ÉVALUATION IMDb
8,3/10
9,1 k
MA NOTE
L'aristocratie russe se prépare à l'invasion française à la veille de 1812.L'aristocratie russe se prépare à l'invasion française à la veille de 1812.L'aristocratie russe se prépare à l'invasion française à la veille de 1812.
- Director
- Writers
- Stars
- A remporté 1 oscar
- 5 victoires et 3 nominations au total
Boris Zakhava
- Field Marshal Kutuzov
- (as B. Zakhava)
Anatoli Ktorov
- Prince Nikolai Andreevich Bolkonsky
- (as A. Ktorov)
Anastasiya Vertinskaya
- Princess Lise Bolkonskaya
- (as A. Vertinskaya)
Antonina Shuranova
- Princess Maria Bolkonskaya
- (as A. Shuranova)
Irina Skobtseva
- Hélène Bezukhova
- (as I. Skobtseva)
Boris Smirnov
- Prince Vasili Kuragin
- (as B. Smirnov)
Vasiliy Lanovoy
- Anatol Kuragin
- (as V. Lanovoy)
Irina Gubanova
- Sonia Rostova
- (as I. Gubanova)
Oleg Efremov
- Dolokhov
- (as O. Efremov)
Giuli Chokhonelidze
- Prince Bagration
- (as G. Chokhonelidze)
Vladislav Strzhelchik
- Emperor Napoleon Bonaparte
- (as V. Strzhelchik)
Avis en vedette
I remember seeing this film without a break back in the 1970s in Greenwich Village. It's a grand work of art. The movie started around 9pm and ended 5:00 am. It was snowing outside. I felt we had all lived through the War with Napoleon, seeing Natasha grow (the movie took so long to make that the young actress visibly grew before our eyes), and confronting the issues of war and peace.
It was in Russian with English subtitles. That was better than the TV version some years later that was overdubbed. The feeling of the actors didn't come through in that broadcast.
The music was extraordinary. There was a certain waltz that intrigued me. Saw the other War and Peace with Audrey Hepburn that just could not compare to it. It was too lame.
Nothing in film today can compare to those battle scenes. Nowadays, such scenes are too computerized.
It was in Russian with English subtitles. That was better than the TV version some years later that was overdubbed. The feeling of the actors didn't come through in that broadcast.
The music was extraordinary. There was a certain waltz that intrigued me. Saw the other War and Peace with Audrey Hepburn that just could not compare to it. It was too lame.
Nothing in film today can compare to those battle scenes. Nowadays, such scenes are too computerized.
When you see the movie that adapts your favorite work of literature you have high expectations. You have a picture of the scenes, locations and characters in your mind, and hardly ever a movie comes close to those images. Likewise, I found the 1954 movie War and Peace very disappointing. I was prepared for a similar experience before I saw the two-part movie by Russian director Sergei Bondarchuk. And was surprised. Still, the seven hours' version still omits many facets (including the almost satirical epilogue) of the original 1600 pages work of Leo Tolstoy. But never before lived a movie up to the images of my mind like this one. The actors, the locations, must have been picked very carefully, because they are very close to how they are depicted in the book. In more than one instance I had the feeling that my imagination had been brought to the screen. But it isn't the faithful rendition of the material alone that makes this movie so unique and wonderful. The broad scope of emotions, the grand scale of the aristocracy's parties with all their luxury, the battles with tens of thousands of extras, the impressive burning of Moscow, the actors who don't act but live the plot, it all adds to the wonderful experience of this film. This movie is highly recommended to any true lover of Tolstoy's book, who is interested in Napoleonic history or simply anyone who likes deep, moving, impressive movies. For anyone interested in Napoleonic history, I also highly recommend Bondarchuk's Waterloo, from 1969/70.
If possible, this is a film to be seen before reading the book! When Count Leo Tolstoy wrote War and Peace he was at the height of his mental powers. Tolstoy's in-depth understanding of the Russian people is transmitted ably by the director of the film, Sergei Bondarchuk. Bondarchuk's stress on authenticity as manifested in clever cinematography is perhaps unequaled in modern film making.
One has the feeling to be involved in the battle scenes and also the more intimate drawing room sequences.
The foundations of War and Peace are largely to be found in Tolstoy's keen interest in history.
Bondarchuk said, "We have tried to involve the spectator in the events on the screen to make him experience what Tolstoy's characters experienced and the atmosphere in which they lived." This has been done admirably.
Dag Stomberg
One has the feeling to be involved in the battle scenes and also the more intimate drawing room sequences.
