Countdown

It's interesting that I initially had the same reaction as "anonymous" did to the lunar lander depicted in the movie. Sure, it looks like a Gemini capsule stuck on top of a descent stage, but guess what? When Altman made this movie, NASA actually had already planned the "Countdown" mission AND the Gemini lunar lander, although it was never used.

BTW, I read Hank Searl's book "The Pilgrim Project" while I was in eighth grade and loved it.

I've just got to throw my 2 cents in. I thought the Countdown was an excellent movie. The acting is what carries it for sure, but the special effects aren't bad either for the time period.

I've seen Apollo 13 with Hanks and I thought this picture did a better job of portraying tension, ( although fictitious ) within the capsule. Robert Duvall is a superior actor as is James Caan. The overall dismay he portrays when not picked for the mission, and the subsiquent attempt to discredit Caan is great acting!

Although this movie was made back in the 1960's, tonight was the first time that I ever saw it. My wife and I found it to be an enjoyable Friday night offering. This movie was not about special effects, meteors hurling through space, etc. Rather, it was about the people who comprise the team that organizes and develops the US Space program. As always, Robert Duvall was excellent, this time as an Astronaut who, because of political considerations, was removed as the person who was scheduled to become the first to land on the moon. Duvall played his character with just the right amount of anger and disappointment before becoming the instructor and motivator to the man who replaced him, also well played by James Caan. I wish the ending had been a bit longer but that is a mere quibble with what I feel is a fine movie

The Americans and Russians are in a race to the moon. For political reasons, Air Force pilot Robert Duvall is replaced by civilian James Caan as the astronaut for the mission. This leads to personal conflicts between the two and general doubts about whether Caan can pull the mission off. Director Robert Altman's space drama is a mostly unimpressive, static effort. If I didn't know better I would assume it was made-for-TV. Lacking in special effects and choosing instead to focus on the personal drama between the various parties involved in the space program, it can be a tough slog at times. It's very dry and has long stretches where it's boring. It's also lacking in the kind of suspense necessary for a story about a race to the moon. Anti-climactic ending doesn't help, either. If you're a fan of movies about the space program perhaps you should check it out. Otherwise I can't recommend it.

"Countdown," Robert Altman's first theatrical release, is the only film I've seen by the prolific director that feels nothing like an Altman project. A bit of history surrounding it reveals that Altman battled the studios over creative control, and that the final version of the film exists more as a product of the studio than of the auteur. Never again, for better or worse, would Altman relinquish control of his films, a tenacity that won him an instantly recognizable style not afforded to many other directors.

So "Countdown" isn't terribly interesting formally and feels like it could have been directed by anybody, but that's not to say it isn't an interesting movie. Released a year before man actually landed on the moon, it provides a remarkably accurate guess at what such a feat would look like, and the film is played with conviction by a strong cast of actors led by James Caan, Robert Duvall and Michael Murphy. Duvall and Murphy would appear again in "MASH," and Murphy would go on to become an Altman regular. Barbara Baxley, known to Altman devotees as Haven Hamilton's wife in "Nashville," fulfills wifely duties in this film as well, though women may as well not even exist for all the attention the screenplay affords them.

As a studio film, "Countdown" isn't half bad. As an Altman film, it's one of his weakest. But nevertheless, it's well worth seeking out, especially for fans of the iconoclastic director.

Grade: B-