The Paper Chase

Recipe for success. Put a bunch of graduate students from all levels of experience and schooling together in one place under one tough teacher, mix well, and cook thoroughly for 4 years. This concept worked better as a TV series than it did as a movie. Though the movie focused more on Hart and Susan, Kingsfields daughter, I found myself wondering more about the other students. Thanks to this well written and acted program, I found out more about o'Connor, and Ford, Bell, and the rest.

This television show first aired opposite the "Happy Days, Laverne and Shirley" hour, a death knell for any television show of that era. It moved to Friday nights in the grave yard and there it sat until Showtime picked it up and ran with it. Easily my favorite television show of all time. The writing was consistently excellent as was the ensemble acting. My only complaint was that in some ways it was predictable. We all knew that Hart was going to be at the top of his class. The guest players (Connie Lehman, among others) moved in and out with credibility. The message to this show is that no one makes it through school alone. I am in Seminary now and have made use of the "study group" as used in this show.

The comic relief (from Stots, and Zeiss, and Willis Bell) offset the drama quite nicely. This show just goes to show what a bunch of relative unknowns can do with quality material. (remember cheers, and taxi?.and particularly M*A*S*H?..yes those are comedies, but the rule holds.... ). I hope this show comes out on DVD sometime soon. I recorded most of the first season and some of the outstanding subsequent episodes on Showtime.

It has been 20 years since broadcast, and it remains a favorite of mine.

The Paper Chase was then called "too good for television", assumedly due to its highly intellectual, fast moving content. The characters were well chosen right from the start. Running from 1983 to 1986 it was to follow a group of students through law school, from the very first day to graduation.

The show was extremely well written. Social interaction, challenge, struggle, and eventual triumph (in most cases) formed the plots. I recall describing this series as "making more points than a rose bush". It would be great to re-air the series, as every topic is just as valid today. John Houseman will be forever irreplaceable.

Please put this out on DVD or some odd cable channel in repeats. This is one of the few shows that outdoes the movie version and where even a with second broadcast chance on Showtime, there was no loss in quality either. I'm tired of HBO always getting the raves as having the best original series. This qualifies, as it received new castings each year and yet maintained quality throughout. I loved it so much I tried following the cast members who moved on to other TV shows, movies, etc.. The show even intermixed some humor and parody into basically a serious drama, for example; the episode "My Dinner with Kingsfield" or the "Moot Court" episode to name a few. I've had to keep my beta VCR working since I kept them on tape all this time. Easily the best thing ever put out on Showtime and probably in the top 10 on broadcast TV too.

This was a most enjoyable series. It was designed for the more intelligent viewer. With rare exception, the characters were sensitive, intelligent and sometimes foolish enough to be totally believable. I taped most of the episodes and enjoy them even today.

Sadly, with John Houseman's passing, there will never be another Prof. Charles Kingsfield, though George C. Scott may have made an interesting one also. This is one I would like to see re-run.

The movie was good, but the series was better. Most can relate better to the real people of the series over the movie.

I can say this, I am so glad that I never had John Houseman for a professor when I was in college. Whew! the old guy was really intimidating. It was still an enjoyable "thinking mans" show. Houseman was the one who really made it work. He always stood out like a lion in a roomful of kittens. What is so shocking is that before he won his Oscar for Best Supporting Actor for the movie, he had never really acted before. For those of you who are trivia buffs, Houseman was very instrumental in the writing of Citizen Kane. Orson Welles liked to steal all of the credit though. The fact there were different series with different Mister Harts makes it confusing, but still a good show.