.
    • Gaffes
      Some of the police cars used by the L.A.P.D. during the series weren't actually used by the L.A.P.D.
    • Connexions
      Featured in The 23rd Annual Primetime Emmy Awards (1971)

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    FAQ19

    • How many seasons does Mod Squad have?Propulsé par Alexa
    • Why didn't The Mod Squad, who were police detectives, carry guns?

    Détails

    Modifier
    • Date de sortie
      • 24 septembre 1968 (United States)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • Mod Squad
    • Lieux de tournage
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, Californie, États-Unis
    • société de production
      • Thomas/Spelling Productions
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h(60 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1

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