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Eraserhead

  • 1977
  • R
  • 1h 29m
ÉVALUATION IMDb
7,2/10
141 k
MA NOTE
POPULARITÉ
2 577
193
Jack Nance in Eraserhead (1977)
Regarder Official Trailer
Liretrailer0:47
2 vidéos
99+ photos
Comédie noireHorreur corporelleMonstreFantastiqueHorreur

Henry Spencer tente de survivre a son environnement industriel, à sa blonde furieuse et aux hurlements insupportables de son nouveau-né mutant.Henry Spencer tente de survivre a son environnement industriel, à sa blonde furieuse et aux hurlements insupportables de son nouveau-né mutant.Henry Spencer tente de survivre a son environnement industriel, à sa blonde furieuse et aux hurlements insupportables de son nouveau-né mutant.

  • Réalisation
    • David Lynch
  • Scénariste
    • David Lynch
  • Vedettes
    • Jack Nance
    • Charlotte Stewart
    • Allen Joseph
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,2/10
    141 k
    MA NOTE
    POPULARITÉ
    2 577
    193
    • Réalisation
      • David Lynch
    • Scénariste
      • David Lynch
    • Vedettes
      • Jack Nance
      • Charlotte Stewart
      • Allen Joseph
    • 784Commentaires d'utilisateurs
    • 201Commentaires de critiques
    • 87Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 3 victoires et 2 nominations au total

    Vidéos2

    Official Trailer
    Trailer 0:47
    Official Trailer
    Remembering David Lynch
    Clip 1:46
    Remembering David Lynch
    Remembering David Lynch
    Clip 1:46
    Remembering David Lynch

    Photos110

    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    + 104
    Voir l’affiche

    Distribution principale21

    Modifier
    Jack Nance
    Jack Nance
    • Henry Spencer
    • (as John Nance)
    Charlotte Stewart
    Charlotte Stewart
    • Mary X
    Allen Joseph
    Allen Joseph
    • Mr. X
    Jeanne Bates
    Jeanne Bates
    • Mrs. X
    Judith Roberts
    Judith Roberts
    • Beautiful Girl Across the Hall
    • (as Judith Anna Roberts)
    Laurel Near
    Laurel Near
    • Lady in the Radiator
    V. Phipps-Wilson
    • Landlady (long version)
    Jack Fisk
    Jack Fisk
    • Man in the Planet
    Jean Lange
    • Grandmother
    Thomas Coulson
    • The Boy
    John Monez
    • Bum
    Darwin Joston
    Darwin Joston
    • Paul
    T. Max Graham
    • The Boss
    • (as Neil Moran)
    Hal Landon Jr.
    Hal Landon Jr.
    • Pencil Machine Operator
    Jennifer Lynch
    Jennifer Lynch
    • Little Girl
    Brad Keeler
    • Little Boy
    Peggy Reavey
    Peggy Reavey
    • Person Digging in the Alley (long version)
    • (as Peggy Lynch)
    Doddie Keeler
    • Person Digging in the Alley (long version)
    • Réalisation
      • David Lynch
    • Scénariste
      • David Lynch
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs784

    7,2140.8K
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    10

    Avis en vedette

    TeaBunny

    Amazing masterpiece of filmmaking!

    You have to dissect it, watch it more than once, eat, breathe it and live it before you can get it. There are lots of explanations for all of the things that "make no sense"... it's art in it's purest form - you take away from it what you want! You can see Henry struggling with suddenly being thrust into the role of father and husband, his sin, his temptation, his life, his death, his dreams... too much symbolism to even get into here... anyone who dismisses this film as "junk that makes no sense" will never get it, and that's OK. But for the rest of us, it's on our "Top Ten Films of All Time" list. Brilliant and beautiful and horrifying! Makes you think for weeks... YEARS. I love it. Highly recommended to those who are open-minded! AMAZING FILM!!
    choatelodge

    Not for every viewer

    A surprising number of reviewers here howl at length about how bored they were by this movie. No surprise. I doubt David Lynch intended to entertain the viewer of Eraserhead. He intended to invoke a response, to be sure, but amusement was not it. There is not a single word nor phrase I can use to convey the response this movie brought out in me. Fascinated depression, appalled sympathy, and an ever present feeling of gratitude that although I was present in this bleak, inhuman, industrial, possibly toxic world, it was just a dream and I would be away from it eventually, unlike Henry Nance.

    The events draw you along in morbid curiosity as Henry goes about his business, fate not being very kind to him at any particular point. The pacing is slow enough that one has time to muse on the meaning of what transpires while the dank grim surroundings press down on oneself as they do on Henry.

    Should be watched in the evening with darkened lights. It is a trip, if you are willing to take it.

    Those who are bored should not watch it. They should rent 'Rambo', or perhaps 'Smokey and the Bandit'.
    brianh-7

    I either need to attend film school or see a therapist

    Of all the films I've seen, this has to be the 2nd most surreal of all. Only L'Age d'or can surpass it. While that movie was sublimely subversive, especially in its closing scene, Eraserhead can only hint at such greatness.

    Reviewing a movie like this is nearly impossible. How can one honestly "enjoy" the macabre and disturbing imagery? How can one definitively pinpoint the narrative or intention when the creator has said nary a word on the subject in 30 years?

    Most of David Lynch's work has been moderately accessible if you're willing to work at it. He's been equally successful with a straight-forward narrative (The Elephant Man, Straight Story) as he has with the bizarre (almost everything else). But after watching this movie, I feel like I either need to attend film school or see a therapist.
    10Skeptic459

    The reason that I got into films in the first place!!!

