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Pasqualino Settebellezze

  • 1975
  • 18A
  • 1h 56m
ÉVALUATION IMDb
7,7/10
6,9 k
MA NOTE
Giancarlo Giannini in Pasqualino Settebellezze (1975)
We take a look back at cinematic history and celebrate the pioneering women directors and their groundbreaking work. Here's a list of the 111 films featured in our tribute video. https://imdb.to/WomenDirectorsPlaylist
Lireclip5 min 09 s
Regarder A Salute to Women Directors
1 vidéo
62 photos
ComédieDrameGuerre

La défense de l'honneur, une valeur forte dans la société napolitaine, et ses effets sur la vie de chaque homme Pasquale Frafuso.La défense de l'honneur, une valeur forte dans la société napolitaine, et ses effets sur la vie de chaque homme Pasquale Frafuso.La défense de l'honneur, une valeur forte dans la société napolitaine, et ses effets sur la vie de chaque homme Pasquale Frafuso.

  • Director
    • Lina Wertmüller
  • Writer
    • Lina Wertmüller
  • Stars
    • Giancarlo Giannini
    • Fernando Rey
    • Shirley Stoler
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,7/10
    6,9 k
    MA NOTE
    • Director
      • Lina Wertmüller
    • Writer
      • Lina Wertmüller
    • Stars
      • Giancarlo Giannini
      • Fernando Rey
      • Shirley Stoler
    • 54Commentaires d'utilisateurs
    • 42Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
    • Nommé pour 4 oscars
      • 2 victoires et 9 nominations au total

    Vidéos1

    A Salute to Women Directors
    Clip 5:09
    A Salute to Women Directors

    Photos62

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    Rôles principaux25

    Modifier
    Giancarlo Giannini
    Giancarlo Giannini
    • Pasqualino Frafuso
    Fernando Rey
    Fernando Rey
    • Pedro
    Shirley Stoler
    Shirley Stoler
    • The Prison Camp Commandant
    Elena Fiore
    Elena Fiore
    • Concettina Frafuso
    Piero Di Iorio
    • Francesco
    Enzo Vitale
    • Don Raffaele
    Roberto Herlitzka
    Roberto Herlitzka
    • Socialist
    Lucio Amelio
    • Lawyer
    Ermelinda De Felice
    • Signora Frafuso
    Bianca D'Origlia
    • The Psychiatrist
    Francesca Marciano
    Francesca Marciano
    • Carolina
    • (as Francesca Marciani)
    Mario Conti
    • Totonno
    Barbara Valmorin
    Barbara Valmorin
    • The Prison Camp Commandant's Secretary
    Emilio Salvatore
    Aristide Caporale
    • Madman
    • (as Aristide Caporali)
    Pasquale Vitiello
    Luciano Foti
    • Kapo
    • (uncredited)
    Veriano Ginesi
    • Smoking Patient in Aversa
    • (uncredited)
    • Director
      • Lina Wertmüller
    • Writer
      • Lina Wertmüller
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs54

    7,76.8K
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    Avis en vedette

    10tm-22

    It's one matter not being innocent -- it's another being a whore

    Seven Beauties is a masterpiece that holds up as well now as it did 20 years ago. Pasqualino is a character whose life is shaped by a shallow, macho, code of honor. He continually swears to live his life by this code and to force the family to live up to this standard. He is broken hearted when he must abandon his "man of honor" image in order to escape hanging.

    Without his standards, miserable as they were, Pasqualino survives by instinct alone. His character contrasts with the people that he meets when he is interred in a concentration camp. Most of the time he is so consumed by a his desire to live that he can't focus on or misunderstands the important things they try to tell him.

    Although this sounds like a very dour movie, it is saved by the way Lina Wertmuller constructs the story. It is a non-linear narrative, with a word or phrase triggering a flash back for Pasqualino.

