Du bi quan wang da po xue di zi

once again another awesome movie from a genre that can do no wrong. The chpo socky samurai and ninja movie of the late 60's to the early 80's where a genre of movies that never were big on substance but they more than made up for it with an overabundence of style. Here we have a colorful cast of token good and bad guys each with some unique charecter aspect that allows them to stand out. I'm sure that in the early nineties when the Mortal Kombat and Street Fighter games where coming out the makers had had some of this movie's charecters in mind. Most notably the future street fighter charecter who is Indian and can stretch his limbs way out of proportion. The movie moves along through some really wonderful fight sequences with the usual array of weird weapons and fighting techniques. Thank god Quentin Tarantino has done enough name dropping to single handedly bring this genre back to life. For most of the eighties and early nineties finding these movies was next to impossible. Now their occasionaly even on cable. Way to go.

This film brought a rush of half-forgotten memories...I was seven years old, living in suburban Ventura Country, California, munching on Count Chocula, and glued to the screen for Channel 7's Black Belt Theater. And that was the last time I witnessed the adventures of the One Armed Boxer and his arch-nemesis, the blind Master of the Flying Guillotine for a long, long time...

Fast forward twenty years. I stumbled across a pirated copy of this old school chop sockey classic. I couldn't believe my eyes. I had always reminisced to my friends about this flick...with its weapon that could decapitate from 40 yards, a stretchy armed Indian fakir, and perhaps the first fight between the arch-rivals Eagle Claw and Monkey Style.

I am convinced that this is the Movie that Launched a Thousand Video Games. The resemblance to Streetfighter is obvious, but this movie's whole-setup must have inspired countless button-pushin' fisticuffs that would dominate our leisure time in the following decades.

But if you go beyond the nostalgia factor and the video game inspirations, you'll find a finely-crafted, well-acted, and genuinely exciting film. Jimmy Wang Yu reprises his role as the One Armed Boxer, a thinking man's kung-fu hero. (I believe this film was third in a series of One Armed Boxer flicks). The hated Qing regime has sent the notorious (and blind) Master of the Flying Guillotine to snuff out all those pesky Ming sympathizers, and the One Armed Boxer is on top of the hitlist. (Yeah, yeah, I know I've just described the premise of five million other kung fu flicks, but stay with me). Not only that, but the Boxer had the gall to kill two other assassins who happened to be the blind man's disciples!

The Master of the Flying Guillotine is sheer evil itself. He launches into a killing spree, murdering every poor slob in the province who happens to sport only one arm. (Along with anybody foolish enough to get in his way). After being informed that he didn't kill the One Armed Boxer in his lastest decapitation, the blind assassin utters what is perhaps the coldest line in cinematic history--"I don't care who he was." Yikes.

Of course, the Boxer and the Blind Killer have the Final Throw Down Show Down...in perhaps one of the most beautifully shot fight scenes I've ever witnessed. True to form, Jimmy uses his brain as much as his fists when it comes to taking down his enemies...but I don't want to give anymore of this wonderful lost classic away.

Also of note is the music for the film...the opening titles is a veritable punk/thrash classic, and the the Flying Guillotine's theme music lets you know Evil is Afoot. I love it.

So..if you can find it, check this flick out...and then you'll see where Namco and Jet Li got it all from. It's time to go back to Old School.

This one has to be seen to be believed! Jimmy Wang Yu, star of the Aussie cult classic 'The Man From Hong Kong', writes, directs and stars in this movie, which is one of the most entertaining martial arts movies ever made! The movie opens with wily old blind man Fung Shen Wu Chi (Kang Kam) receiving a message via carrier pigeon from his favourite nephews Tiger and Dragon telling him that they have been killed by the one armed boxer (Wang Yu). Now how they could write this message AFTER they had been killed is still a mystery to me, but this is the kinda movie where you just don't ask questions! So the old man goes off to avenge their deaths, armed with his secret weapon, a flying guillotine. This is a kinda hat box on a rope which he swings. It lands on people's heads and he decapitates them! He also likes to throw explosives at his enemies just to keep them on their toes. Anyway, he travels to a fighting tournament hoping that they one armed boxer will show. Of course he does and we eventually get an exciting climactic battle between the Master Of The Flying Guillotine and the One Armed Boxer. But before that we see a lot of the competitors having individual fights, the most memorable being the "swami master" from India. He's played by a Hong Kong actor in black face, and every time he comes on screen there's sitar music playing just so we know who he is I suppose. The swami has a special talent - he can make his arms extend. This makes for some supremely silly moments which are just hilarious. In fact the whole movie is hilarious. I loved every minute of it! If you like Kung Fu you MUST see this! Highly recommended fun!

