Sur une planète lointaine où règnent des géants bleus, les humanoïdes opprimés se rebellent contre leurs chefs semblables à des machines.Sur une planète lointaine où règnent des géants bleus, les humanoïdes opprimés se rebellent contre leurs chefs semblables à des machines.Sur une planète lointaine où règnent des géants bleus, les humanoïdes opprimés se rebellent contre leurs chefs semblables à des machines.
- Prix
- 1 victoire et 2 nominations au total
Barry Bostwick
- Adult Terr - Narrator
- (English version)
- (voice)
Jennifer Drake
- Tiwa
- (voice)
Eric Baugin
- Young Terr
- (voice)
Jean Topart
- Master Sinh
- (voice)
Yves Barsacq
- Om
- (voice)
Gérard Hernandez
- Master Taj
- (voice)
Max Amyl
- Additional Voices
- (voice)
Madeleine Clervanne
- Additional Voices
- (voice)
- (as Madeleine Clervannes)
Avis en vedette
Having just completed watching this film, I can say it was worth the wait. It will please fans of hard-core science fiction (not fantasy), and will seduce fans of animation (not just 3D animation, animation in general terms) with its mix of Czech style animation and illustration.
It is a good movie, but not a masterpiece. The narrative treads the science fiction tropes too strictly and ends up painting characters and events predictably when the setup seems to suggest something more interesting. In fact, I was very disappointed that the most developed and interesting relationship in the whole film is traded off for a kind of boring resistance story that does its best to not let the audience make connections with the characters. It is not picked up or revisited later... and none of the subsequent character interplay is as interesting or meaningful.
Where this film excels is in its weirdness and imagination. Strange and horrible creations are brought to life and move/eat/gestate/exist in ways that will make you go 'ew' and 'wow' at the same time. This is helped by the strong European styling of the animation (mostly limited in movement) and illustration, which reminded me of studio Zagreb..
There is something so mysterious about the atmosphere of this film - it may just grab you. Definitely watch it for the disturbing and somehow touching relationship between Tiva and Terr - you'll only wish there was more of it.
It is a good movie, but not a masterpiece. The narrative treads the science fiction tropes too strictly and ends up painting characters and events predictably when the setup seems to suggest something more interesting. In fact, I was very disappointed that the most developed and interesting relationship in the whole film is traded off for a kind of boring resistance story that does its best to not let the audience make connections with the characters. It is not picked up or revisited later... and none of the subsequent character interplay is as interesting or meaningful.
Where this film excels is in its weirdness and imagination. Strange and horrible creations are brought to life and move/eat/gestate/exist in ways that will make you go 'ew' and 'wow' at the same time. This is helped by the strong European styling of the animation (mostly limited in movement) and illustration, which reminded me of studio Zagreb..
There is something so mysterious about the atmosphere of this film - it may just grab you. Definitely watch it for the disturbing and somehow touching relationship between Tiva and Terr - you'll only wish there was more of it.
I believe this is a metaphoric view of classification of humans in political borders based on power and technology. One thing that I have noticed boldly is that the story successfully intends to explain the analytical capabilities among both advanced societies and undeveloped ones are almost the same. I won't go further in order to avoid spoiling the movie. However, I strongly recommend to consider political aspects while watching it.
This was defiantly a unique experience for me, more like a conversation with people who care about history of civilizations and future of humans in different societies. I am very pleased and thankful to those who have made it possible for me to watch this unique animation. Considering the time it has been made, almost everything was great.
