Depuis la nuit des temps jusqu'au premier homme dans l'espace, 2001: L'odyssée de l'espace raconte l'histoire du Monolithe Noir, l'évolution de l'humanité et l'essor du superordinateur ultim... Tout lireDepuis la nuit des temps jusqu'au premier homme dans l'espace, 2001: L'odyssée de l'espace raconte l'histoire du Monolithe Noir, l'évolution de l'humanité et l'essor du superordinateur ultime HAL 9000 doté d'intelligence artificielle.Depuis la nuit des temps jusqu'au premier homme dans l'espace, 2001: L'odyssée de l'espace raconte l'histoire du Monolithe Noir, l'évolution de l'humanité et l'essor du superordinateur ultime HAL 9000 doté d'intelligence artificielle.
- Réalisation
- Scénaristes
- Vedettes
- A remporté 1 oscar
- 18 victoires et 14 nominations au total
Douglas Rain
- HAL 9000
- (voice)
Ed Bishop
- Aries-1B Lunar Shuttle Captain
- (as Edward Bishop)
8,3769.8K
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Reviewers say '2001: A Space Odyssey' is acclaimed for its pioneering visual effects, classical music integration, and profound themes on humanity and technology. It explores human evolution, man-machine relationships, and cosmic mysteries. Critics note its slow pace, abstract plot, and minimal character development. Some find its ambiguity frustrating, while others value its philosophical depth and artistic vision. Its impact on science fiction and cinematic mastery is recognized, though views on its accessibility and entertainment differ.
Avis en vedette
A film of monolithic proportions.
A review I have put off for far too long....
Bluntly, 2001 is one of the best science-fiction films made to date, if not the very best. Stanley Kubrick was a genius of a film maker and this is one of his very best works. And although it is misunderstood by many, and respectively underrated, it is considered one of the best films of all time and I'll have to agree. Back in 1968, no one had done anything like this before, and no one has since. It was a marvel of a special effects breakthrough back then, and seeing how the effects hold up today, it is no wonder as to why. The film still looks marvelous after almost forty years! Take note CGI people. Through the use of large miniatures and realistic lighting, Kubrick created some of the best special effects ever put on celluloid. This aspect alone almost single-handedly created the chilling void of the space atmosphere which is also attributed to the music and realistic sound effects. I can't think of another film where you can't here anything in space, like it is in reality. Not only is the absence of sound effects in space realistic, it is used cleverly as a tool to establish mood, and it works flawlessly.
Aside from the magnificent display of ingenious special effects, there are other factors that play a part in establishing the feel of the film. The music played, all classical, compliment what the eyes are seeing and make you feel the significance of man's journey through his evolution from ape to space traveler.
The story, while seemingly simple, is profound. Sequentially, several mysterious black monoliths are discovered and basically trigger certain events integral to the film. What are they? Where did they come from? What do they do? These are all questions one asks oneself while watching the story develop and is asked to find his own way. While most come away with a general idea of what took place in the story, each individual will have to decide what it means to them. Any way one decides to answer these question results in profound solutions. It's not left entirely up to interpretation, but in some aspects it is. Experience it for more clarification. The end result is quite chilling, no matter your personal solution.
While it is a long film, and sometimes slows down, it has to be in order to accurately portray the journey of man. It's not a subject that would have faired well in a shorter film, faster paced feature. Those with short attention spans need not apply.
Last but not least, is the epitome of a remorseless antagonist, HAL 9000, the computer. Never has a machine held such a chilling screen presence. Which reminds me, for a film with such profound ambition and execution, there is surprisingly little dialogue. Another sign of Kubrick's genius.
All in all, one of the best films made to date and one of the very best science fiction films made. A personal favorite. Everyone must see this film at least once.
Very highly recommended.
Bluntly, 2001 is one of the best science-fiction films made to date, if not the very best. Stanley Kubrick was a genius of a film maker and this is one of his very best works. And although it is misunderstood by many, and respectively underrated, it is considered one of the best films of all time and I'll have to agree. Back in 1968, no one had done anything like this before, and no one has since. It was a marvel of a special effects breakthrough back then, and seeing how the effects hold up today, it is no wonder as to why. The film still looks marvelous after almost forty years! Take note CGI people. Through the use of large miniatures and realistic lighting, Kubrick created some of the best special effects ever put on celluloid. This aspect alone almost single-handedly created the chilling void of the space atmosphere which is also attributed to the music and realistic sound effects. I can't think of another film where you can't here anything in space, like it is in reality. Not only is the absence of sound effects in space realistic, it is used cleverly as a tool to establish mood, and it works flawlessly.
Aside from the magnificent display of ingenious special effects, there are other factors that play a part in establishing the feel of the film. The music played, all classical, compliment what the eyes are seeing and make you feel the significance of man's journey through his evolution from ape to space traveler.
The story, while seemingly simple, is profound. Sequentially, several mysterious black monoliths are discovered and basically trigger certain events integral to the film. What are they? Where did they come from? What do they do? These are all questions one asks oneself while watching the story develop and is asked to find his own way. While most come away with a general idea of what took place in the story, each individual will have to decide what it means to them. Any way one decides to answer these question results in profound solutions. It's not left entirely up to interpretation, but in some aspects it is. Experience it for more clarification. The end result is quite chilling, no matter your personal solution.
While it is a long film, and sometimes slows down, it has to be in order to accurately portray the journey of man. It's not a subject that would have faired well in a shorter film, faster paced feature. Those with short attention spans need not apply.
