Nocturna

Supremely trashy 'disco vampire' film. Worth watching for Nai Bonet's bathroom scene - UNBELIEVABLE! Since she wrote this one, it's narcissism of the highest order. You won't believe your eyes!!! Also worth watching for that great disco band.

Universal's 1979 "Dracula" remake has been called the Disco Dracula, which I'll agree with in a derisive sense that the filmmakers, including the director of "Saturday Night Fever" (1977), lacked an appreciation for period atmosphere--importing late 1970s fashion into the story's early-20th-century setting. There was also a disco dance scene in another 1979 Dracula film, the parody "Love at First Bite." But, the real Disco Dracula of '79 is this one, "Nocturna." It's chock-full of musical interludes and disco dancing, which is welcome if you like the music, and it's a welcome relief from what is otherwise, at best, a so-bad-it's-good type of film--or, maybe, it's just the music that's good and the rest that's bad.

Dracula, himself, however, only has a supporting role here, as the grandfather of the titular Nocturna. Played by John Carradine in his fourth and last film in the role, it's a rather embarrassing part even for an actor whose last appearance as the Count was in "Billy the Kid Versus Dracula" (1966). When not complaining about his granddaughter, the old master is either complaining about how he has to earn money in the modern world (by running Hotel Transylvania), about his dentures or about the malfunctions related to his genitals common to one of advanced age, apparently, even for vampires. The rest of the cast is no better and, frequently, worse. Star, producer and writer Nai Bonet's delivery is horrendously awkward. Meanwhile, Brother Theodore, as the disgruntled werewolf servant, mumbles much of his monologues, although he does deliver my favorite bad line of the script, "If only I could get in her coffin." The acting, however, couldn't be expected to be much better with a script so heavy on exposition and characters expressing their every feeling out loud and repeatedly, even when alone, lest the stupidest person in the audience barely paying attention gets lost. The wolfman's mean-spirited monologues and Nocturna's internal narration are the worst examples. Fortunately, much of the movie is spent with only the soundtrack to listen to. Early on, there's also a nude make-out session and a bath scene complete with a werewolf peeping tom.

The actual story concerns Nocturna as a lovesick vamp longing to be human, a formula that was trite even by 1979. "Blacula" (1972), its sequel "Scream Blacula Scream" (1973), and "Dracula and Son" (1976), just among the Dracula films I've seen, had already done it. And, the lovesick part alone also polluted "The Great Love of Count Dracula" (1973), the 1974 TV-movie Dracula, as well as the 1979 remake of "Nosferatu." I believe this is the first instance, however, of a vamp discovering disco as the solution for their conversion from vampirism to humanism. By comparison, I can more easily tolerate the film's flimsy animated bats synchronized with ridiculous sound effects during transformations and the mostly misfired gags concerning stereotypical gangster and pimp vamps and the BSA: Blood Suckers of America meeting where the vamps complain about diabetic blood being on the rise. Regardless, you never need to wait long for the film's next disco track.

(Mirror Note: Nocturna sees her reflection and then its vanishing in a mirror on the disco floor. This convinces her that she can convert from vampirism to humanism.)

NOCTURNA stars the ubiquitous John Carradine as Count Dracula. He's ancient, wearing false fangs now, and being cared for by his Granddaughter Nocturna (Nai Bonet). Drac's castle has been turned into a hotel.

This is obviously meant to be a comedy, but the godawful "acting" and humorless "jokes" sink this movie fast. Also, since it came out in 1979, it's filled to the gills with bubblegum disco music! This is especially annoying when it blares during the simulated "love" scenes.

Nocturna herself is a definite dancing queen. Disco fans will flip over her blazing moves! It's too bad that Ms. Bonet can't act at all, or she'd be perfect. However, her clothing does tend to fly off at regular intervals, including the "heavenly bubble bath" and "oil is my friend" sequences.

"Brother" Theodore Gottlieb is a perverted riot as the horny / creepy desk clerk. Watch for Yvonne de Carlo as Nocturna's friend Jugulia Vein. She's excellent and looks fantastic. She's the only other reason to watch this silly movie...

