ÉVALUATION IMDb
7,0/10
2,5 k
MA NOTE
Un parachutiste allemand blessé est envoyé sur l'île tranquille de Kos avec sa femme, une infirmière grecque et d'autres soldats qui se remettent de leurs blessures. Ils gardent un dépôt de ... Tout lireUn parachutiste allemand blessé est envoyé sur l'île tranquille de Kos avec sa femme, une infirmière grecque et d'autres soldats qui se remettent de leurs blessures. Ils gardent un dépôt de munitions dans une forteresse en ruine.Un parachutiste allemand blessé est envoyé sur l'île tranquille de Kos avec sa femme, une infirmière grecque et d'autres soldats qui se remettent de leurs blessures. Ils gardent un dépôt de munitions dans une forteresse en ruine.
- Prix
- 2 victoires et 2 nominations
Histoire
Le saviez-vous
- AnecdotesWerner Herzog's first feature film. Often regarded as a pioneer of New German Cinema, his films often feature ambitious protagonists with impossible dreams, people with unusual talents in obscure fields, or individuals in conflict with nature. In 1961, when Herzog was 19, he started work on his first film Herakles. He has since produced, written, and directed over 60 films and documentaries. He has also published over 12 books of prose and directed many operas. French filmmaker François Truffaut once called Herzog "the most important film director alive." American film critic Roger Ebert said that Herzog "has never created a single film that is compromised, shameful, made for pragmatic reasons, or uninteresting. Even his failures are spectacular." He was named one of the world's 100 most influential people by Time in 2009.
- Citations
Young Child: Now that I can talk, what shall I say?
- ConnexionsFeatured in Was ich bin, sind meine Filme (1978)
Commentaire en vedette
I guess it should come as no surprise that there are no more than 8 reviews on IMDb about this film. The comfortably habitual Hollywood formula, which in so many ways as found itself in far more than Hollywood pictures, makes it hard for people to appreciate works such as this. This movie premiers Herzog's love for pictures and his rare ability to search them in the most mundane environments-a picture of a statue's foot embedded in the wall, a car slowly crossing a dancing road over a hill disappearing and appearing, two grown man entertained by the mysterious motion of the ears of a small owl toy figure...the list goes on forever.
It tells the story of a soldier who, after being wounded, is sent to recover in a small and peaceful Greek island where he and 3 others are ordered to care for a fort. That reveals itself a boring job and as time passes, the mundane days start slowly removing the sanity from the soldier. The story of a soldier gone mad is hardly novelty, but in Lebenszeichen the soldier goes mad from boredom and the location seems to be the cause of that and that's why we are shown the quiet little island. And it seems Herzog wants us in quiet observance of this routine, just so that he can slap us awake by the impending insanity of the character. My favorite scene is when we observe a landscape of windmills, which is usually used to portray a sense of quietude and peace, and over the hill, on the background of the picture, in small size, we see the soldier losing his mind, waving around like a madmen as if he was being tortured. That duality seems to display the despair in a higher note.
This is not an easy movie to understand and interpret, because it hides more than it shows, it indicates more than it reveals, it searches as much as it offers. Its a beautiful movie and while its not as great as some of Herzog's best efforts, it is certainly worthwhile and memorable.
PS: another reviewer seems to offer the idea that the movie might have been influenced the Stephen King's "The Shinning", but the film predates that novel by 9 years.
It tells the story of a soldier who, after being wounded, is sent to recover in a small and peaceful Greek island where he and 3 others are ordered to care for a fort. That reveals itself a boring job and as time passes, the mundane days start slowly removing the sanity from the soldier. The story of a soldier gone mad is hardly novelty, but in Lebenszeichen the soldier goes mad from boredom and the location seems to be the cause of that and that's why we are shown the quiet little island. And it seems Herzog wants us in quiet observance of this routine, just so that he can slap us awake by the impending insanity of the character. My favorite scene is when we observe a landscape of windmills, which is usually used to portray a sense of quietude and peace, and over the hill, on the background of the picture, in small size, we see the soldier losing his mind, waving around like a madmen as if he was being tortured. That duality seems to display the despair in a higher note.
This is not an easy movie to understand and interpret, because it hides more than it shows, it indicates more than it reveals, it searches as much as it offers. Its a beautiful movie and while its not as great as some of Herzog's best efforts, it is certainly worthwhile and memorable.
PS: another reviewer seems to offer the idea that the movie might have been influenced the Stephen King's "The Shinning", but the film predates that novel by 9 years.
- gsic_batou
- 2 juill. 2010
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Détails
Box-office
- Budget
- 25 000 DEM (estimation)
- Durée1 heure 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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By what name was Lebenszeichen (1968) officially released in India in English?
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