Ajouter une intrigue dans votre langueAn evil medieval French baron consults a black magician to expand his power, but his people revolt and are joined by a heroic captain, whom is an old friend of the baron.An evil medieval French baron consults a black magician to expand his power, but his people revolt and are joined by a heroic captain, whom is an old friend of the baron.An evil medieval French baron consults a black magician to expand his power, but his people revolt and are joined by a heroic captain, whom is an old friend of the baron.
Mariano Vidal Molina
- Sillé
- (as Vidal Molina)
José Luis Chinchilla
- Daniel
- (as Jose Luis Chinchilla)
Avis en vedette
(1974 Devil's Possessed/ El mariscal del infierno
DUBBED
HORROR THRILLER/ HISTORICAL
A cross between "The Adventures of Robin Hood" and evil MacBeth starring Paul Naschy who was also credited as a writer as he plays the Baron, Gilles de Lancré allowing himself to be manipulated by his evil wife, Graciela (Graciela Nilson) upon listening to their alchemist's Sille (Mariano Vidal Molina) mythical way of using common peasants and farmers as a sacrifice toward his eternal life with hero, Gaston de Malebranche (Guillermo Bredeston) staging a rebellion. Low budget and does not offer anything new to the genre.
A cross between "The Adventures of Robin Hood" and evil MacBeth starring Paul Naschy who was also credited as a writer as he plays the Baron, Gilles de Lancré allowing himself to be manipulated by his evil wife, Graciela (Graciela Nilson) upon listening to their alchemist's Sille (Mariano Vidal Molina) mythical way of using common peasants and farmers as a sacrifice toward his eternal life with hero, Gaston de Malebranche (Guillermo Bredeston) staging a rebellion. Low budget and does not offer anything new to the genre.
This misleadingly-titled film should not even really be classified as horror, despite the myriad diabolic invocations and torture scenes. It is a good-looking medieval epic with a plot which basically amalgamates Shakespeare's "Macbeth" (spurned nobleman Paul Naschy being egged on by his ambitious wife to seize power from the current ruler) with the legendary exploits of Robin Hood (opposition to the tyrant being provided by a band of outlaws) – cue numerous athletic action scenes, and there is even a jousting tournament in an effort to catch their leader (who happens to be the tyrant's former ally) but, rather than hide his identity, he smiles defiantly at Naschy's wife before taking on her husband in mortal combat!!
As usual, the star also penned the script – attempting to lend sympathy to his character by making him gullible rather than truly evil (he is also shown feeling remorse and being, economically but effectively, haunted by his victims) though he still gets to lose an eye and, eventually, expires from a hail of arrows in clear imitation of Akira Kurosawa's own definitive "Macbeth" adaptation THRONE OF BLOOD (1957). Still, Klimovsky being no more than a journeyman director, the result is too often heavy-handed (if undeniably enjoyable) and, in any case, the countless references to the villain's lust for power as "The Great Work" is not a little silly (especially since he only sends for the man he himself dubs "the world's greatest sorcerer" to this end only after several other alchemists had failed – WTF?!). To add insult to injury, the latter is just another quack who even performs the "Wizard of Oz" routine of enlightening the hero through a dead man's skull (when, in reality, he is hiding behind some rocks nearby and talking through a primitive microphone)! Equally anachronistic is the fact that, while generally appropriately robust, the music score is marred by intermittent and completely incongruous electronic passages!
While Naschy's "Waldemar Daninsky" Werewolf effort CURSE OF THE DEVIL (1973) similarly adopted a medieval setting (as did the opening scene of his best outing in that popular series i.e. THE CRAVING [1980]), THE DEVIL'S POSSESSED – whose original Spanish title translates to HELL'S MARSHALL – was the first of a loose trilogy, to be followed by two the star directed himself (which he actually considered his own personal favorites and that I will be checking out in quick succession): INQUISITION (1976) and THE TRAVELER (1979).
