The Clones

To create a truly awful movie, it is essential to start with an absolutely dreadful script. By that measure, "The Clones" deserves a Nobel Prize. Other reviewers have cited some fine examples of utterly embarrassing lines, but my own personal favorite from this movie comes after an attempt is made on the hero's life, and he flees to the home of The Wise Professor to explain his plight. The Professor looks gravely at him and, in a moment worthy of Yogi Berra, says, "So...you say someone is trying to kill you? Hmm...this could be serious!" Possibly a good party movie, but definitely should not be seen while fully sober.

Saw this twice long ago on Creature Features, hosted by the late great Bob Wilkins (Bay Area folk of a certain age will nod). It's the best kind of low budget science fiction, lean, fast, and unpretentious. It plays as much like an action movie as sci-fi, to be honest, much of the film is an extended chase, but very well done. The lead actor is unknown to me but fine in the role(s). Stanley Adams, Cyrano Jones on the original Star Trek, has a choice role as a scientist (and gets the last word in the movie). Best of all, Gregory Sierra plays a particularly nasty hit-man, in what can almost be seen as a prelude to his role in the excellent Deep Cover many years later.

No idea if this is available anywhere or ever gets aired (TCM, are you listening?), but well worth the time if you get the chance.

I reason why Clones is taken for a bad movie is because of the films direction. Clones was directed by two directors. Without even looking at the credits, you can tell by the two different styles of direction seen during the movie. One direction is clearly bad as the camera is hand held and always moving. The other direction is classic 1974 "trip" direction that makes you feel like your on a drug. The story is excellent. Original science fiction that can only be matched with Boys from Brazil. When I first wrote this review many years ago, I was contacted by Paul Hunt, the Director who was upset at my comments. The truth he wanted me to let the public know is that they filmed this with a tiny budget and with a short time. Considering this, I would say that the Clones was one of many movies in its era that was quickly pushed out in order to make a quick profit. To give credit when credit is due, the Clones can be considered a misunderstood film. However, it is worth watching just to check out the great ending (which you do not see coming). Trust me.

Low budget film "The Clones" capitalizes on both the subject of forbidden scientific experimentation and also on the genuinely creepy topic of a secret government program, unmonitored and run amok. Although most of the cast is largely unknown, the lead character of Dr. Appelby is very effectively played by long-legged Michael Greene, who also plays the clone, his exact duplicate; fascinating when both are in the same scene. The clone, who wants to survive, escapes the facility pretending to be the doctor which sets off the no less than murderous security patrol detailed to dispose of anyone including the doctor who might compromise the program. The fateful pursuit is action-filled and taut, even hair-raising. I was amazed at how good this film was, despite less than stellar photography. "The Clones" definitely delivers the requisite thrills and frissons required of the sci-fi suspense thriller genre. It is far superior to many more costly and better known examples.

The Clones is more than worthwhile for those who admire ambitious shoestring budget film-making. Principal among its charms is its eerie stylistic inventiveness, with disorienting tracking shots, upside-down fish-eye camera-work, offbeat locations, and weird effects on the soundtrack, ensuring that an oppressive 70s paranoia takes hold of the viewer.

The script is hit-and-miss, sometimes dumb, and the story weakens when the clone conspiracy is revealed to be only a part of a much, much broader sci-fi intrigue. The aforementioned strengths more than compensate for any failings, however. The Clones is a film that will be best appreciated by those who enjoy old, modestly budgeted but atmospheric speculative movies like Seconds, It's Alive, or The Terminal Man.