    In film school it is not cool to say you like David Lynch. Film students claim he is just a poor mans version of Luis Bunuel. Yes, I would say that Bunuel is more talented and is the king of surrealism. But Lynch is very good and his films do challenge the viewer. I actually have a deep affection for his films. When his films work, they really work! However, when they do not work, for example, Twin Peaks, Fire, Walk with Me or Lost Highway then they quickly launch themselves into self parody. Many people claim his material is too inconsistent and indulgent to be really liked very much.

    What I find strange is that one reviewer here states that he feel duped by Lynch. Duped? Why? The films all have a story. They just have a narrative that works differently to conventional film making. If you look hard at the film and try to understand the subtext then you will pick up on what the film is about.

    I saw this when I was 16. I knew nothing about films or film making then. A friend and I were bored so we decided to see a movie at capitol cinema. Capitol cinema used to be a cinema that played arty or small independent films. They used to play midnight showings of eraserhead. There was always someone smoking a joint in that place. However, you don't need drugs for this film. Lynch is drugs. This film just buzzes you out.

    I had no idea what Eraserhead was about. I had never heard of Lynch and knew nothing about surrealism. I went in and was just totally blown away! Before this I had only really seen commercial blockbuster movies. Lynch gave me a whole knew perspective on what cinema is capable of. Eraserhead is the stuff of dreams. Lynch believes that watching a film is entering a dream state. Both my friend and I did not know what the hell was going on. I was fascinated...

    Later I would learn this is a film about Lynch's own obsessions. His hatred of Philadelphia. His fear and anxiety at being a father. The film is just full of a kind of a compulsive, paranoid neurosis. It is a waking nightmare. He also seems to parody the nuclear family. 'Did you have sexual intercourse with my daughter?' Meanwhile that weird blond woman in his radiator seems to represent his escape. A way to transcend from his grim world. What I also find bizarre is that people then accuse him of having no sense of humor! What? There are always funny moments in his films. 'Did you have sexual intercourse with my daughter?'

    Jack Nance is also very good as the main character. He seems to be playing the director and he gives a performance that is distant, spaced out and yet emotionally vulnerable. A really strange mix. The imagery is just brilliant. Black and white in an industrial wasteland. There is smoke here of course. It wouid not be a Lynch film without smoke! It also has a cool, grating industrial soundtrack that sets your nerves on edge. This is perfectly effective for the bleak tone of the film. It is so visually striking that the viewer will not forget the imagery quickly. There is a reason that this is a cult film. The other distinctive feature of this film is the long lingering shots. This reminds me of Jim Jarmusch and his movies like Dead Man and Ghost Dog. The length of the shots seems to have the effect of immersing the viewer in this strange industrial wasteland.

    I have my own copy that I lend to friends. They then normally give it back to me saying that they only got through the first half hour. They also normally tell me that I am a weirdo for liking it. I think what frustrates people most about Lynch is that he will not give any explanations of what the film is about. So any interpretation is as good as any other. People want the film to be explained so they can understand it. Who said films must be understood or comprehensible? Why can't a film be abstract piece of art like a painting? Lynch's films are like an acid trip. To quote the great gonzo, Hunter S Thompson, 'buy the ticket, take the ride and if it gets a little heavier than what you had in mind, then put it down to forced consciousness expansion.'

    So in other words, relax, stick it on and just run with it. Travel into someone else's nightmare for a change...
    8Xstal

    Scratch, Eliminate, Annul...

    You need a clear head and focused intent prior to settling down to an abstract and uncoupled vision of a world that's so out of phase with anything you have or will ever come across - wlack & bhite but not monochrome.

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    Intérêts connexes

    Phoebe Waller-Bridge and Sian Clifford in Fleabag (2016)
    Comédie noire
    Jeff Goldblum in La mouche (1986)
    Horreur corporelle
    Bill Skarsgård in Ça (2017)
    Monstre
    Elijah Wood in Le seigneur des anneaux: La communauté de l'anneau (2001)
    Fantastique
    Mia Farrow in Le bébé de Rosemary (1968)
    Horreur

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      When production on the film took longer than expected, David Lynch had to sleep in the same room used as Henry's bedroom for over a year.
    • Gaffes
      Henry takes off the wrong shoe/sock to dry off.
    • Citations

      Lady in the Radiator: [singing] In Heaven, everything is fine. In Heaven, everything is fine. In Heaven, everything is fine. You've got your good things. And I've got mine. In Heaven, everything is fine. In Heaven, everything is fine. In Heaven, everything is fine. You've got your good things. And you've got mine. In Heaven, everything is fine.

    • Générique farfelu
      There are no opening credits, just a long, tilted close-up of the face of Jack Nance.
    • Autres versions
      First DVD edition was printed in open matte format (1:1.33)
    • Connexions
      Edited into The History of the Hands (2016)
    • Bandes originales
      Lady in the Radiator Song
      Composed by Peter Ivers

      Lyrics by David Lynch (uncredited)

      Performed (Sung) by Peter Ivers and Fats Waller (as "Fats" Waller) (Pipe Organ)

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    Production art
    Liste

    FAQ22

    • How long is Eraserhead?Propulsé par Alexa
    • Who is the Man in the Planet?
    • What is David Lynch's interpretation of this film?
    • What are the "Glen or Glenda" references?

    Détails

    Modifier
    • Date de sortie
      • 3 février 1978 (United States)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • Cabeza de borrador
    • Lieux de tournage
      • Center for Advanced Film Studies, American Film Institute - 2021 N. Western Avenue, Los Angeles, Californie, États-Unis
    • sociétés de production
      • American Film Institute (AFI)
      • Libra Films
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 100 000 $ US (estimation)
    • Brut – à l'échelle mondiale
      • 38 157 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 29m(89 min)
    • Couleur
      • Black and White
    • Mixage
      • Mono(original release)
    • Rapport de forme
      • 1.85 : 1

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