As usual, the star also penned the script – attempting to lend sympathy to his character by making him gullible rather than truly evil (he is also shown feeling remorse and being, economically but effectively, haunted by his victims) though he still gets to lose an eye and, eventually, expires from a hail of arrows in clear imitation of Akira Kurosawa's own definitive "Macbeth" adaptation THRONE OF BLOOD (1957). Still, Klimovsky being no more than a journeyman director, the result is too often heavy-handed (if undeniably enjoyable) and, in any case, the countless references to the villain's lust for power as "The Great Work" is not a little silly (especially since he only sends for the man he himself dubs "the world's greatest sorcerer" to this end only after several other alchemists had failed – WTF?!). To add insult to injury, the latter is just another quack who even performs the "Wizard of Oz" routine of enlightening the hero through a dead man's skull (when, in reality, he is hiding behind some rocks nearby and talking through a primitive microphone)! Equally anachronistic is the fact that, while generally appropriately robust, the music score is marred by intermittent and completely incongruous electronic passages!
While Naschy's "Waldemar Daninsky" Werewolf effort CURSE OF THE DEVIL (1973) similarly adopted a medieval setting (as did the opening scene of his best outing in that popular series i.e. THE CRAVING [1980]), THE DEVIL'S POSSESSED – whose original Spanish title translates to HELL'S MARSHALL – was the first of a loose trilogy, to be followed by two the star directed himself (which he actually considered his own personal favorites and that I will be checking out in quick succession): INQUISITION (1976) and THE TRAVELER (1979).
In days of olde, an evil but beautiful seductress and her alchemist cohort manipulate a wealthy Baron into serving Satan. He grows more power-hungry with each ritual killing, until a revolt of the working class is mobilized against him.
DEVIL'S POSSESSED is a limp offering, ennobled somewhat by Paul Naschy's dependable screen vitality and the variably astute direction of Leon Klimovsky. Despite having a few fleeting gory moments, it's a curiously tame item, and less a horror film than a fantastical medieval adventure with poorly choreographed swordfight scenes. The strongest aspect of this production is the better-than-usual stylistic formulation of its period setting...but that's hardly reason enough to sing great praises.
Forestall Ye this picture, lest Ye perish of a great boredom. 3.5/10.
DEVIL'S POSSESSED is a limp offering, ennobled somewhat by Paul Naschy's dependable screen vitality and the variably astute direction of Leon Klimovsky. Despite having a few fleeting gory moments, it's a curiously tame item, and less a horror film than a fantastical medieval adventure with poorly choreographed swordfight scenes. The strongest aspect of this production is the better-than-usual stylistic formulation of its period setting...but that's hardly reason enough to sing great praises.
Forestall Ye this picture, lest Ye perish of a great boredom. 3.5/10.
I tend to love everything the great late Paul Naschy (R.I.P.) ever was in. While not all films starring Naschy are great, they all have a specific charm that can be found nowhere but in Naschy-flicks, and they are always entertaining. There is no rule without exception, however, as "El Mariscal Del Infierno" aka. "The Devil's Possessed" (1974) proves. While the film does have the specific Naschy-flick-charm, it sadly drags far too much and gets really, really dull in-between. Naschy stars as the evil Baron Gilles De Lancré, who oppresses the people and uses black magic and bloody rituals to stay in power. When Gaston de Malebranche (Guillermo Bredeston), who fought side by side with Gilles De Lancré against the British, learns about the Baron's evil behavior, he decides to turn against his former comrade in arms and help the people free themselves from the satanic Baron's tyranny...
Directed by León Klimovsky, who is best known for directing Naschy in "La Noche De Walpurgis" ("The Werewolf Vs. The Vampire Woman", 1971), the film was scripted by Naschy himself. Naschy often scripted his own films, and one must say that he mostly did a better, more original job than it is the case here. "El Mariscal Del Infierno" is mostly built up as a historical adventure rather than a Horror film, and it gets quite boring throughout the middle. It often resembles the Sword and Sandal films from the 50s, only that this film is set in medieval times. The Satanic part was probably only added because the great Paul Naschy's name is linked to the Horror genre. The film has its good parts: Paul Naschy giving weird speeches, Paul Naschy looking weird, Paul Naschy doing Satanic stuff, Paul Naschy torturing innocent victims, etc. But sadly, most of the film concentrates on the boring hero and the good guys, and these moments are boring. The female cast members are nice to look at, but, unlike most Naschy films, this one features no nudity and sleaze. There is some gore, but it mostly looks clumsy and isn't as fun too look at as it is the case with most other Naschy films. Overall, "El Mariscal Del Infierno" is only worth a look for my fellow Naschy-enthusiasts. There are dozens of films starring the Spanish Horror deity which should be seen before this one, such as "El Jorobado De La Morgue" ("The Hunchback of the Morgue", 1973), "La Orgia De Los Muertos" ("The Hanging Woman", 1973), "El Espanto Surge De La Tumba" ("Horror Rises From The Tomb", 1973), "Latidos De Panico" ("Panic Beats", 1983), "Rojo Sangre" (2004), or any of the 'Waldemar Daninsky' werewolf films. R.I.P. Paul Naschy. Legends never die!
