Carry On... Up the Khyber

This film is brilliant i laugh every time i watch it . The whole thing is amazing Kenneth Williams is amazing as the Khazi of Khalibar a very unusual name! Charles Hawtrey is excellent as private Widdle. Sid is Magicial as usual Joan is excellent in fact the whole cast are excellent. This is the one start with in my opinion if you have never watched a carry on before then watch carry on up the Kyhber you will not be disappointed. Its one of the best carry ons ever made this is what the series was all about. Much better then carry on England. The film is so well done that they can get away with pretending that Wales was India!!.

There was a small dealer here in Brazil that offered us a lot of British movies, but hereInafter didn't hear a thing about them unfortunately due sales declines so much in those hard economics past years, one of them of the valuable series Carry on where are fully exploitation of British humor style, it's seems silly at first look but certainly it isn't, there are a faithful copy of custumary and legendary British nonsense, their usual accent puts a hot peppery over so peculiar behaviors from them, this priceless comedy remind us from latest Monty Phyton's pictures, they slagging of themselves, unmissable!!!

Resume:

First watch: 2012 / How many: 2 / Source: DVD / Rating: 7.25

Subtitled "The British Position In India", I was recommended to see this film by my friend Rav, who reportedly "busts a gut" every time he see Kenneth Williams in blackface and turban. I was pleased to have seen it on recommendation as it made me feel less guilty about viewing a Carry On that is vested not only with the usual quota of bawdy sexism, but also a generous dollop of racial stereotyping.

Yet despite it all, Carry On Up The Khyber still manages to be a very funny film. I can't claim to have seen the entire series (this was the 16th of 30 movies), but what I have seen leads me to cite this as probably the best. Produced at a time when Britain still had a significant film industry, the picture is allowed to play out without any of the desperate mugging and over-emphasised pauses that punctuate the majority of contemporary English comedy movies (including, ironically, Carry On Columbus, the ill-advised 1992 "comeback").

Khyber is relaxed because it knew it had a ready-made audience, and the humour also works because it is self-aware. Desperately cheesy lines (such as Peter Butterworth saying "What pretty earrings... are they rubies?", only to be met with "No, they're mine") are delivered shamelessly, and with a timing that acknowledges how truly awful some of the one-liners are.

Occasionally there is a line that plays to a higher audience, such as Kenneth Williams yelling at a man banging a gong: "I do wish you wouldn't keep doing that... Rank stupidity". There's also some slight political references to the famous slogan "I'm Backing Britain" and mention of the British being used to cuts, though I'm afraid I'm far too young to know what these are directly referring to. Generally, though, the humour is a series of puns on the word "Khazi" and rejoinders such as Sid James and Williams: "I'd even go so far as to say you're a bit of a shot". "Well, I hope I heard you correctly".

Even so, the humour, particularly constant attempts to nearly-ape the "f" word, did cause problems with the censor. In particular Bunghit Din's (my favourite Carry On member, the underrated Bernard Bresslaw) hilarious line of "Fakir - off!" was ordered to be reshot with an additional pause between the two words.

The rapid-fire pace of the gags mean that infrequent clunkers (such as Joan Simms attempting the old "call me an elephant" - "okay, you're an elephant" line, ancient even by Carry On standards) are quickly forgotten in the wealth of material. Superbly directed as well, particularly the closing scenes where the British (who are lampooned as much - if not more so - than their opponents) keep a stiff upper lip during bombardment.

The whole plot is, of course, absolutely ludicrous, suggesting that the final days of the Raj came about when a British regiment was discovered wearing underpants. The whole thing is the sort of film that would never be made nowadays, which is in many ways a good thing, yet there is a certain knowingness behind the eyes of the actors that keep it from dating.

'Carry On Up The Khyber' sees many of the usual Carry On favourites, this time in colonial India. Sid James plays Sir Sidney Ruff Diamond, head of the Third Foot and Mouth regiment located close to the Khyber Pass, whilst Kenneth Williams takes on the role of the Khasi of Kalabar, who is beginning to believe that the British might not be as invincible as previously thought.

'Carry On Up The Khyber' is a welcome change for the series as it is one of the few that's not based in the UK, but that's the only change you'll get because this film is laden with the usual Carry On double entendres and gags.

For many years, this wasn't one of my favourite Carry Ons but I've realised that it's actually one of the best. It largely benefits from being able to ridicule two cultures, namely British and Indian, and because it's set in colonial times, it allows Peter Rogers to successfully satirize the old fashioned Victorian attitudes as well as the more pertinent attitudes of the late 1960s when this was filmed.

There's no way a film like this would be made today but the humour is actually quite harmless, even endearing at times, and there are some clever one-liners too. It's a fallacy that Carry Ons were purely unintelligent, bawdy humour aimed at the brainless masses.

The amount of dryness in Up The Khyber is enough to give a man a thirst but it works particularly well. Excellent performances all round, particularly Sid James and Joan Sims, who bounce of each other so well, and Terry Scott, who was born to play Sergeant Major McNutt. Roy Castle too. I'm surprised he wasn't in more of the films.

Definitely worth a watch, whether you're new to the series or whether you've got them all on video.

This is now generally regarded as the best CARRY ON movie which,in retrospect,may not be saying that much.On the other hand,there seems to be an increasing fondness here in Britain(and perhaps even the US)for the series' persistent innuendo,cheerful vulgarity,slapstick corn,and venerable comic performers(most of whom are sadly long since gone) now nearly four decades after it's peak.Compared with much cinema gross-out humour today(as typified by the Farrelly Brothers in the US,with the UK's SEX LIVES OF THE POTATO MEN not far behind,perhaps literally!),the CARRY ON style of fun with it's saucy double entendres virtually present in every line seems oddly charming and innocent when in previous generations appeared as crude and tasteless,certainly to many weary film critics of the time.It could come across as witless and repetitive,as it certainly did in the later CARRY ON's of the 1970's(when the series finally finished),but despite the relentless puns on view here,UP THE KHYBER executes them all with an unexpected style,panache and energy,with arguably the entire series' most memorable visual gags and genuinely funny verbal one-liners.

The talented comedians on view,Sid James,Kenneth Williams,Peter Butterworth,Joan Sims,Terry Scott,Charles Hawtrey,Bernard Bresslaw,etc. are all on fine comic form throughout,handling the timing with considerable aplomb,with the farcical plot(the film's only negative point;it is never subtle,and it's attempts at satire are fleeting to say the least,probably very deliberately)about colonial conflict in India caused by British 'Devils in Skirts' not turning out in underwear oddly seeming to work rather well.It has great confidence and courage in it's convictions,and some lines and ideas("Gone For Tiffin","Fakir,Off!!",the 'Arsitarsi' tribe),and especially the dining room sequence(perhaps the funniest in the series' entire history)are the very best examples of typical lowbrow British humour.

Even the production values seem above average for the CARRY ON's,admittedly streamlined but still fairly elaborate and convincing,only faltering in it's actual depiction of the Khyber Pass itself,which is actually Snowdonia in North Wales.The film's very non-PC racial stereotyping and impersonation could be a problem for some,but may in fact add a certain extra period charm.

UP THE KHYBER represents CARRY ON humour at it's peak,preceded as it was by some of the other best efforts in the series(CLEO,SCREAMING,DOCTOR).With the arrival of the 70's,the CARRY ON's went into gradual decline from around 1973,ending in EMMANUELLE in 1978,generally recognised as the worst,before the critically-derided COLUMBUS emerged in 1992.UP THE KHYBER,however,shows us how amusing the series could be at it's best.