The Friends of Eddie Coyle

The film is, in every aspect, of high quality. Quality acting from supporting actors as well as stars, a quality script and beautifully directed. It is probably Robert Mitchum's best performance, one in which he is well supported by Richard Jordan and Peter Boyle who give wonderfully low-key performances as the other two main protagonists. It is one of my top ten.

Adapted from the novel of the same name by George V. Higgins, director Peter Yates' The Friends of Eddie Coyle takes pride in its authentic depiction of 1970s Boston, where Irish mobsters trade weapons and organise truck hijackings over a diner table. It follows low-level criminal Eddie 'Fingers' Coyle, played by Robert Mitchum, as he faces a lengthy spell in prison for a crime organised by bartender associate Dillon (Peter Boyle). His only hope of avoiding jail time is a recommendation to the District Attorney's office, which may put him good favour with the judge. ATF agent David Foley (Richard Jordan) sees the opportunity to further his own career by promising Eddie he'll put in a good word as long as the career criminal feeds him solid intelligence.

Mitchum is perfect as a man who has grown tired of risking his livelihood for his bosses, having grown old with little to show for it other than some extra knuckles gained from having his hand slammed into a drawer by a rival. Coyle is well-connected and reliable, with a keen eye for a good business deal. Yet as his superiors have grown rich, he still lives in a shabby neighbourhood, saving up any pennies he can. He purchases guns from the wild yet competent young gun-runner Jackie Brown (Steven Keats), but sees an opportunity to prove himself useful to Foley, who actually has more informants within Coyle's underworld than the old man realises. Coyle understands that this is his last chance to escape the world he has become weary of, and spend his remaining years enjoying the sunshine. Yet his information never seems to be enough for Foley, and as the rate of successful arrests rapidly increases, it isn't long until his 'friends' become suspicious.

The Friends of Eddie Coyle could have only been made in the 1970s, when studios in Hollywood were more open to taking risks and allowed writers to tell the story they wanted to tell. This is about as unsentimental and understated as crime dramas get, shot by cinematographer Victor J. Kemper in a loose style more akin to documentary than thriller. The tone is almost nihilistic at times, mirroring the mindset of the majority of the film's shifty characters. It makes for riveting viewing, with Mitchum delivering one of his finest performances in what was already a muscular career. The supporting cast is excellent too, with both Boyle and Keats utterly convincing as bottom-level scumbags, all of whom seem to exist in a state of constant paranoia and aggression. It will leave you incredibly cold, but only the very best crime sagas expose this dangerous world for what it actually is.

I'm 42 and I've lived in Boston my whole life. I travel extensively and pay attention to the way people talk. Everywhere. For those of you that are not from here: People from Boston do not talk like the Kennedys. Really. No one except the Kennedys talk like that. OK, William Devane and Martin Sheen do sometimes, but they don't know any better.

Here's the point: Mitchum nails it. He doesn't over-do it (Cliff Claven) and doesn't under do it. Critics claim that Mitchum is good at accents but he really does nail this one - the toughest one: A native Boston accent. That is indicative of the whole movie. Mitchum nails everything. This is his most believable performance. Listen to him in this movie and you could really imagine him as a resident of Quincy. It fits. The bleak, cold hopelessness of the title character's life is played out to its inevitable conclusion. A real classic "not-trying-to-be-film-noir" example of classic film noir.

Signed, The Director's Son (Just Kidding - this is awesome! Watch it!)

Anyone reading the Boston press in 2001 will be shocked to learn how real, how current this film really is. The connection between the FBI and organized crime is serious and is portrayed here with a sense of reality that cannot be matched. Peter Boyle is simply fantastic in his role as a Whitey Bulger character combining hit-man, bartender, informer, and a friend of Eddie Coyle. Why is this great film not on VHS or DVD???

An ageing small time hood (Robert Mitchem - in the title role) is looking at jail time and wants to cut a deal with the forces of law and order. However this is just one of the many plates that he wants to keep spinning on their wobbly poles.

This is a film that is a bit different. Indeed having seen a million films (or it seems like it) you expect it go off in a different direction, grab hold of the drama and try and pep it up with cheap thrills. The Friends of Eddie Coyle fights against that - throwing away many of the free gifts that comes its way and focus on how a man can paint himself in to a corner.

This is Mitchem's best ever role. Never having been in classic this is the next best thing. The world weariness helps him for this part - you feel that he really has been in the crime business since it was invented and has really seen it all and done it all (as his bar room stories seem to indicate). However for Eddie the party is over. He is like a late Elvis - fat, bloated and living on his old reputation. Hoping that he can play both ends against the middle one last time.

The title has an irony. He really has no friends. He knows that too (because he is not stupid), although he has to make do with people that pretend to be. It is too late for another life and the bills keep having to be paid and food needs to be kept on the table. He is not a master criminal -- more a brave odd-job man.

While this movie hasn't been widely seen (it gets of odd plays on UK TV) a lot of important people have seen it. You can see the Sopranos in some of the scenes where people view crime as a business with death and prison being occupational hazards.

This is quite dark and mean, but you are comforted that the people getting hurt or doing the hurting are more or less the same. People caught in the vortex of earning an easy buck and it is far too late to start changing now. Friends is a tough movie and one of the few films I have seen that while steeped in crooks and crime remains fair and moral for every frame.