ÉVALUATION IMDb
7,6/10
9,1 k
MA NOTE
Ajouter une intrigue dans votre langueAn ambitious coffee salesman has a series of improbable and ironic adventures that seem designed to challenge his naive idealism.An ambitious coffee salesman has a series of improbable and ironic adventures that seem designed to challenge his naive idealism.An ambitious coffee salesman has a series of improbable and ironic adventures that seem designed to challenge his naive idealism.
- Director
- Writers
- Stars
- A remporté le prix 2 BAFTA Awards
- 3 victoires et 2 nominations au total
Mary MacLeod
- Mary Ball
- (as Mary Macleod)
- …
Avis en vedette
A coffee salesman takes a rambling tour of 1970's Britain.
There comes a time when you think you know something about movies: What is good, what is bad, how things should go, how things should work, etc., etc. Thank goodness a movie comes along now and again that says "no you don't - you know nothing!" Oh Lucky Man! is like Pulp Fiction and High Hopes - it is a smarter film than you are a film watcher.
After a build up like that you might expect for me to say that this is a perfect film or that everything works. But it doesn't. The story rambles and pauses, moves left and right and tries to keep the audience on its toes. The humour is mostly black, but very true to life. People are often selfish and acting for themselves - while Travis (our hero - if we can call him that) is quite kind and thoughtful. Like an Adam that has been put in to the modern world rather than the garden of Eden.
I have seen this film twice. Like many films, once when I was too young to understand it. It is quite sexual graphic at times and that stuck in my memory for a long time. In one scene a black man plays out a scene at a sex club - and to this day I am puzzled as to what this represents. That the entirely white audience see the black as an entertainer to laughed at or cheered. That this is his only place?
Most anything-goes films are comedies, and while this has plenty of black comedy, I see it as social comment. Life has moved on from the 1970's, people have escaped their own class more, women have more of a role to play, people get away with things less. But no one can say - even viewing today - that it doesn't tell plenty of home truths about the UK.
(People that live outside the UK and never visit must be puzzled by what goes on here. I bet you would have to answer hundreds of questions if you watched it beside, say, an American.)
Lindsey Anderson sees all authority as being violent, ugly and corrupt. This is the kick in the balls society that existed before CCTV in police stations and human rights acts. Where people were fitted up for crimes that the police knew they couldn't have committed. I never wanted to walk down a time tunnel to 1970's Britain and this film is probably the last tie I have to that ugly and desperate decade.
Oh Lucky Man! is one of the best films ever made. It has something that few films ever have - instant cult appeal. You could watch this over and over again and not get bored with it, see something different and learn something new. They should bring it back as a musical or a stage play. While not every scene works and not every tune pleases, it is cinema from another world that we never quite had - but might have had if only the money men of Hollywood hadn't made their ugly mark on the world.
If you think film is about anything more than simple entertainment Oh Lucky Man! is a must-see...
There comes a time when you think you know something about movies: What is good, what is bad, how things should go, how things should work, etc., etc. Thank goodness a movie comes along now and again that says "no you don't - you know nothing!" Oh Lucky Man! is like Pulp Fiction and High Hopes - it is a smarter film than you are a film watcher.
After a build up like that you might expect for me to say that this is a perfect film or that everything works. But it doesn't. The story rambles and pauses, moves left and right and tries to keep the audience on its toes. The humour is mostly black, but very true to life. People are often selfish and acting for themselves - while Travis (our hero - if we can call him that) is quite kind and thoughtful. Like an Adam that has been put in to the modern world rather than the garden of Eden.
I have seen this film twice. Like many films, once when I was too young to understand it. It is quite sexual graphic at times and that stuck in my memory for a long time. In one scene a black man plays out a scene at a sex club - and to this day I am puzzled as to what this represents. That the entirely white audience see the black as an entertainer to laughed at or cheered. That this is his only place?
Most anything-goes films are comedies, and while this has plenty of black comedy, I see it as social comment. Life has moved on from the 1970's, people have escaped their own class more, women have more of a role to play, people get away with things less. But no one can say - even viewing today - that it doesn't tell plenty of home truths about the UK.
(People that live outside the UK and never visit must be puzzled by what goes on here. I bet you would have to answer hundreds of questions if you watched it beside, say, an American.)
Lindsey Anderson sees all authority as being violent, ugly and corrupt. This is the kick in the balls society that existed before CCTV in police stations and human rights acts. Where people were fitted up for crimes that the police knew they couldn't have committed. I never wanted to walk down a time tunnel to 1970's Britain and this film is probably the last tie I have to that ugly and desperate decade.
