Chitty Chitty Bang Bang

I'm one of many thirty-somethings that grew up on this movie and later suffered nightmares featuring the Child Catcher. To this day, I still feel an uneasy chill when I hear the words "kiddie-winkies". Bit I still love this film on several levels. I loved it as a child because it's great cinema for children. I love it as a film student because it's a well-crafted, timeless fairytale. And I love it as an adult because it full of suggestive double meanings, much like the Warner Bros cartoons of the 1940s - the type of things that shoot straight over kids' heads and make adults snicker knowingly. With a screenplay penned by Ian Fleming, this should come as no surprise.

Dick Van Dyke is Caractacus Potts, a wacky inventor who inexplicably lives in England with his two inexplicably English children. Caractacus Potts...wacky inventor,,,get it? Hoo hah! Potts and his two children (whose pictures may be seen in the dictionary next to the word "moppet") live with the senior Mr. Potts in a windmill/labratory. Caractacus rescues a junked motorcar from rusting in a field and restores it to new - meet Chitty Chitty Bang Bang, named for the sounds the car makes. Soon thereafter in one of those Pipi Longstocking-esque child-arranged dates, Potts and his two children go on a picnic with local richgirl Truly Scrumptious - possibly the best Bond Girl name since Pussy Galore. As the day winds down, Potts tells the children a story, in which the foursome embark on a great adventure in the resplendent Chitty Chitty Bang Bang which Potts as rigged to fly, float, drive itself, and perform other turn-of-the-century Batmobile-like functions.

Our heroes end up in a far away kingdom ruled over by the Baron and Baroness Bomburst (Gert Frobe and Anna Quayle), a terribly sad place where children have been outlawed, rounded up, and kept in a dungeon. The gang and Chitty invade the kingdom to rescue Potts' father, who has mistakenly been identified as the inventor of the flying car and kidnapped. There, they befriend a toymaker (played by Benny Hill in one of his stock characters from his TV show) who hides the children while they attempt to spring grandpa Potts. Enter the Child Catcher, who lures the children with free lollipops and takes them away to the dungeon. Potts and the toymaker (who now only makes toys for the child-like king) hatch a plan to infiltrate the castle, rescue the elder Potts and the twin moppets, and free all the other children as well.

I have two favorite scenes in this film. One is the musical number in the castle, where Truly and Potts are disguised as huge toys for the Baron's birthday. Truly is a wind-up doll on a music box, and Potts is a marionette who does a dance number that not only convinces you that he really is on strings, but that Dick Van Dyke is one of the most talented performers ever to be caught on film. My other favorite scene, I admit with guilt, is the one where the Baron and Baroness are readying themselves for bedtime, and prancing around the room in nightclothes calling each other by ultra-gooey-cute pet names. However, whenever the Baroness isn't looking, Baron Goldfinger takes a swing at her with an axe. It's the most entertainingly erotic scene in a kiddie flick since Natalie Wood was covered in cream pies while wearing only frilly turn-of-the-century underwear in "The Great Race".

This film is a rare treat. It's a film that appeals to kids and keeps adults interested at the same time. Let your kids watch it, watch it with them, or just watch it yourself when you're in the mood for some pure, escapist fun.

And try not to think about the Child Catcher when you go to bed afterward.

Generally I respect the views of critics, if not agree with them. But... I read the reviews of CCBB after seeing the movie about 8 years ago. I was surprised at how scathing the critics were. So I watched it again and I am convinced that the critics totally blew this one. Yes, I know it's not "Trainspotting" or "Adaptation". Yes, yes, it's not "Fargo" or "Pulp Fiction." But it's not supposed to be!!! Here's a secret apparently the critics missed: It's meant for families. This is a sweet, sweet movie. This movie is unique in that it puts me in the most sentimental, loving mood. It puts me in the best mood. I love songs like "Truly Scrumptious." Perhaps you're past feeling if you hate this movie. And the scary child catcher is perfect. I still remember him from when I saw the movie decades ago as a kid. I unabashedly love this movie!

A delightful fantasy for the whole family to watch. There really is something for everyone here. A cartoonish story with "comic book characters" like the "Child Catcher" (Robert Helpmann) and "Baron Bomburst" (Gert Frobe) that the kids will love, and some marvelous song and dance routines from Sally Ann Howe as "Truly Scrumptious" and Dick Van Dyke as the inventor "Caractacus Potts" that the grown ups will marvel at. I never realized until I watched this movie as an adult what a marvelously talented man Van Dyke is, but his dance scenes are absolutely amazing (particularly "The Old Bamboo" performance at the carnival.)

The story is imaginative. A flying car whisks Truly and Caractacus, along with the two Potts children Jeremy and Jemima (Adrian Hall and Heather Ripley respectively) off to the fictional kingdom of "Vulgaria" (where children are forbidden) to rescue eccentric Grandpa Potts (played absolutely perfectly by Lionel Jeffries), who has been kidnapped by Bomburst in the mistaken belief that he's the inventor of the car. This was one of my favorite movies as a kid, and you have to think like a child to watch it and appreciate it as an adult. Until today I had never actually seen the movie unedited, and I found it just a delight.

It's true that there are weaknesses. Although Dick Van Dyke put on a marvellous performance, he ironically seems totally out of place with his American accent. I truly can't figure out how Caractacus' father can have a British accent, and Caractacus' children can have British accents, but Caractacus himself has an American accent? It's something you wouldn't notice as a kid, but as an adult I found it somewhat distracting. Also, Hall and Ripley didn't blow me away (I know - give them a break; they were just kids. Still, I've seen better performances from children that age.)

But why nitpick. Suspend disbelief, think like a kid, sit back and enjoy the ride.

8/10.

It surprises me that some people think this is a horrible film. I was 3 when this film was released and for as long as I can remember I've loved it! The songs are fun, especially Hushabye Mountian, Chu-chi Face and Me Ole Bamboo. This movie is both light, cheery as well as dark and creepy, the Child Catcher to this day is one of the scariest villians I know! And know it is a fabulous musical in London! Hopefully someday it will come to Broadway, I'd love to see it on stage!.

Well it's been 2 years since I last posted a review for this movie... I have just purchased the "Special Edition" version mainly because at last there is a wide-screen DVD version now available! This was one movie that suffered very greatly from a standard T.V format transfer ..... Now in wide-screen,it is possible to see the cinematography as it was intended to be viewed from the original Super Panavision format,even though there is still some "enhanced" format alteration to bring it into line with 16:9 ratio and luckily it was shot in Technicolor,which was easily the best analogue colour system around. Perspectives can now be seen as intended and the beautiful sets and the dance routines look vastly better... you can actually see all the dancers ! Take for instance one scene in Caractacus Potts windmill laboratory,where he shows Truly Scrumptious one of his inventions with which he intends to transmit "pictures and sound".....in the standard format half of the shot is missing so the machine cannot be fully seen and it makes no sense.. however in wide-screen you can see the "picture" and also the whole machine; so now you can enjoy one of Emmet Rolands fantasy machine creations in full. All through the movie the scenery and sets are set up framed with objects in the foreground and back ground which lend to perspective and depth of the image. The sound track seems also to have been worked on .. in previous releases the children's voices seemed to "squeak" but now they sound much more natural. You can see how much we have been missing with previous releases and it is a lot. The Special Edition also has some featurettes on the making of the movie and other related information plus a lovely booklet as well.

As to the movie itself .... it has never lost it's magic for me. I see reviews which pan the musical numbers or say it's too long or that

after seeing it as an adult they were disappointed from what they remember as a child ... but is that not the point ? It is a movie for children and/or those adults who can still view it remembering the child in themselves. It has no coarse language , no mindless violence (except the pantomime variety).. no cynicism ...just fun. In short it is a type of movie that Hollywood can no longer make because they no longer know how ... so it should be treasured more for it. People criticize Dick Van Dykes "American" accent but I find it not intrusive at all ... in fact he would probably have been better off using his normal voice in "Mary Poppins" than attempting the cockney accent which he obviously had some difficulty with.

Kids love this movie .. let them be the judges.

Thank-you Cubby Broccoli ..we miss you. Thank-you Ian Fleming / Roald Dahl / Richard Maibaum and Ken Hughes. Thank-you Ken Adam ... a genius in design for Chitty.