Un marin mourant, plein de regrets, cherche son collègue de longue date quelque part en haute mer.Un marin mourant, plein de regrets, cherche son collègue de longue date quelque part en haute mer.Un marin mourant, plein de regrets, cherche son collègue de longue date quelque part en haute mer.
- Prix
- 4 victoires et 3 nominations au total
Aurore Clément
- Aurore
- (as Aurore Clement)
François Dyrek
- Le cafetier-gendarme
- (as Francois Dyrex)
François Landolt
- Le clairon Bochau
- (as Francois Landolt)
Histoire
Le saviez-vous
- AnecdotesOne thing that may be missed by viewers of this beautiful movie is that the French Navy frigate Jauréguiberry is not crossing the North Atlantic waters for an endurance mission (although much endurance is needed). She is actually fulfilling a mission of "Surveillance des pêches" (i.e. Support to the French fishing vessels) in the "Terre Neuve" (Newfoundland) and "Saint-Pierre et Miquelon" waters, a mission that the French Navy has carried on for centuries and still does today. Fishing rights for French vessels in these waters date from before the reign of king Louis XIV, and are among the last remaining rights from the French colonial venture in Canada. It has always been accepted as a truth that the "Terre Neuvas" (fishermen trained to work in these waters) were the best, the toughest recruits for the Navy. The film is about decolonization, of course, but its main theme is duty - carrying on whatever may and however unpleasant it may be. Unglamorous assistance to the "Terre Neuvas" fits in well with this theme. Another trivia : Jean Rochefort is as natural as can be playing the part of captain of the frigate Jaureguiberry : he may have acquired such an ease from watching his brother Pierre, a Naval officer who ended his career as an Admiral.
- ConnexionsReferenced in Rembob'Ina: Le Huguenot Récalcitrant (2023)
Commentaire en vedette
I am working a librarian in the french equivalent of the British Council, in Quito, Ecuador, South America. A long long time ago, when I was still living in France, a friend of mine lend me a copy of Shoendoerffer's novel, "Le crabe tambour". I never forgot this small pocket book, which surprisingly enough was not published anymore.
A few years later, working in the Alliance Francaise of Quito, I found out an old video copy of the movie. Its quality was definitely not top notch, for it had been taped from the french TV in the 80's. The sound was quite bad, making it uneasy to catch the dialogues.
Even though, I loved it. Definitely. A few months later, the video was removed from the library, because it was not an original. Of course, I took this one with me and brought it home.
Why is this film so magical?
Because it blends in a superb way the drama of history (more precisely, the bitter decolonisation years of the french empire in Indochina / Vietnam and Algeria), its heart-braking influence on the soldiers who fought these lost wars, philosophical reflections about the meaning of man's liberty to choose his own way (and the subsequent price to pay), beauty of the sea and the men who sail her, friendship, death.
As Kubrick's 2001, "Le crabe tambour" does not reveal everything at first seeing. Like a marvellous book, it is to be seen again, and again. Again for the beautiful acting of Rochefort, Rich, Dufilho and Perrin. Again for the harshness of the dialogues, and the importance of silence. Again for the magnificent photography of boats struggling in the cold and furious North Atlantic. Again for this unique and moving confrontation between history and men.
Just like in Kubrick's 2001, there is not much of action to be seen. Despite the different places it takes us through (Indochina, Algeria, France and sea), the film is much more like a long and uninterrupted dialogue. Two officers on a small boat, encountering each other on the common ground of their friendship for a third one, the absent one, the "crabe-tambour". Two old and battered military men, chasing a ghost, each one for his own intimate and imperious reasons.
So will we, one day, ask ourselves the same frightening question : "What have I done with my talent?".
For me, this is definitely worth a 10 out of 10. But I strongly recommend reading the book first, if can be.
A few years later, working in the Alliance Francaise of Quito, I found out an old video copy of the movie. Its quality was definitely not top notch, for it had been taped from the french TV in the 80's. The sound was quite bad, making it uneasy to catch the dialogues.
Even though, I loved it. Definitely. A few months later, the video was removed from the library, because it was not an original. Of course, I took this one with me and brought it home.
Why is this film so magical?
Because it blends in a superb way the drama of history (more precisely, the bitter decolonisation years of the french empire in Indochina / Vietnam and Algeria), its heart-braking influence on the soldiers who fought these lost wars, philosophical reflections about the meaning of man's liberty to choose his own way (and the subsequent price to pay), beauty of the sea and the men who sail her, friendship, death.
As Kubrick's 2001, "Le crabe tambour" does not reveal everything at first seeing. Like a marvellous book, it is to be seen again, and again. Again for the beautiful acting of Rochefort, Rich, Dufilho and Perrin. Again for the harshness of the dialogues, and the importance of silence. Again for the magnificent photography of boats struggling in the cold and furious North Atlantic. Again for this unique and moving confrontation between history and men.
Just like in Kubrick's 2001, there is not much of action to be seen. Despite the different places it takes us through (Indochina, Algeria, France and sea), the film is much more like a long and uninterrupted dialogue. Two officers on a small boat, encountering each other on the common ground of their friendship for a third one, the absent one, the "crabe-tambour". Two old and battered military men, chasing a ghost, each one for his own intimate and imperious reasons.
So will we, one day, ask ourselves the same frightening question : "What have I done with my talent?".
For me, this is definitely worth a 10 out of 10. But I strongly recommend reading the book first, if can be.
- jh_morneau
- 25 janv. 2001
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Drummer-Crab
- Lieux de tournage
- Brest, Finistère, France(interior and exterior locations)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée2 heures
- Mixage
- Rapport de forme
- 1.66 : 1
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By what name was Le Crabe-Tambour (1977) officially released in Canada in English?
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