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Il giorno della civetta

  • 1968
  • PG
  • 1h 48m
ÉVALUATION IMDb
7,0/10
2,2 k
MA NOTE
Claudia Cardinale, Lee J. Cobb, Franco Nero, and Serge Reggiani in Il giorno della civetta (1968)
CriminalitéDrameMystèreThriller

Ajouter une intrigue dans votre langueThe new chief of the Carabinieri in a small Sicilian town must fight corrupt officials, the frightened silence of witnesses and the local Mafia boss to solve a murder.The new chief of the Carabinieri in a small Sicilian town must fight corrupt officials, the frightened silence of witnesses and the local Mafia boss to solve a murder.The new chief of the Carabinieri in a small Sicilian town must fight corrupt officials, the frightened silence of witnesses and the local Mafia boss to solve a murder.

  • Director
    • Damiano Damiani
  • Writers
    • Ugo Pirro
    • Damiano Damiani
    • Leonardo Sciascia
  • Stars
    • Claudia Cardinale
    • Franco Nero
    • Lee J. Cobb
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,0/10
    2,2 k
    MA NOTE
    • Director
      • Damiano Damiani
    • Writers
      • Ugo Pirro
      • Damiano Damiani
      • Leonardo Sciascia
    • Stars
      • Claudia Cardinale
      • Franco Nero
      • Lee J. Cobb
    • 18Commentaires d'utilisateurs
    • 22Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 5 victoires et 3 nominations au total

    Photos104

    Voir l’affiche
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    Rôles principaux20

    Modifier
    Claudia Cardinale
    Claudia Cardinale
    • Rosa Nicolosi
    Franco Nero
    Franco Nero
    • Capt. Bellodi
    Lee J. Cobb
    Lee J. Cobb
    • Don Mariano Arena
    Tano Cimarosa
    Tano Cimarosa
    • Zecchinetta
    • (as Gaetano Cimarosa)
    Nehemiah Persoff
    Nehemiah Persoff
    • Pizzuco
    Ennio Balbo
    Ennio Balbo
    • First Mafioso at the Banquet
    Ugo D'Alessio
    • Second Mafioso at the Banquet
    Fred Coplan
    • Brigadier
    Giovanni Pallavicino
    • Police Sergeant
    Giuseppe Lauricella
    • La Stella
    Vincenzo Falanga
    • Colosimo
    Laura De Marchi
    Laura De Marchi
    • Daughter of Don Mariano
    Brizio Montinaro
    Brizio Montinaro
    • Son of Marshal
    Lino Coletta
    • Young Moustachioed Man with Don Mariano
    Vincenzo Norvese
    • The Man with a Motorcycle
    Serge Reggiani
    Serge Reggiani
    • Parrinieddu
    Adalberto Spadoni
    Gaetano Di Leo
    • Carabiniere
    • (uncredited)
    • Director
      • Damiano Damiani
    • Writers
      • Ugo Pirro
      • Damiano Damiani
      • Leonardo Sciascia
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs18

    7,02.2K
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    10

    Avis en vedette

    9anon5643

    A truly well-crafted film, still (unfortunately) relevant after over 50 years in Italy.

    Italian film based on a novel by Leonardo Sciascia, explores the mystery and corruption in a small Sicilian town. If you enjoy intellectual thrillers, this film is a must-watch!

    Despite being from the distant year of 1968, "Il giorno della civetta" resonates surprisingly with the present day. Tackling themes like omertà and distrust in institutions, the film challenges us to reflect on social dynamics that unfortunately persist even today, over 50 years later in Italy. A timeless work that invites us to examine the complexities of society in a new light.

    The screenplay and plot are masterfully executed, keeping you glued to the screen without a dull moment. The dialogues are convincing and well-crafted. The direction and editing, considering the production era, are impeccable. The soundtrack is fitting, but what strikes the most is the final message, incredibly true and relevant.

    While I'm not particularly fond of very old films, and I'm usually quite demanding when it comes to giving a rating, it must be said that this film is very well-crafted.
    7Bezenby

    May be too much of an 'acting' film for some folk

    I've always wanted to go to Sicily, but this tale of the law and the mafia clashing has now made me fear that an old woman might call me a whore from the window a passing car.

    Just outside of a sleep Sicilian town, a construction manager is ambushed in his truck and shot dead while trying to escape. The assassin is spotted by a local man, and we forsee the problems the police are going to have as we as the audience witness people purposefully ignoring the corpse until a member of the Caribinieri forces the driver of the bus he is on to stop.

    New hot-shot police Captain Franco Nero is straight on the case, being new to Sicily and naïve about the way things work there. He knows that the local Godfather Don Mariano (Lee Cobb) is behind it all, but in front of him there are endless underlings, hit men, liars and even the general public covering things up. It's all to do with building contracts for a new road, but how can Nero stop them when even the dead man's brothers are reluctant to help?

