La via della droga

You can always rely on Enzo Castellari to knock things up a notch, and even though he had me worried (and a little confused) at the pacing of this one, it all leads up to major kick ass ending.

After the film seemingly randomly shifts between Hong Kong, Amsterdam, Colombia and New York, the film finally settles in Rome, as we see Fabio Testi getting busted for carrying drugs into the country. At the same time and in the same place, another guy who's just arrived from Amsterdam is tailed by cop David Hemmings, who gets duped by the dealers as big old Romano Puppo gets away with the goods.

Yep, Hemmings is hot headed, potty-mouthed cop out to take down a huge drug cartel, and he's the only guy who knows that Fabio Testi is an undercover cop. Things get pretty difficult for Testi as he works his way into the dealer's trust via a junky guy with his own sub plot, and nothing ends up going to plan as everything results in a huge chase at the end that uses feet, motorbikes, and finally, planes. I think there's a deep meaning to all this, and that is "If you deal drugs, Fabio Testi will shoot you."

You've got the usual Enzo back up crew here: Massimo Vanni (who does his 'riding a bike downstairs' bit), Joshua Sinclair as a suave dealer, Romano Puppo as another dealer, and even Enzo himself turns up to mug for the camera. Sherry Buchanan turns up as the junky guy's girlfriend, but she really just turns up to be naked for a minute or two.

I found it strange that there's an obvious stunt double doing even the most routine of stunts for Fabio, but then it's Fabio himself doing all that crazy crap with the planes later. I did burst out laughing when a guy pulled a particularly strange face when getting shot in slow motion.

It does seem however that Enzo is kind of making some sort of comment about the hippy life being dead and leading to horrible addiction, because the drug taking here is shown in all its glory and when you see a guy licking spilled heroin from a toilet seat, it doesn't exactly entice you to go take the stuff. Well done Enzo!

There are some preposterous situations and developments in LA VIA DELLA DROGA aka THE HEROIN BUSTERS but it still reeled me in and had me interested to the end.

Director Enzo Castellari is no household name, not even in his native country, Italy. To be frank, I had never heard of him. That said, the production looks far from shabby thanks to effective cinematography by Giovanni Bergamini and the convincing if unusual leading duo of Fabio Testi - undercover cop looking tall, fit and muscular despite wearing cowboy boots in his almost nonstop running - and Hemmings, the somewhat podgy Interpol inspector still able to climb walls. They exchange some cryptic, even funny lines, none more so than when Testi teaches Hemmings on how to use the pronoun "whom" instead of "who."

The film posts some well made car, bike and running chases - though I found the final one, aboard two light planes, downright risible. The top villain with his fake wig rather struck me as a clearly unintended comedian, especially when piloting the aircraft.

Despite those flaws, I found HEROIN BUSTERS and its level of violence credibly engrossing. 7/10.

When I first saw this film many years ago, I was put off by its slow and fragmented first ten minutes, featuring scenes of (gratuitous!) drug use in various parts of the world. Also, I had just seen David Hemmings' other Italian crime film from this year, SWINDLE with Tomas Milian (directed by Bruno Corbucci), which was INCREDIBLE, and this did not seem as good. However, once the film kicks into gear after fifteen minutes or so, it is quite good and features some incredible stunt work, imaginative action sequences, exciting guitar-driven music from Goblin (not as repetitive as some of their work), a wonderful over-the-top performance by David Hemmings as an interpol narcotics investigator, and a cool, smoldering performance by Fabio Testi as an undercover cop out to bust the international drug trade. As a later 70s product, this film features unnecessary closeup shots of drug use and some gratuitous nudity (a lesbian scene presented as a FANTASY of a minor character!), but there's not enough of either to derail what becomes a nail-biting action film. The final fifteen to twenty minutes of HEROIN BUSTERS are incredible--the motorcycle chase in the subway, which leads into an outrageous airplane chase--some of the most interesting and daredevil action-film stunt-work I've seen in a while. The film also has nice bursts of humor here and there (such as when Hemmings, chasing a crook, gets a ride from a young lady on a motorcycle and has to grab on to her breast to hold on!) and was quite satisfying on all levels. It does start slow, however, so don't give up on it (or fast forward through some of the initial scenes). What a "golden age" of Italian crime films the 1970's was--even a standard genre entry turns out to be a gem, the likes of which would NEVER be made today.