This is the masterpiece of René Laloux. Was an almost big success in France, was shown only 2 or 3 times in the past 20 years and is now a kind of "Cult" movie for sci fi addicts. This sci-fi movie is far much better than the two other from the same director: "Gandahar" and "Les maitres du temps" (Time Masters). René Laloux always works with great and original comics artists. He worked with "Moebius" Aka Jean Giraud on "Les maitres du temps". This artist is also credited on "Alien" , he created the space suits. He worked with "Caza" an other great comics artist for "Gandahar"
He worked wit "Topor" on "La planète sauvage". Roland Topor is a french artist with a great sense of fantasy. He designed most of all you can see on the screen. The animation was produced in Czechoslovakia because there always have been excellent animation studios in this country, and also because producing in France was far too expensive. This story takes place in the past. It is a metaphor of the man's history. The small characters are called "Oms". This word is pronounced like the french word "Hommes" that means "man". It tell us when man had to leave the original heaven. Man had to fight against his old masters to be independent and free, then he had to find his place in the universe. This is the universal story ... and that's why this movie is timeless (despite the 70s Wha Wha guitars ... ;o)
He worked wit "Topor" on "La planète sauvage". Roland Topor is a french artist with a great sense of fantasy. He designed most of all you can see on the screen. The animation was produced in Czechoslovakia because there always have been excellent animation studios in this country, and also because producing in France was far too expensive. This story takes place in the past. It is a metaphor of the man's history. The small characters are called "Oms". This word is pronounced like the french word "Hommes" that means "man". It tell us when man had to leave the original heaven. Man had to fight against his old masters to be independent and free, then he had to find his place in the universe. This is the universal story ... and that's why this movie is timeless (despite the 70s Wha Wha guitars ... ;o)
I saw this movie a few years ago on the Sci-Fi channel during a movie marathon they were having. Loved it so much I bought the DVD.
Based on a brilliant piece of science fiction ("Oms En Serie" by Stefan Wul). The artwork is stunning, and the story line an original masterpiece.
The plotline of this story is simple.
You enslave a race of beings and take them for granted, one of them eventually learns your language, and unites all his fellow slaves in an organized attack.
Suddenly you've been conquered.
This story line was later ripped off by L. Ron Hubbard and his group of wackos. You might have read the book, or seen the atrocity of a film "Battlefield Earth".
Based on a brilliant piece of science fiction ("Oms En Serie" by Stefan Wul). The artwork is stunning, and the story line an original masterpiece.
The plotline of this story is simple.
You enslave a race of beings and take them for granted, one of them eventually learns your language, and unites all his fellow slaves in an organized attack.
Suddenly you've been conquered.
This story line was later ripped off by L. Ron Hubbard and his group of wackos. You might have read the book, or seen the atrocity of a film "Battlefield Earth".
It's like something out of a Salvador Dali painting, but on screen in a science fiction movie. A film where humans are merely pets and insects to a more advanced, giant race of alien beings. The film is pretty awe inspiring and makes one quite philosophical after watching it. It's definitely a masterpiece of its own accord, creatures of strange designs never before seen in any other film that I know of. I would definitely recommend the film to any science fiction enthusiast.
Le saviez-vous
- AnecdotesOne reason the coproduction took so long to complete is that in 1968 the Russians invaded Czechoslovakia which caused a delay.
- Gaffes(2016 remastered original, English subtitles.) According to Terr, one week in a Draag's life is as long as one Om (human) year. But he also says that his owner Tiwa (the Draag that raised Terr from infancy) loses interest in Terr "as she grew into her teens". By that time Terr would almost certainly be in his late middle years, at the very least -- yet Terr appears to be still no older than his twenties.
- Citations
[first lines]
Draag child 1: It doesn't move.
Draag child 2: What a shame we can't play with her any more.
- Autres versionsIn the German version, the humans aren't called "Oms", they are simply referred to as Menschen (humans) or Menschen-Tiere (human animals). Terr's name is also given a different origin. In both the original French and English versions, Tiwa names her pet Om Terr because his father says he behaves like a "real terror". In the German dub, Tiwa settles on the name after his father compares her pet to a struggling termite.
- ConnexionsFeatured in La cellule (2000)
- Bandes originalesDeshominisation (I+II)
Written and Performed by Alain Goraguer Et Son Orchestre
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Détails
Box-office
- Brut – à l'échelle mondiale
- 2 704 $ US
- Durée
- 1h 12m(72 min)
- Mixage
- Rapport de forme
- 1.66 : 1
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