    Hope lies in the shape of Claudia Cardinale, because it was her husband that witnessed the murder, but then again the husband has gone missing. Rumour and lies fly about the place trying Claudia's husband to the killing, claiming that Claudia had made him a cuckold. Claudia is adamant that she has been faithful to her husband, but what can one woman do against the might of the mafia, and their strange 'sweety wife' tactics that turn the public against her.

    Those heading here from Andrea Bianchi's mental Cry of A Prostitute or Enzo Castellari's Big Racket will be wondering "Where's all the gunfights, car chases, and bitch slapping?", but they needn't worry. Yes, the only shots fired are at the start of the film, and the film is nearly two hours long, but the plot and the acting of those involved drew me into the story. Franco Nero comes across as a young, naïve and ambitious cop who will stop at nothing to get the biggest catch, but his faults also gradually start to shine through and erase his self-confidence. I'd say Claudia Cardinale stands out the most though, as the desperate mother who doesn't even know if her husband is still alive, with even the police trying to manipulate her, out on her own just trying to tell the truth. Lee Cobb was also good as the over-confident Mafia boss who struts around in front of the police like a rooster with his first hard-on.

    Throw in a whole cast of supporting actors who also stand out and you've got an ever unfolding drama set in the sun that just shows you how difficult a job the police have in rooting out the mafia in Sicily. Damiano Damiani proves once again that he's a solid director. No trash here people.
    8unbrokenmetal

    Honest, direct and convincing

    The first great thriller by director Damiano Damiani, followed by many remarkable films in the 70s, such as "Io ho paura" with Gian Maria Volonte and "Un uomo in ginocchio" with Giuliano Gemma. "Il giorno della civetta" has a marvelous cast: Franco Nero just risen to stardom with "Django" (1966), Claudia Cardinale can be seen here a year before "Once Upon a Time in the West", and veteran tough guy Lee J Cobb. Sciascia's story about the murdered boss of a building company fits Damiano's way to illustrate his view on society: too many people are looking for the easy way out and keep their mouths shut. Simple, direct, honest - few films have so much credibility. Still, for an understandable commercial reason, Mrs Cardinale's role became bigger than it was in the novel.
    7Bunuel1976

    THE DAY OF THE OWL (Damiano Damiani, 1968) ***

    Being the first of a series of expose' films directed by Damiano Damiani and starring Franco Nero, this was more sober than the rest - with few of the typical "Euro-Crime" trappings - even receiving some accolades when it emerged; it's really a police procedural, with the only action sequence occurring at the very beginning.

    The film is also among the first to deal with the Mafia - though it's never mentioned by name - with the characters governed by their own sense of honor and Sicily's distinctive rustic feel lending vividness to the setting. As with the other Damiani/Nero films, the downbeat ending offers no easy answers.

    Apart from a dynamic score by Giovanni Fusco, it features an above-average international cast - Claudia Cardinale (as the defamed wife of an eye-witness to murder, who has gone missing), Franco Nero (as the rugged young cop), Lee J. Cobb (as the 'boss'), Nehemiah Persoff (as one of his associates) and Serge Reggiani (as a stoolie); the hilarious contribution of Gaetano Cimarosa as the wisecracking hit-man is also noteworthy.
    RodrigAndrisan

    Visiting mafia at home

    Damiano Damiani was an expert in Mafia movies. Confessions of a Police Captain (1971), L'istruttoria è Chiusa: dimentichi (1971), How to Kill a Judge (1975), I Am Afraid (1977),The Warning (1980), The Octopus(1984) are just some of its excellent movies. Mafia(Il Giorno Della Civetta) is one of the best. The actors are all impeccable, brilliant. Claudia Cardinale is more beautiful and compelling as ever. Lee J. Cobb is a great actor. Tano Cimarosa is downright incredible. Franco Nero, Serge Reggiani, Nehemiah Persoff, are very good. Great music also by Giovanni Fusco. A very good film, from all points of view.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The role of Rosa Nicolosi was considerably expanded from her novel counterpart to give more prominence to star Claudia Cardinale.
    • Citations

      Police Sergeant: Didn't hear anyone, didn't see anyone, doesn't know anybody, doesn't go anywhere.

    • Connexions
      Edited into Lo schermo a tre punte (1995)

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    • How long is Mafia?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 17 février 1968 (Italy)
    • Pays d’origine
      • Italy
      • France
    • Langue
      • Italian
    • Aussi connu sous le nom de
      • Mafia
    • Lieux de tournage
      • Studio Incir - De Paolis, Rome, Lazio, Italie(Studio)
    • sociétés de production
      • Panda Societa per L'Industria Cinematografica
      • Les Films Corona
      • Corona Cinematografica
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 48m(108 min)
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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