Directed by León Klimovsky, who is best known for directing Naschy in "La Noche De Walpurgis" ("The Werewolf Vs. The Vampire Woman", 1971), the film was scripted by Naschy himself. Naschy often scripted his own films, and one must say that he mostly did a better, more original job than it is the case here. "El Mariscal Del Infierno" is mostly built up as a historical adventure rather than a Horror film, and it gets quite boring throughout the middle. It often resembles the Sword and Sandal films from the 50s, only that this film is set in medieval times. The Satanic part was probably only added because the great Paul Naschy's name is linked to the Horror genre. The film has its good parts: Paul Naschy giving weird speeches, Paul Naschy looking weird, Paul Naschy doing Satanic stuff, Paul Naschy torturing innocent victims, etc. But sadly, most of the film concentrates on the boring hero and the good guys, and these moments are boring. The female cast members are nice to look at, but, unlike most Naschy films, this one features no nudity and sleaze. There is some gore, but it mostly looks clumsy and isn't as fun too look at as it is the case with most other Naschy films. Overall, "El Mariscal Del Infierno" is only worth a look for my fellow Naschy-enthusiasts. There are dozens of films starring the Spanish Horror deity which should be seen before this one, such as "El Jorobado De La Morgue" ("The Hunchback of the Morgue", 1973), "La Orgia De Los Muertos" ("The Hanging Woman", 1973), "El Espanto Surge De La Tumba" ("Horror Rises From The Tomb", 1973), "Latidos De Panico" ("Panic Beats", 1983), "Rojo Sangre" (2004), or any of the 'Waldemar Daninsky' werewolf films. R.I.P. Paul Naschy. Legends never die!
Not the greatest film to remember Paul Naschy by.
Gaston (Guillermo Bredeston) is probably the worst swordsman I have ever seen. Zorro would be ashamed! His only salvation came as the competition was just as bad.
This film is described as adventure and horror. Forget the horror - there is none. No nudity, no blood, no monsters; just a Robin Hood adventure against an evil Baron (Paul Naschy) who wants to be King.
The main feature of the film was seeing Graciela Nilson, who only made four films in two years and disappeared to our regrettable loss. Where did she go?
Gaston (Guillermo Bredeston) is probably the worst swordsman I have ever seen. Zorro would be ashamed! His only salvation came as the competition was just as bad.
This film is described as adventure and horror. Forget the horror - there is none. No nudity, no blood, no monsters; just a Robin Hood adventure against an evil Baron (Paul Naschy) who wants to be King.
The main feature of the film was seeing Graciela Nilson, who only made four films in two years and disappeared to our regrettable loss. Where did she go?
Le saviez-vous
- AnecdotesThe film is very loosely based on the life of the infamous French serial killer Gilles de Rais (1404-1440), knight and baron from Brittany, Anjou and Poitou, Marshal of France, and former companion of Joan of Arc.
- GaffesDuring a passionate kiss between Norma Sebre and Paul Naschy, there is a fly sitting on her wig.
- Citations
Barón Gilles de Lancré: [of defenseless religious pilgrims] Kill them all!
- ConnexionsFeatured in Cineficción Radio: Paul Naschy (2020)
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Détails
- Durée
- 1h 35m(95 min)
- Rapport de forme
- 1.33 : 1(original ratio, open matte)
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant