Happy Mother's Day, Love George

Actor Darren McGavin made a stunning directorial debut with this suspenseful chiller about a series of gruesome murders in a small New England fishing village that end up having a bizarre connection to an adopted teen(Ron Howard) who is searching for his biological parents. The marvellous cast includes Cloris Leachman(as Howard's mother), Patricia Neal(as Howard's aunt), Bobby Darin, and Simon Oakland. The most memorable performance is given by Tessa Dahl, who not only plays Neal's daughter in the film, but is, in fact, her daughter in real life. Released to theatres as HAPPY MOTHER'S DAY, LOVE GEORGE, the film was retitled RUN, STRANGER, RUN for home video release.

Darren McGavin enjoyed a lengthy career as one of Hollywood's most likable and dependable performers, best remembered as intrepid reporter Carl Kolchak in the film and TV series of THE NIGHT STALKER. It may be a surprise to learn that he, like Larry Hagman, directed a single horror film in his heyday, and never did a second (in Hagman's case it was "Son of Blob"). 1973's "Happy Mother's Day, Love George" was of course a torturous title, soon reissued as "Run Stranger Run," under which it was seen far more often. McGavin proves to have a fine visual sense, and allows his powerhouse cast to bring their characters to vivid life, from a script by Robert Clouse, who had previously written McGavin's 1972 Steven Spielberg telefeature "Something Evil," soon to graduate to director himself with Bruce Lee's final film "Enter the Dragon." Fifth billed Ron Howard, after "American Graffiti" but before HAPPY DAYS (his name now shortened from 'Ronny'), actually stars as drifter Johnny Hanson, journeying from Los Angeles to the New England town of Malone Bay (location filming in Nova Scotia in October 1972) to discover the truth about his parents, who gave him up for adoption right after he was born. Cloris Leachman's café owner, Ronda Carlson, recognizes the young man as her son the moment he walks in, driving her cook, Eddie Malone (Bobby Darin), into fits of jealousy. From there, Johnny locates the home of Ronda's estranged sister, Cara Perry (Patricia Neal), and especially Cara's nubile teenage daughter Celia (played by Neal's real life daughter Tessa Dahl), who admits to her cousin her instant attraction and unbearable loneliness. The film moves at a leisurely pace, McGavin happy to indulge his cast in maintaining intrigue despite the more familiar elements. As things escalate into full on horror during the final half hour, only the final encounter between Johnny and the killer rings false, the director seemingly losing interest in a clear denouement. Still, the atmosphere, the banjo-led folksy music score, and the believable performances make up for any shortcomings in the script. Simon Oakland, soon to join McGavin in the KOLCHAK series, makes his final screen appearance as the sheriff, who seems to know everything about everyone, even the identity of Johnny's father, while Bobby Darin would pass away only months after the picture's sparse release. The director's comely wife, Kathie Browne, shows up briefly to become a murder victim, while Gale Garnett, nearly 10 years after her big hit "We'll Sing in the Sunshine," also comes to a bad end by pushing the desperate culprit into a corner (she had another horror film still ahead, 1980's "The Children"). The greatest impression is left by the lovely Tessa Dahl, only 16 at the time, making it a shame that she forsook her mother's profession of acting to follow that of her father, author Roald Dahl (her daughter is gorgeous model Sophie Dahl). After 30 years of performing in Hollywood, Darren McGavin had what it took to be a director of great promise, but like so many before him left audiences wondering what kind of impact he might have had behind the camera had this initial film found proper distribution, admittedly a tough film to market. Lastly, he does make an uncredited appearance on screen, unrecognizable wearing a mustache in photographs depicting the title character of George Perry, Cara's long dead husband.

Like PEYTON PLACE, this film brings murder, mystery, and scandal to a small New England community. Ron Howard is the new boy in town, an adopted teen who is trying to track down his natural parents. Even after a genuinely touching reunion with his mother(Cloris Leachman), she is still adament about revealing his father's name. As he continues to search for clues to his father's identity, the community is ravaged by a series of bloody knife and cleaver murders which are unfortunately closely connected to Howard's past. Patricia Neal co-stars as Howard's eccentric aunt who has her hands full trying to keep her very disturbed daughter from discovering the bizarre truth about her father's death. Neal's daughter is played by Tessa Dahl, her daughter in real life as well. Former singing idol Bobby Darin also does fine work as Leachman's cook and live-in-lover who wants Howard to leave town and go back to where he came from. The film was the directorial debut of the brilliant character actor Darren McGavin who seems to be just at home behind the camera as he is in front of it. Although there are several scary and suspenseful scenes, the character development, acting, and direction are the three top elements that make this movie click. - CHAD EDWARDS

This is an interesting film in that it's one of the first cinematic efforts of a TV actor who would go on to become one of Hollywood's most famous directors (Ron Howard) and the sole directorial effort by another (at the time even more famous) TV actor, Darren "The Nightstalker" McGavin.

The interesting cast also includes singer Bobby Darin and McGavin's "Nightstalker" co-star Simon Oakland. But perhaps the two real heavyweights here are Patricia Neal and Cloris Leachman as two feuding sisters living in a small New England town. Howard plays the teenage son of Leachman, who she gave up when he was a baby due to a scandal which might have had something to do with the mysterious death of her sister's husband (the "George" of the title). The small town is also plagued more recently by the disappearances of a number of middle-age men (including later in "Jaws 2"). Howard's character quickly becomes a suspect when he returns to the town after many years, but there's also the two sisters, the mother's jealous boyfriend (Darin), and the aunt/sister's sexually precocious teenage daughter (Tessa Dahl), who speaks in an English accent for no real reason and immediately tries to seduce her own first cousin (who may be even MORE than a cousin).

Interestingly, despite its predominantly American cast, this movie very much resembles another early 70's Patricia Neal movie, the British film "The Night Digger". Tessa Dahl,who gets an "introducing" credit here, is Neal's real-life daughter and her father is Brit poet/writer Raould Dahl (which would explain the English accent,I guess). Raould Dahl had written the screenplay for "The Night Digger"; according to the credits he had nothing to do with this film, but the two films are strangely similar nevertheless. This film is brilliantly acted, suitably atmospheric, and well-scripted until the very end, which is very abrupt and pretty much non-sensical. The ending is definitely flawed, but this is still an interesting movie. I'd like to know more of the story behind it.

S-L-O-W, poorly scripted 70s junk What a disappointment! Patricia Neal acts like she's Bette Davis in WHAT EVER HAPPENED TO BABY JANE? The pace is deadly slow--even for a 70s movie--and the Ron Howard character spends scene after scene just wandering through the town. Staring at a house. Wandering some more. Just awful.

NOTHING happens the first hour. And the Bobby Darin character suddenly is "gone" and the end is too little too late.

Skip it.

Runaway, Video viewer, runaway!