Oh Lucky Man! is one of the best films ever made. It has something that few films ever have - instant cult appeal. You could watch this over and over again and not get bored with it, see something different and learn something new. They should bring it back as a musical or a stage play. While not every scene works and not every tune pleases, it is cinema from another world that we never quite had - but might have had if only the money men of Hollywood hadn't made their ugly mark on the world.
If you think film is about anything more than simple entertainment Oh Lucky Man! is a must-see...
There is something intriguing about this film. It won't suit everybody, but if you are in a reflective mood you'll find yourself drawn into the story and becoming fascinated by it.
It is a journey through life and its experiences directed with a deftness and real respect for the material. The points are all made with a lightness which somehow makes them all the more effective. You watch the story unfold and are reminded of your own life's progression.
Malcolm McDowell contributed to the script and is just superb in the lead role. He uses exactly the right touch in a perfectly judged performance - it is difficult to imagine anybody else in this part.
A classic often overlooked by mainstream film critics.
It is a journey through life and its experiences directed with a deftness and real respect for the material. The points are all made with a lightness which somehow makes them all the more effective. You watch the story unfold and are reminded of your own life's progression.
Malcolm McDowell contributed to the script and is just superb in the lead role. He uses exactly the right touch in a perfectly judged performance - it is difficult to imagine anybody else in this part.
A classic often overlooked by mainstream film critics.
To see this film again has been a monumental thrill. Lindsay Anderson, what an extraordinary director. IF. THIS SPORTING LIFE. BRITANNIA HOSPITAL. THE WHALES OF AUGUST. So very few films, but each one of them, a journey of discovery. Entertaining but angry and provoking. His repertory of actors, from Malcolm McDowell his star and, I imagine, his lover to Arthur Lowe. The Anderson-McDowell collaborations deserve an in depth study. Very rarely a director and actor can bring such glories from each other. De Niro and Scorsese. Von Stemberg and Dietrich. Kazan and Brando and very few others. The joys of Rachel Roberts, Ralph Richardson, Helen Mirren, Mona Washbourne and a cast of a thousand glorious British character actors. The film is so filled with surprises that you don't want ever to end.
It became my favorite film the day I saw it for the first time, 22 years ago! It still is. I saw it again on video a week ago and here it is, traveling through my brain as a familiar song with constant new messages. Malcolm McDowell and Lindsay Anderson had blown us away with "If..." a couple of years before. But if "If..." was the courting, marriage and honeymoon of two great artists, "O Lucky Man" is a confirmation of a great love story. I know there are a few other members of this menage, David Sherwin for instance or the amazing group of superb British character actors from Mona Washbourne to Helen Mirren but the incomparable presence of McDowell inhabiting Anderson's universe makes this "O Lucky Man" one of the happiest movie adventures of my movie going life. As you may have noticed, I haven't told you anything about the film, I just wanted to share my thoughts hoping to wet your appetite. If you haven't seen it, don't miss it.
It's always nice to find a worthy film after being a movie watcher for three decades. I remember when this movie was in the theaters. I was a teenager then and didn't go see it. I decided to watch the video and was immediately drawn into this surreal Bunuelish kind of British made movie. Malcolm McDowell is superb as the forever optimistic young coffee salesman. No matter what happens to him, he keeps his good attitude. Don't miss it! But, don't expect absolute narrative
Le saviez-vous
- AnecdotesAfter the success of If... (1968), Malcolm McDowell suggested to producer and director Lindsay Anderson that they should work again. Anderson replied that good scripts don't grow on trees, and that McDowell should consider writing his own if he wanted to give himself a good part. Although McDowell was only thirty at the time, he based this movie around the concept of his own life story, and then brought it to David Sherwin, who then crafted the screenplay.
- GaffesA sign says 200 miles to London where Travis is picked up. He has reached there by walking for a while from the military establishment where the explosion took place. The distance even from London to the border of Scotland is 398 Miles.
- Autres versionsThe original US release was cut by twenty or more minutes, the entire sequence involving the suicidal woman, roughly from Mick's release from prison until he meets the charity tea-wagon lady was omitted. (This included one of Alan Price's songs)
- ConnexionsFeatured in Free Cinema (1986)
- Bandes originalesO Lucky Man!
Written by Alan Price
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Der Erfolgreiche
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 332 $ US
- Durée
- 2h 58m(178 min)
- Mixage
- Rapport de forme
- 1.85 : 1
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