This is a sequel to director Yu Wang's 1971 film One-Armed Boxer (Dop bey kuan wan). Fung Sheng Wu Chi (Kang Kam), as the master of the flying guillotine, is a blind Ching Dynasty assassin, with a directive to quell potential rebels. After his two disciples were killed by Tien Lung (Yu Wang), the one-armed boxer (in the prequel), Fung has sworn revenge.

Although many rightfully consider this film a masterpiece, if you're not much of a fan of martial arts fight sequences in films, you probably shouldn't bother with Master of the Flying Guillotine. That's because there isn't much screen time taken up by anything else. Beside the fights, there is very little action or dialogue. Every fight in Master of the Flying Guillotine is engaging, but the last two are probably the best. These are two of the best fight scenes I've seen in any film.

We know right out of the gate that Master of the Flying Guillotine is going to be something special. The opening cinematography is beautiful, the introduction to Fung captivating, and we're quickly introduced to an ingeniously odd and sinister "growling/grinding" musical leitmotif for Fung, which is achieved by slowing down a musical recording (it's actually a song by the German band Neu!) As a leitmotif, the music reappears whenever Fung reappears, with all the impact and then some of Darth Vader's leitmotif music in the Star Wars films.

There are two factors that make this film so remarkable overall. The first is the fantastic and brutal nature of the martial arts. In a lesser film, the fantasy aspects could easily be unintentionally funny. Here, they're just enthralling. Every fighter has some unique style and/or skill, and the extended "kung fu gladiator" tournament focuses on these, to our benefit. The second, less obvious factor, is the depth of characterization and implied, complex plot and backstory achieved by Yu Wang solely through the fight sequences. Even though 90-something percent of the film is just fight sequences, nothing is lacking.

A 10 out of 10 from me.

After hearing that his two disciples have been killed by One-Armed Boxer Liu Ti Lung (Yu Wang), blind Ching master Fung Sheng Wu Chi (Kang Chin) vows to avenge their deaths. Travelling to a martial arts tournament where Liu Ti Lung is expected to attend, Fung Sheng Wu Chi proceeds to whip the head off anyone unfortunate enough to only have one arm (rather strangely, the town where the competition is being staged seems to have a surfeit of one-armed men!).

Ordinarily, a fight between a sighted one-armed man and a blind guy would be a pretty lame affair (and the outcome inevitable: in the land of the blind, the one-armed man is king!), but in the world of martial arts movies, such a battle proves less predictable and hugely entertaining, the One-Armed Boxer scooting up walls and delivering mighty blows, the blind fellow using his extra-sensory powers to fling his 'flying guillotine' with deadly accuracy.

But this isn't the only amazing duel on offer in Master of the Flying Guillotine: the tournament consists of several equally astounding one-on-one battles between a wide variety of foes, each with their own distinctive fighting style. Thai boxer Nai Men (Chien-Po Tsen) does a funny dance routine before each fight, kung fu babe Shao-Tieh (Chung-Erh Lung) uses her Eagle Claw to tear the clothes off her monkey style opponent, Daredevil Lee Sen pokes out the eyes of the resilient Iron Skin, Japanese fighter Win-Without-a-Knife Yakuma actually uses a knife to win, and Indian Yoga Tro La Seng extends his arms to incredible length. The fights are well choreographed and wonderfully vicious, with broken limbs, gougings, and impalements galore.

There are also some cool fights outside of the arena, the best being between Liu Ti Lung and Nai Men in a small hut with a searing hot floor, and Tro La Seng against Liu Ti Lung, who smashes his opponent's telescopic arms.

Eventually Fung Sheng Wu Chi tracks down Liu Ti Lung and the scene is set for the final battle, the One-Armed Boxer having laid a few traps for his bitter foe. As the pair duke it out in a coffin shop, spring loaded hatchets are activated by our one-armed hero, giving him an advantage over his head-snatching enemy. After lots of craziness, including a fun moment where Fung Sheng Wu Chi goes one better than Linda Blair by doing a 720 degree head turn, the blind man is hurled through a window to land dead in a coffin.

With so much inventive action and so many colourful characters, Master of the Flying Guillotine is a hugely entertaining old-school kung fu classic, essential viewing for any self-respecting fan of the genre.