Amazingly, Media Entertainment DID release NOCTURNA to home video one time in 1982 as a rental-only item: at the time the tape would have set a store back about $145 ... I found one for about fifty, but I collect these things like old men collect stamps & am a nut. There are some underground outlets that will have recordings of it for about $15 - $20, though do not expect surround sound quality audio, and yes there are probably people who would want this movie just for the musical angle: other than the soundtrack from the film some of these songs may be utterly unavailable, and one or two are performed live on camera.

And I delightfully agree with all of the other commentors: this is a film that could easily be re-discovered & made into an instant Midnight Movies circuit hit. The soundtrack is a disco lovers dream come true, with some interesting jams you won't find on those Rhino Records CD sets with Disco Hits of the 70's; this stuff was pretty much made for the film, and as such is the reason why the film went out of print almost immediately: Royalty issues. There are acts from like three different record lables on the soundtrack and that leads to legality issues when re-releases are sought -- the copyrights for the songs may be unattainable for licensing, a problem with a number of favorites [LET'S SCARE JESSICA TO DEATH & TERROR TRAIN being the most well known examples] that are long overdue for re-examination by the culture which spawned them.

Tis a shame: this is one of the few really watchable fangers from this period of time. VAMPIRE HOOKERS is what those schooled in the genre usually think of when you mention late 70's, and while his rheumatism may have gotten worse, the great John Carradine nicely makes up for his role in that debacle with his few scenes. Nai Bonei is of course a marvel to behold, and yes, her bathtub & subsequent scented oiling is reason in itself to seek this one out, though I am drawn to the color & lighting schemes, which have a very "NYC" look to them. Nai also smokes a joint, by the way, and it is odd how the way drug use in movies have changed since 1979: she is actually allowed to enjoy it. Imagne that!

I dunno about the disco dancing segments though: I would have been all of 12 in 1979 and never "got" disco. Unlike the clubbing we know these days, disco was a whole subculture, more like the modern country movement, with specific choreography for specific dances or moves that of course look silly, but are presented with such a tunneled vision that the film becomes about 1979, not just made in 1979, and one of the things that I like to look for in Vampiralia is seeing the conventions & trappnigs of the genre re-defined, and if it took disco dancing vampires to do it for 1979 well whatever.

NOCTURNA may be silly, but is FAR more watchable than that wretched DRACULA with Frank Langella, made the same year, or the excereble VAMPIRE HOOKERS with it's flatulence jokes, gay jokes, Filipino jokes and John Carradine in a white Ugly American silk suit. I'll take the bell bottomed vampires over that junk anyday. Hell some of them a brothers too, and soul food vampires sounds like a pretty cool idea, as long as we're remaking STARSKY & HUTCH and all. I wish more time had been spent on Nocturna's vampirism and less on her quest to find a really good party to dance at, but girls will be girls, and while narcissitic to say the least, Nai Bonei does appear to know how to have a good time, and I always liked girls who liked to party. Especially when they willingly strip down to their bikini's for an attention grabber.

Expect whatever recording you find of NOCTURNA to have some wear just before & after Nai's bath scene; it really is somethin' else, and I've sat through a lot of this stuff. For something to evoke that kind of a reaction from a mind as rotted by filth as mine is remarkable. Worth every penny of my $50 bucks.

*** out of a possible ****

Recently stumbled across an old copy of this film at my local video store. The quality of the video was appalling, which was quite appropriate, given how bad the rest of the film is. The acting's atrocious, the humour weak and obvious, and the plot threadbare. I was also dismayed by the over- emphasis on Nai Bonet's naked body. Not that I mind nudity, but there was very little to distinguish parts of this film from excerpts taken from traditional, sexist, male-directed porn.

The only redeeming feature of this film is the wonderfully kitsch performances by the disco group, and the kitsch- dreamy nature of some scenes. Was also good to see John Carradine, a brilliant actor whose strained facial expressions seem to suggest he knew the limited quality of the material he was working with.