Last but not least, is the epitome of a remorseless antagonist, HAL 9000, the computer. Never has a machine held such a chilling screen presence. Which reminds me, for a film with such profound ambition and execution, there is surprisingly little dialogue. Another sign of Kubrick's genius.
All in all, one of the best films made to date and one of the very best science fiction films made. A personal favorite. Everyone must see this film at least once.
Very highly recommended.
Planet of the Hominins...
There's a monolith that seeks to influence, the evolution of the simian confluence, teaching apes how to compete, how to kill to get their meat, all leading to, a lunar revolution. On the moon, another block has been discovered, the apes now have the means to open wings and smother, it's to Jupiter they go, what they'll find nobody knows, but it doesn't seem to fill primates with dread. To protect they have a powerful A. I., it misses nothing, and nothing passes by, everything will not be fine, if you rely on an airline, as it watches with satanic, evil eye. At Jupiter, Darwin gets dispatched, down kaleidoscopic, psychedelic hatch, death brings birth and birth brings earth, a giant foetus wants to berth, I'm not sure hominins will make much of a match.
A perpetually engrossing film that offers more conundrums than conclusions, your interpretations uniquely your own, but the scale, cinematography and concepts are truly out of this world.
A perpetually engrossing film that offers more conundrums than conclusions, your interpretations uniquely your own, but the scale, cinematography and concepts are truly out of this world.
Darn-near unwatchable; classic
I'm EXTREMELY conflicted about this movie. I hate it, but it's amazing. I won't ever watch it again, but it's groundbreaking. I can't recommend it, but you have to see it.
The Sci-Fi That Put The Science In Science Fiction
Putting the science in science-fiction, 2001: A Space Odyssey is an unprecedented, undisputed & unparalleled achievement, and a landmark moment in cinema history, for it nearly killed its genre by setting the bar so high that it hasn't been equalled or challenged ever since. Universally & unanimously hailed as one of the greatest & most influential films ever made, it is without a doubt Stanley Kubrick's magnum opus.
It's a puzzlement...
There are two schools of thought about 2001: A SPACE ODYSSEY. One, is that it is the greatest science-fiction epic ever made. This is supported by those who claim to understand the complexities involved and leading up the Star Child ending. The others, like myself, find it as absorbing as watching paint dry on woodwork.
The musical background is glorious, the colors are dazzling, and there's an interesting use of HAL as a villainous computer. Beyond that, there is nothing the least bit interesting about the human characters (trite dialogue and no personality or warmth to any of the individuals), the pace is unbelievably slow (so the intellectually gifted can philosophize on the mysteries of space), and the payoff at the end leaves you either breathless with enlightenment or convinced that you have watched three hours of nothingness.
I had the same letdown feeling when I watched THE CLOCKWORK ORANGE, so your like or dislike of this movie is purely dependent on personal taste. Intellectuals will take the position that you are a mentally challenged clod if you dare disagree with their elevated opinion of the movie--so be aware that this is not conventional story-telling in any sense whatsoever and only for those who admire Stanley Kubrick's way with unlikely cinematic material.
The musical background is glorious, the colors are dazzling, and there's an interesting use of HAL as a villainous computer. Beyond that, there is nothing the least bit interesting about the human characters (trite dialogue and no personality or warmth to any of the individuals), the pace is unbelievably slow (so the intellectually gifted can philosophize on the mysteries of space), and the payoff at the end leaves you either breathless with enlightenment or convinced that you have watched three hours of nothingness.
I had the same letdown feeling when I watched THE CLOCKWORK ORANGE, so your like or dislike of this movie is purely dependent on personal taste. Intellectuals will take the position that you are a mentally challenged clod if you dare disagree with their elevated opinion of the movie--so be aware that this is not conventional story-telling in any sense whatsoever and only for those who admire Stanley Kubrick's way with unlikely cinematic material.
Director's Trademarks: A Guide to Stanley Kubrick's Films
Director's Trademarks: A Guide to Stanley Kubrick's Films
2001: A Space Odyssey and Eyes Wide Shut are just the beginning of Stanley Kubrick's legacy. Are you up to speed on the film icon's style?
Le saviez-vous
- AnecdotesAccording to Douglas Trumbull, the total footage shot was some 200 times the final length of the film.
- GaffesBowman inhales deeply before attempting to re-enter the ship from the pod. Arthur C. Clarke in an interview later noted that this is incorrect. Bowman should have exhaled, as the vacuum of space would have damaged his lungs had they been full of air.
- Générique farfeluNo opening credits for actors, writers, producer, director, etc. are shown, with the story beginning right after the title. Although by the 1990s it had become quite common for major films to not have opening credits, it was still unusual in 1968.
- Autres versionsTo create the 35mm general release prints, the Super Panavision image was slightly truncated on the top and bottom to achieve the standard 2.35:1 aspect ratio of 35mm anamorphic ("scope") prints.
- ConnexionsEdited into C'è musica & musica: Nuovo mondo (1972)
- Bandes originalesGayane Ballet Suite -- Gayane's Adagio
(1941-2)
Music by Aram Khachaturyan
Performed by Symphony Orchestra of Leningrad State Philharmonic (as the Leningrad Philharmonic Orchestra)
Conductor Gennadi Rozhdestvensky
Courtesy Deutsche Grammophon
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- 2001: A Space Odyssey
- Lieux de tournage
- Isle of Harris, Western Isles, Écosse, Royaume-Uni(alien planet surface)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 12 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 60 481 243 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 202 759 $ US
- 20 mai 2018
- Brut – à l'échelle mondiale
- 67 937 964 $ US
- Durée
- 2h 29m(149 min)
- Couleur
- Mixage
- Rapport de forme
- 2.20 : 1
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