    The music is extraordinary. The concentration camp scenes are horrifying (with Wagner opera as the musical theme) and the scenes set in Naples are sunny and beautiful but not overblown. You see the frayed edges of a poor town, although they're bathed in the mediteranean sunshine.

    Pasqualino sums it up best when he says, "A rotten comedy, a lousy farce . .. called living." Lina Wertmueller made a wonderful comedy, a masterful farce . . . called Pasqualino Settebellezze.
    edcar47

    brilliant character study

    I am truly pleased to read all these positive comments about this movie. Even though the total comments are rather few in number they are all positive, which in itself is remarkable. I saw it when it first came to the theater and have loved it ever since. The movie hit on all cylinders for me in a way that probably no movie before or since could do. (Kazan's EAST OF EDEN comes close.) This is not an easy movie to like in that it is a Totally Focused Character Study about an individual who we meet for the first time in the movie. It is not a simple Genre movie that focuses on one aspect of life (crime, war, anti-war, comedy, romance, tragedy, coming of age, sex, survival etc.). This is a one-of-a-kind Character Study that asks you to follow the life of a human being (combining all aspects of life) as it unfolds before our eyes. And as there is justification for each of his sins (and they are legion) we cannot judge him too harshly, or at all. Also, because we initially like the character we become complicit in each one of his monstrous deeds and soon there is no turning back for either him or us. We can only continue going forward together, if only to see how it all ends. Oh Yeah. Perhaps that is what the OH YEAH Beat poem at the beginning is all about. That is the final irony- how the start of the movie and the end become one. At the end of the movie (or the true beginning of his life) Pasqualino becomes the person being mocked in the Oh Yeah poem of the opening scene. I think the reason everyone seems to like this movie is that the people who would not like or understand it knew instinctively within themselves to simply stay away. Or they walked out on it as soon as they realized this was not their kind of (genre) movie. Historical Note- I heard on the History Channel on a program about Naples during WWII that fully 30 percent of the women of Naples were prostitutes during the war. ed
    8jamesrupert2014

    How low will you go to survive?

    After deserting from the Italian Army, small-time Neapolitan hood Pasqualino 'Seven Beauties' Frafuso is captured by the Germans and sent to a harsh prison camp run by a sadistic female commandant (Shirley Stoler) where he discovers just how low he'll sink to stay alive. The film is an intriguing blend of comedy and brutality as Pasqualino relives (through flashbacks) the events that brought him to the camp (including the murder of his homely sister's pimp and his awkward attempts to dispose of the body). Survival is the underlying theme, as Pasqualino, a small, unprepossessing man, postures and struts to maintain his place in the Naples underworld, then has to find food and shelter when on the run from the Germans (the scene of him chattering to a bemused elderly German woman while stuffing his face on stolen food is priceless), and finally decides that seducing the corpulent commandant is the only way to survive the camp. Throughout the film, the imagery is outstanding, sometimes colourful and bizarre (but not as grotesque as Fellini), other times monochrome and almost painful to look at. The film will not be to everyone's taste but I very much enjoyed it.
    10NYC Lion

    A Must See Masterpiece

    I've watched this movie dozens of times in the last thirty years and it's still a treat. I just bought the new DVD version and I'm in love with Lina again.

    It's a roller-coaster ride with scenes of the grotesque against visions of sublime beauty. And, Thank You, Lina, for the courtroom scene of poignant conversation without words.

    The theme of the movie is simply that we too often accept survival as an excuse to abandon honor, integrity and fundamental humanity. There is a leftist tone that may put some off but that shouldn't detract from the basic message.

    The simple message is told with flawless visuals, hypnotic music and acutely fine acting.

    Please enjoy this important part of cinematic history.
    cwrobbel

    A very influential movie in my life

    I saw this film in the late 70's and ran the entire gambit of emotions while viewing it. I never thought I could laugh at such violence and at the hideous Nazi acts of the concentration camps and at the same time feel like heaving my guts on the theatre floor. I am going to have to track down a DVD of this movie to watch it again.