The foundations of War and Peace are largely to be found in Tolstoy's keen interest in history.
Bondarchuk said, "We have tried to involve the spectator in the events on the screen to make him experience what Tolstoy's characters experienced and the atmosphere in which they lived." This has been done admirably.
Dag Stomberg
Do not watch the US video release, it's a disgrace; a bit like cutting off a bird's wings and forcing it to bark like a dog. The original is breathless in scope and profoundly moving - it is in four parts and runs close to seven hours, and there are good reasons for its length as any can guess who have read the book. If only someone had the conviction and decency to prevent this kind of mangling. I wonder how Tolstoy would have felt if they had told him 'War and Peace', the 'US version', would only be published as cliffnotes.
The best film ever made, ESPECIALLY when taking into account all the logistics - the Soviet Government as a film studio?? (sort of makes sense, after you picture Leonid Brezhnev as Louis B. Mayer), and the world's most infamous LONG novel turned into a megamotion picture.
It probably hasn't been seen in the US on a broad scale since ABC had the good sense to run it as a four part late-night special in early 1973 (anyone else remember)?
Not even subtitles - for those of us who are not true foreign film buffs, I mean - can hurt this film. Bondarchuk's amazing direction, as well as his acting, is breathtaking. The Russian people have been celebrated as lovers of great writing and the subject at hand, "War and Peace", becomes a poem at the conclusion.
Truly magnificent from every level - as a period piece, a psychological drama, a war movie, a love story, a history...Tolstoy would be universally acclaimed ahead of Shakespeare if he (Tolstoy) had the good sense to be from England...
Don't miss it. How the Soviet Government, at the height of the Cold War, could finance and produce a masterpiece like this is one of the great mysteries of the 20th century. Give Bondarchuk the credit.
It probably hasn't been seen in the US on a broad scale since ABC had the good sense to run it as a four part late-night special in early 1973 (anyone else remember)?
Not even subtitles - for those of us who are not true foreign film buffs, I mean - can hurt this film. Bondarchuk's amazing direction, as well as his acting, is breathtaking. The Russian people have been celebrated as lovers of great writing and the subject at hand, "War and Peace", becomes a poem at the conclusion.
Truly magnificent from every level - as a period piece, a psychological drama, a war movie, a love story, a history...Tolstoy would be universally acclaimed ahead of Shakespeare if he (Tolstoy) had the good sense to be from England...
Don't miss it. How the Soviet Government, at the height of the Cold War, could finance and produce a masterpiece like this is one of the great mysteries of the 20th century. Give Bondarchuk the credit.
Le saviez-vous
- AnecdotesSergey Bondarchuk created meticulous recreations of battles of the Napoleonic Wars. The Battle of Borodino against the Napoleon's invasion is the largest battle scene ever filmed.
- GaffesWhen some of the characters are attending the opera, "L'incoronazione di Poppea" by Claudio Monteverdi is being performed. It premiered in Venice in 1642, but by the time that the story takes place (ca. 1807), it had been lost and all but forgotten. A score wasn't rediscovered until 1888, and the first modern performance was given in 1905. The anachronism is probably intentional since Monteverdi's tale of the destructiveness of erotic desire foreshadows the events immediately after that scene.
- Citations
Narrator: On 12th June, 1812, the forces of western Europe crossed the frontiers of Russia and war began. In other words, an event took place that was contrary to all human reason and human nature.
- Autres versionsThere are three different versions: The American release, a 360 minute film in two parts (dubbed in English). The Russian release, a series of four films totaling 403 minutes (see also Vojna i mir I: Andrei Bolkonsky (1965), Vojna i mir II: Natasha Rostova (1966), Vojna i mir III: 1812 god (1967) and Vojna i mir IV: Pierre Bezukhov (1967)). Most reviews (including Leonard Maltin's) list this film's running time as 507 minutes; this is a mistake due to the longer lengths of 70mm prints.
- ConnexionsEdited from Voyna i mir I: Andrey Bolkonskiy (1965)
- Bandes originalesPrologue
(uncredited)
from "L'Incoronazione di Poppea"
Composed by Claudio Monteverdi
Written by Giovanni Francesco Busenello
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- War and Peace
- Lieux de tournage
- Borodino, Moskovskaya oblast, Russie(scenes before the main battle with Napoleon)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 000 000 RUR (estimation)
- Brut – États-Unis et Canada
- 148 503 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 22 976 $ US
- 17 févr. 2019
- Brut – à l'échelle mondiale
- 149 485 $ US
- Durée
- 6h 33m(393 min)
- Couleur
- Rapport de forme
- 2.20 : 1
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