There were a lot of good Dirty Harry inspired cop films made in Italy during the seventies, and while The Heroin Busters isn't one of the best of them - it's still a damn fine example of this sort of film. By far the best thing about Italian Dirty Harry rip-offs is the entertainment value, and The Heroin Busters delivers that in spades! Granted, it's a bit slow to start (though never boring), but once the film kicks into action properly, it comes thick and fast and the film includes one of the best action sequences I've seen in a film like this - that being the one that sees Fabio Testi being chased through a construction site. As the title suggests, this is a film that bases its plot around drugs. Apparently, drugs are being trafficked around the world from Rome, and police chief Mike Hamilton decides to do something about it by having Fabio go undercover as a drug dealer. This requires him to immerse himself in the criminal underworld, with the intention being to get close to the lower level criminals, so that he can eventually catch the big guns at the top.

The film features a great pair of central performances from David Hemmings and Fabio Testi. This is undoubtedly one of the best things about the film, as both of their performances are excellent; and they offset each other brilliantly. Testi is great in the 'action hero' role, as he fits the bill perfectly and does a great job with the action scenes also. Hemmings is at the other end of the spectrum with his role as the police chief, but he does just great also and it's great seeing these two together. The music comes courtesy of Dario Argento's house band Goblin, and while their work on this film doesn't rival the stuff they did for Argento, The Heroin Busters certainly isn't lacking in the music department. The film is directed by Enzo G. Castellari, who directed a couple of well revered crime flicks before this one, including the excellent 'The Big Racket'. The film features a few big set pieces, and the climax which takes the form of a plane chase is a more than fitting finale to an audacious crime extravaganza. This isn't as good as Italian crime flicks get - but it's not bad at all, and comes highly recommended!

Let's get some of the issues out of the way first. The film really gets off on the wrong foot with a dizzying amount of globe-trotting with Fabio Testi the hero as well as many tangentially related characters wandering around Amsterdam, Hong Kong, New York, Rome, and Bangkok before the film seems to kinda "settle down" on its narrative, maybe 15 minutes in. Unless you're a huge fan of Goblin music, you'll likely have lost interest long before the story starts.

Once things get going, you'll find the the film is remarkably thinly plotted when compared to Castellari's other crimers like HIGH CRIME and THE BIG RACKET. It has a lot of action, violence, and ups the ante as far as stunt work for sure, but the emotional connection just isn't there. It's like a whole lot of frosting on a stale and flavorless cake.

That said, there are some things worth noting about this movie. It's very strange and unpredictable for the first hour before settling into an extended chase sequence. Also it's odd to see David Hemmings as the big international star but he aquits himself well in the chase scenes and even dubs himself for a change. There's no leading lady per-say, and the highest up woman in the credits Sherry Buchanan gets kinda brushed aside without any affect on the plot whatsoever. Her whole story of working as a prostitute to support her junky boyfriend felt like it would have had a lot more bearing on things, but neither of them do once they fulfill their purpose of getting Fabio to the chase scene.

It is rare though to find a Eurocrime movie that isn't an obvious clone of a more successful American one. It's a little bit more like a James Bond style adventure with Testi as an undercover cop with sort of a goofy denim costume, but he grows on you complete with Michael Forest's cocksure dubbing voice. Also, the Goblin music sort-of suits the film but gets a little distractingly over-the-top in a way that worked a lot better for DAWN OF THE DEAD or SUSPIRIA than this sort of film.