    As good as Shindlers list was, I found it pale by comparison to "The seven Beauties". It is a wild ride and I can not recommend this film highly enough.

    What disturbs me is that I have yet to talk to another person who has seen this movie.

    And a side note: Madona should be crucified for remaking Swept Away.

    Charlie

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      With this film, Lina Wertmüller became the first woman ever nominated for the Academy Award for Best Director. The only other women to be so nominated are Jane Campion for La leçon de piano (1993) and Le pouvoir du chien (2021), Sofia Coppola for Traduction infidèle (2003), Kathryn Bigelow for Démineur (2008), Greta Gerwig for Lady Bird (2017), Emerald Fennell for Promising Young Woman (2020), Chloé Zhao for Nomadland (2020), Justine Triet for Anatomie d'une chute (2023) and Coralie Fargeat for La Substance (2024). Bigelow won first, followed 11 years later by Zhao, while Campion finally won hers the year after.
    • Gaffes
      Seven minutes in, when Pasqualino sees civilians being cut down with machine-gun fire, there is no blood spray when they're shot and subsequently no blood on any of the corpses.
    • Citations

      Narrator: The ones who don't enjoy themselves, even when they laugh. Oh yeah. The ones who worship the corporate image, not knowing that they work for someone else. Oh yeah. The ones who should have been shot in the cradle... Pow! Oh yeah. The ones who say 'Follow me to success, but kill me if I fail... so to speak.' Oh yeah. The ones who say we Italians are the greatest he-men on earth. Oh yeah. The ones who are noble Romans, the ones who say 'That's for me,' the ones who say 'You know what I mean.' Oh yeah. The ones who vote for the right because they're fed up with strikes. Oh yeah. The ones who vote white in order not to get dirty. The ones who never get involved with politics. Oh yeah. The ones who say 'Be calm, calm.' The ones who still support the king. The ones who say 'Yes, sir.' Oh yeah. The ones who make love standing in their boots, and imagine they're in a luxurious bed. The ones who believe Christ is Santa Claus as a young man. Oh yeah. The ones who say 'Oh, what the hell.' The ones who were there. The ones who believe in everything, even in God. The ones who listen to the national anthem. Oh yeah. The ones who love their country. The ones who keep going, just to see how it will end. Oh yeah. The ones who are in garbage up to here. Oh yeah. The ones who sleep soundly, even with cancer. Oh yeah. The ones who, even now, don't believe the world is round. Oh yeah, oh yeah. The ones who are afraid of flying. Oh yeah. The ones who have never had a fatal accident. Oh yeah. The ones who have had one. The ones who, at a certain point in their lives, create a secret weapon, Christ. Oh yeah. The ones who are always standing at the bar. The ones who are always in Switzerland. The ones who started early, haven't arrived, and don't know they're not going to. Oh yeah. The ones who lose wars by the skin of their teeth. Oh yeah. The ones who say 'Everything is wrong here.' The ones who say 'Now let's all have a good laugh.' Oh yeah. Oh yeah. Oh yeah. Oh yeah.

    • Autres versions
      In the United States the film was shown in both a subtitled and English-dubbed versions.
    • Connexions
      Edited into Bellissimo: Immagini del cinema italiano (1985)

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    FAQ

    • How long is Seven Beauties?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 20 décembre 1975 (Italy)
    • Pays d’origine
      • Italy
    • Langues
      • Italian
      • German
      • Neapolitan
      • Spanish
      • English
    • Aussi connu sous le nom de
      • Seven Beauties
    • Lieux de tournage
      • Naples, Campanie, Italie
    • société de production
      • Medusa Distribuzione
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Brut – États-Unis et Canada
      • 12 408 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 1 536 $ US
      • 16 avr. 2017
    • Brut – à l'échelle mondiale
      • 12 619 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 56 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 1.66 : 1

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